Public Art and Urban Memorials in Berlin
Public Art and Urban Memorials in Berlin

Author: Biljana Arandelovic

Publisher: Springer

Published: 2018-02-21

Total Pages: 371

ISBN-13: 3319734946

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This book provides insight into the significant area of public art and memorials in Berlin. Through diverse selected examples, grouped according to their basic character and significance, the most important art projects produced in the period since World War II are presented and discussed. Both as a critical theoretical work and rich photo book, this volume is a unique selection of Berlin’s diverse visual elements, contemporary and from the recent past. Some artworks are very famous and are already symbols of Berlin while others are less well known. Public Art and Urban Memorials in Berlin analyzes the connections created by public art on one hand, and urban space and architectural forms on the other. This volume considers the Berlin works of iconic artists such as Christo and Jeanne-Claude, Daniel Libeskind, Dani Karavan, Bernar Venet, Keith Haring, Christian Boltanski, Richard Serra, Peter Eisenman, Henry Moore, Claes Oldenburg and Coosje van Brüggen, Wolf Vostell, Gerhard Richter, Eduardo Chillida, Jonathan Borofsky, Olaf Metzel, Sol LeWitt, Frank Gehry, Max Lingner, Bernhard Heiliger, Frank Thiel, Juan Garaizabal and more. The reader is led through seven chapters: Creative City Berlin, Introduction to Public Art, Public Art in Berlin, the Celebration of Berlin’s 750th Anniversary in 1987, Temporary public art, Socialist Realism in Art, and Urban Memorials. The chapter Public Art in Berlin discusses selected projects, Bundestag Public Art Collection, Public Art at Potsdamer Platz and The City and the river – a renewed relationship. The chapter on urban memorials discusses: Remembering the Divided City and Holocaust Memorials in Berlin. The book delivers nine interviews with artists whose Berlin work is revealed through this volume (Bernar Venet, Hubertus von der Goltz, Dani Karavan, Juan Garaizabal, Susanne Lorenz, Kalliopi Lemos, Frank Thiel, Karla Sachse and Nikolaus Koliusis).

Street Art, Public City
Street Art, Public City

Author: Alison Young

Publisher: Routledge

Published: 2013-11-20

Total Pages: 181

ISBN-13: 1135143595

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What is street art? Who is the street artist? Why is street art a crime? Since the late 1990s, a distinctive cultural practice has emerged in many cities: street art, involving the placement of uncommissioned artworks in public places. Sometimes regarded as a variant of graffiti, sometimes called a new art movement, its practitioners engage in illicit activities while at the same time the resulting artworks can command high prices at auction and have become collectable aesthetic commodities. Such paradoxical responses show that street art challenges conventional understandings of culture, law, crime and art. Street Art, Public City: Law, Crime and the Urban Imagination engages with those paradoxes in order to understand how street art reveals new modes of citizenship in the contemporary city. It examines the histories of street art and the motivations of street artists, and the experiences both of making street art and looking at street art in public space. It considers the ways in which street art has become an integral part of the identity of cities such as London, New York, Berlin, and Melbourne, at the same time as street art has become increasingly criminalised. It investigates the implications of street art for conceptions of property and authority, and suggests that street art and the urban imagination can point us towards a different kind of city: the public city. Street Art, Public City will be of interest to readers concerned with art, culture, law, cities and urban space, and also to readers in the fields of legal studies, cultural criminology, urban geography, cultural studies and art more generally.

The City as Subject
The City as Subject

Author: Carolyn S. Loeb

Publisher: Bloomsbury Publishing

Published: 2022-02-24

Total Pages: 256

ISBN-13: 135025861X

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In The City as Subject, Carolyn S. Loeb examines distinctive bodies of public art in Berlin: legal and illegal murals painted in West Berlin in the 1970s and 1980s, post-reunification public sculptures, and images and sites from the street art scene. Her careful analyses show how these developed new architectural and spatial vocabularies that drew on the city's infrastructure and daily urban experience. These works challenged mainstream urban development practices and engaged with citizen activism and with a wider civic discourse about what a city can be. Loeb extends this urban focus to her examination of the extensive outdoor installation of the Berlin Wall Memorial and its mandate to represent the history of the city's division. She studies its surrounding neighborhoods to show that, while the Memorial adopts many of the urban-oriented vocabularies established by the earlier works of public art she examines, it truncates the story of urban division, which stretches beyond the Wall's existence. Loeb suggests that, by embracing more multi-vocal perspectives, the Memorial could encourage the kind of participatory and heterogeneous construction of the city championed by the earlier works of public art.

Urban Memory and Visual Culture in Berlin
Urban Memory and Visual Culture in Berlin

Author: Simon Ward

Publisher:

Published: 2016

Total Pages: 0

ISBN-13: 9789089648532

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As sites of turbulence and transformation, cities are machines for forgetting. And yet archiving and exhibiting the presence of the past remains a key cultural, political and economic activity in many urban environments. This book takes the example of Berlin over the past four decades to chart how the memory culture of the city has responded to the challenges and transformations thrown up by the changing political, social and economic organization of the built environment. The book focuses on the visual culture of the city (architecture, memorials, photography and film). It argues that the recovery of the experience of time is central to the practices of an emergent memory culture in a contemporary 'overexposed' city, whose spatial and temporal boundaries have long since disintegrated.

