A significant number of Holocene societies throughout the world have resorted at one time or another to the making of paints or carvings on different places. The aim of the session A11e, held within the XVII World UISPP Congress, was to put together the experiences of specialists from different areas of the Iberian Peninsula and the World.
The Prehistoric Rock Art of Portugal presents significant interpretive perspectives in Portuguese rock art research and offers an excellent representation of core rock art areas, along with current thinking and interpretations. The various chapters deliver a personal approach to the many issues, themes and approaches that are embedded within the rock art of the outpost of western Atlantic Europe. Ethnographical perspectives have often dominated the study of rock art but unlike other well-studied regions, the western Iberian Peninsula is absent of an ethnographical or ethno-historical past and therefore the production of rock art can only be archaeologically assessed. Thus, the work promotes interpretive perspectives on Portuguese rock art, illustrating the richness, chronology and context of these unique artistic expressions and explores the variability of rock art imagery and the diversity of landscapes and social contexts in which it was produced. Although focusing on Portuguese rock art the book includes a number of universal themes that will appeal to a broad range of scholars researching in archaeology and anthropology, history of art, as well as professionals engaged in rock art heritage and conservation.
One of the principal characteristics of the European Neolithic is the development of monumentality in association with innovations in material culture and changes in subsistence from hunting and gathering to farming and pastoralism. The papers in this volume discuss the latest insights into why monumental architecture became an integral part of early farming societies in Europe and beyond. One of the topics is how we define monuments and how our arguments and recent research on temporality impacts on our interpretation of the Neolithic period. Different interpretations of Göbekli Tepe are examples of this discussion as well as our understanding of special landmarks such as flint mines. The latest evidence on the economic and paleoenvironmental context, carbon 14 dates as well as analytical methods are employed in illuminating the emergence of monumentalism in Neolithic Europe. Studies are taking place on a macro and micro scale in areas as diverse as Great Britain, Denmark, Sweden, Poland, Germany, the Dutch wetlands, Portugal and Malta involving a range of monuments from long barrows and megalithic tombs to roundels and enclosures. Transformation from a natural to a built environment by monumentalizing part of the landscape is discussed as well as changes in megalithic architecture in relation to shifts in the social structure. An ethnographic study of megaliths in Nagaland discuss monument building as an act of social construction. Other studies look into the role of monuments as expressions of cosmology and active loci of ceremonial performances. Also, a couple of papers analyse the social processes in the transformation of society in the aftermath of the initial boom in monument construction and the related changes in subsistence and social structure in northern Europe. The aim of the publication is to explore different theories about the relationship between monumentality and the Neolithic way of life through these studies encompassing a wide range of types of monuments over vast areas of Europe and beyond.
Global Perspectives for the Conservation and Management of Open-Air Rock Art Sites responds to the growth in known rock art sites across the globe and addresses the need to investigate natural and human-originated threats to them as well as propose solutions to mitigate resulting deterioration. Bringing together perspectives of international research teams from across five continents, the chapters in this book are divided into four discrete parts that best reflect the worldwide scenarios where conservation and management of open-air rock art sites unfolds: 1) ethics, community and collaborative approaches; 2) methodological tools to support assessment and monitoring; 3) scientific examination and interventions; and 4) global community and collaborative case studies innovating methodologies for ongoing monitoring and management. The diverse origin of contributions results in a holistic and interdisciplinary approach that conciliates perceived intervention necessity, community and stakeholders’ interests, and rigorous scientific analysis regarding open-air rock art conservation and management. The book unites the voices of the global community in tackling a significant challenge: to ensure a better future for open-air rock art. Moving conservation and management of open-air rock art sites in from the periphery of conservation science, this volume is an indispensable guide for archaeologists, conservators and heritage professionals involved in rock art and its preservation.
The Element summarises the state of knowledge about four styles of prehistoric rock art in Europe current between the late Mesolithic period and the Iron Age. They are the Levantine, Macroschematic and Schematic traditions in the Iberian Peninsula; the Atlantic style that extended between Portugal, Spain, Britain and Ireland; Alpine rock art; and the pecked and painted images found in Fennoscandia. They are interpreted in relation to the landscapes in which they were made. Their production is related to monument building, the decoration of portable objects, trade and long distance travel, burial rites, and warfare. A final discussion considers possible connections between these separate traditions and the changing subject matter of rock art in relation to wider developments in European prehistoric societies.
Like previous series entries, this volume covers rock art research and management all over the world over a 5-year period, in this case 2015-19. Contributions once again show the wide variety of approaches that have been taken in different parts of the world and reflect the expansion and diversification of perspectives and research questions.
This book presents contributions from MegaTalks 2, (Portugal, 2015), part of the MegaGeo project which aimed to analyse the raw material economy in the construction of megalithic tombs in multiple territories, showing the representation of several prehistoric communities that raised them and their relationship with the surrounding areas.
This book brings together specialists of the European Bronze and Iron Age and the Japanese Yayoi and Kofun periods for the first time to discuss burial mounds in a comparative context. The book aims to strengthen knowledge of Japanese archaeology in Europe and vice versa.
Petrification is a process, but it also can be understood as a concept. This volume takes the first steps to manifest, materialize or “petrify” the concept of “petrification” and turn it into a tool for analyzing material and social processes. The wide array of approaches to petrification as a process assembled here is more of a collection of possibilities than an attempt to establish a firm, law-generating theory. Divided into three parts, this volume’s twenty-plus authors explore petrification both as a theoretical concept and as a contextualized material and social process across geological, prehistoric and historic periods. Topics connecting the various papers are properties of materials, preferences and choices of actors, the temporality of matter, being and becoming, the relationality between actors, matter, things and space (landscape, urban space, built space), and perceptions of the following generations dealing with the petrified matter, practices, and social relations. Contributors to this volume study specifically whether particular processes of petrification are confined to the material world or can be seen as mirroring, following, triggering, or contradicting changes in social life and general world views. Each of the authors explores – for a period or a specific feature – practices and changes that led to increased conformity and regularity. Some authors additionally focus on the methods and scrutinize them and their applications for their potential to create objects of investigation: things, people, periods, in order to raise awareness for these or to shape or “invent” categories. This volume is of interest to archaeologists, geologists, architectural historians, conservationists, and historians.
