A major economic industry among American Indian tribes is the public promotion and display of aspects of their cultural heritage in a range of tourist venues. Few do it better than the Eastern Band of the Cherokee, whose homeland is the Qualla Boundary of North Carolina. This book presents the two faces of the Cherokee people. One is the public face that populates the powwows, dramatic presentations, museums, and myriad roadside craft locations. The other is the private face whose homecoming, Indian fairs, traditions, belief system, community strength, and cultural heritage are threatened by the very activities that put food on their tables.
As tourists increasingly moved across the United States in the late nineteenth and early twentieth centuries, a surprising number of communities looked to capitalize on the histories of Native American people to create tourist attractions. From the Happy Canyon Indian Pageant and Wild West Show in Pendleton, Oregon, to outdoor dramas like Tecumseh! in Chillicothe, Ohio, and Unto These Hills in Cherokee, North Carolina, locals staged performances that claimed to honor an Indigenous past while depicting that past on white settlers' terms. Linking the origins of these performances to their present-day incarnations, this incisive book reveals how they constituted what Katrina Phillips calls "salvage tourism"—a set of practices paralleling so-called salvage ethnography, which documented the histories, languages, and cultures of Indigenous people while reinforcing a belief that Native American societies were inevitably disappearing. Across time, Phillips argues, tourism, nostalgia, and authenticity converge in the creation of salvage tourism, which blends tourism and history, contestations over citizenship, identity, belonging, and the continued use of Indians and Indianness as a means of escape, entertainment, and economic development.
Discover the stories, history and meaning of Cherokee pottery and artists. The intricate designs and complex patterns of Cherokee pottery have been developed over centuries. Both timeless and time-honored, these singular works of pottery are still crafted by the proud hands of Cherokee women in Western North Carolina. Cherokee Pottery recounts the history of a tradition passed from elder to child through countless generations. Anna Fariello, associate professor at Western Carolina University, explores the method and meaning molded into each piece, along with the stories of the potters themselves.
“The Southeastern Indian people found their voices in this work. They are alive and well—still on their land!”—Hiram F. Gregory, coauthor of The Historic Indian Tribes of Louisiana: From 1542 to the Present “This collection fills a major void in our understanding of recent southern history by offering a wide-ranging selection of southern Indians a chance to speak for themselves, unfiltered, as they strike at the heart of identity: Indian identity, southern identity, and, ultimately, American identity.”—Greg O’Brien, editor of Pre-removal Choctaw History: Exploring New Paths The history of Native Americans in the U.S. South is a turbulent one, rife with conflict and inequality. Since the arrival of Spanish conquistadors in the fifteenth century, Native peoples have struggled to maintain their land, cultures, and ways of life. In We Will Always Be Here, contemporary tribal leaders, educators, and activists speak about their own experiences fighting for Indian identity, self-determination, cultural survival, and community development. This valuable collection portrays the lives of today’s Southern Indians in their own words. Reflecting on such issues as poverty, education, racism, cultural preservation, and tribal sovereignty, the contributors to this volume offer a glimpse into the historical struggles of southern Native peoples, examine their present-day efforts, and share their hopes for the future. They also share examples of cultural practices that have either endured or been revitalized. In a country that still faces challenges to civil rights and misconceptions about Indian identity and tribal sovereignty, this timely book builds a deeper understanding of modern Native peoples within a region where they are often overlooked. Contributors: Nanette Sconiers Pupalaikis | Stan Cartwright | Patricia Easterwood| Wanda Light Tully| Framon Weaver| Nancy Wright Carnley| Otha Martin| Marie Martin| Pauline Martin| Nathan Martin| Karla Martin| Kaci Martin| Marvin T. Jones| Shoshone Peguese-Elmardi| Lars Adams| Doug Patterson| Kenneth Adams| Hodalee Scott Sewell| Tony Mack McClure| Cedric Sunray| Brooke Bauer| Donna Pierite| Jean-Luc Pierite| Elisabeth Pierite-Mora| Harold Comby| Tom Hendrix| Michael "T. Mayheart" Dardar| Marcus Briggs-Cloud| Marvin "Marty" Richardson| Dana Chapman Masters| Robert Jumper| Robert Caldwell| Megan Young| Jessica Osceola| Ernest Sickey| Jeanette Alcon| Charles “Chuckie” Verdin| Phyliss J. Anderson| David Sickey| Stephanie Bryan| Malinda Maynor Lowery| Ahli-sha Stephens| Elliott Nichols
This volume celebrates the 40th anniversary of the 'Research in Economic Anthropology' series, presenting ten peer-reviewed anthropological papers looking at human vulnerability, the ways people attempt to cope with it and barriers to successfully overcoming it.
By 2009, reverberations of economic crisis spread from the United States around the globe. As corporations across the United States folded, however, small businesses on the Qualla Boundary of the Eastern Band of Cherokee Indians (EBCI) continued to thrive. In this rich ethnographic study, Courtney Lewis reveals the critical roles small businesses such as these play for Indigenous nations. The EBCI has an especially long history of incorporated, citizen-owned businesses located on their lands. When many people think of Indigenous-owned businesses, they stop with prominent casino gaming operations or natural-resource intensive enterprises. But on the Qualla Boundary today, Indigenous entrepreneurship and economic independence extends to art galleries, restaurants, a bookstore, a funeral parlor, and more. Lewis's fieldwork followed these businesses through the Great Recession and against the backdrop of a rapidly expanding EBCI-owned casino. Lewis's keen observations reveal how Eastern Band small business owners have contributed to an economic sovereignty that empowers and sustains their nation both culturally and politically.
The 1830s forced removal of Cherokees from their southeastern homeland became the most famous event in the Indian history of the American South, an episode taken to exemplify a broader experience of injustice suffered by Native peoples. In this book, Andrew Denson explores the public memory of Cherokee removal through an examination of memorials, historic sites, and tourist attractions dating from the early twentieth century to the present. White southerners, Denson argues, embraced the Trail of Tears as a story of Indian disappearance. Commemorating Cherokee removal affirmed white possession of southern places, while granting them the moral satisfaction of acknowledging past wrongs. During segregation and the struggle over black civil rights, removal memorials reinforced whites' authority to define the South's past and present. Cherokees, however, proved capable of repossessing the removal memory, using it for their own purposes during a time of crucial transformation in tribal politics and U.S. Indian policy. In considering these representations of removal, Denson brings commemoration of the Indian past into the broader discussion of race and memory in the South.
The official journal of the Mid-America Theatre Conference Theatre History Studies is the official journal of the Mid-America Theatre Conference, Inc. (MATC). The conference is dedicated to the growth and improvement of all forms of theatre throughout a twelve-state region that includes the states of Illinois, Iowa, Nebraska, Kansas, Missouri, Minnesota, North Dakota, South Dakota, and Wisconsin. Its purposes are to unite people and organizations within this region and elsewhere who have an interest in theatre and to promote the growth and development of all forms of theatre. Published annually since 1981, Theatre History Studies provides critical, analytical, and descriptive essays on all aspects of theatre history and is devoted to disseminating the highest quality peer-review scholarship in the field. CONTRIBUTORS Angela K. Ahlgren / Samer Al-Saber / Kelly I. Aliano / Gordon Alley-Young / Melissa Blanco Borelli / Trevor Boffone / Jay Buchanan / Matthieu Chapman / Joanna Dee Das / Ryan J. Douglas / Victoria Fortuna / Christiana Molldrem Harkulich / Alani Hicks-Bartlett / Jeanmarie Higgins / Lisa Jackson-Schebetta / Erin Rachel Kaplan / Heather Kelley / Patrick Maley / Karin Maresh / Lisa Milner / Courtney Elkin Mohler / Heather S. Nathans / Heidi L. Nees / Sebastian Samur / Michael Schweikardt / Teresa Simone / Dennis Sloan / Guilia Taddeo / Kyle A. Thomas / Alex Vermillion / Bethany Wood