Belgrade
Belgrade

Author: Biljana Arandelovic

Publisher: Springer Nature

Published: 2020-01-01

Total Pages: 317

ISBN-13: 3030350703

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This book highlights Belgrade, reviewing its recent and historical developments and emphasizing its major ongoing planning projects. The book is divided into eight chapters. The first, entitled The urban, political and socioeconomic rise and fall of Belgrade through its history, introduces the reader to the city, and is followed by a chapter on Belgrade’s urban plans through history. The book continues with a chapter on one of the major urban projects in the former Yugoslavia, the construction of New Belgrade, its development and results, entitled New Belgrade: from no man’s land to modern city. In turn, the following three chapters explore three dominant contemporary topics: Belgrade’s riverfront redevelopment; Reimaging Belgrade: the case of Savamala; and Sustainable Belgrade. Expansion of the pedestrian zone in the city center. The book draws to a close with a chapter on Future predictions: South-Eastern European metropolis of the 21st century. This chapter in particular discusses large city projects and includes predictions about the city’s future.

The Berlin Cold War Companion 1945-1989
The Berlin Cold War Companion 1945-1989

Author: David McCormack

Publisher: Fonthill Media

Published: 2019-11-03

Total Pages: 271

ISBN-13:

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This highly detailed, absorbing Cold War guide is the ideal companion for anyone wishing to explore the once divided capital of Berlin. Using his in-depth knowledge as a historian and battlefield/historical guide, David McCormack describes in vivid detail the tension and drama of the long standoff between the superpowers which shaped the landscape of both a defeated Germany and Europe for years to come. Meticulous historical research combines with the author's intimate knowledge of Berlin to produce a user friendly guide rich in historical detail. Prepare for a fascinating journey across the Cold War landscape of Berlin as it is today.

Empty Plinths
Empty Plinths

Author: José Esparza Chong Cuy

Publisher: Harvard Graduate School of Design

Published: 2022-11-15

Total Pages: 250

ISBN-13: 9780674278578

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Empty Plinths responds to the debate around the Columbus monument in Mexico City and probes the unstable narratives behind other memorials and public sculptures in the city. This collection of essays, interviews, artistic contributions, and public policy proposals reveals and reframes the histories embedded within contested public spaces in Mexico.

Counterpreservation
Counterpreservation

Author: Daniela Sandler

Publisher: Cornell University Press

Published: 2016-12-15

Total Pages: 274

ISBN-13: 1501706802

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In Berlin, decrepit structures do not always denote urban blight. Decayed buildings are incorporated into everyday life as residences, exhibition spaces, shops, offices, and as leisure space. As nodes of public dialogue, they serve as platforms for dissenting views about the future and past of Berlin. In this book, Daniela Sandler introduces the concept of counterpreservation as a way to understand this intentional appropriation of decrepitude. The embrace of decay is a sign of Berlin's iconoclastic rebelliousness, but it has also been incorporated into the mainstream economy of tourism and development as part of the city's countercultural cachet. Sandler presents the possibilities and shortcomings of counterpreservation as a dynamic force in Berlin and as a potential concept for other cities. Counterpreservation is part of Berlin's fabric: in the city's famed Hausprojekte (living projects) such as the Køpi, Tuntenhaus, and KA 86; in cultural centers such as the Haus Schwarzenberg, the Schokoladen, and the legendary, now defunct Tacheles; in memorials and museums; and even in commerce and residences. The appropriation of ruins is a way of carving out affordable spaces for housing, work, and cultural activities. It is also a visual statement against gentrification, and a complex representation of history, with the marks of different periods—the nineteenth century, World War II, postwar division, unification—on display for all to see. Counterpreservation exemplifies an everyday urbanism in which citizens shape private and public spaces with their own hands, but it also influences more formal designs, such as the Topography of Terror, the Berlin Wall Memorial, and Daniel Libeskind's unbuilt redevelopment proposal for a site peppered with ruins of Nazi barracks. By featuring these examples, Sandler questions conventional notions of architectural authorship and points toward the value of participatory environments.

Memorials as Spaces of Engagement
Memorials as Spaces of Engagement

Author: Quentin Stevens

Publisher: Routledge

Published: 2015-08-11

Total Pages: 289

ISBN-13: 1317600037

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Memorials are more diverse in design and subject matter than ever before. No longer limited to statues of heroes placed high on pedestals, contemporary memorials engage visitors in new, often surprising ways, contributing to the liveliness of public space. In Memorials as Spaces of Engagement Quentin Stevens and Karen A. Franck explore how changes in memorial design and use have helped forge closer, richer relationships between commemorative sites and their visitors. The authors combine first hand analysis of key examples with material drawn from existing scholarship. Examples from the US, Canada, Australia and Europe include official, formally designed memorials and informal ones, those created by the public without official sanction. Memorials as Spaces of Engagement discusses important issues for the design, management and planning of memorials and public space in general. The book is organized around three topics: how the physical design of memorial objects and spaces has evolved since the 19th century; how people experience and understand memorials through the activities of commemorating, occupying and interpreting; and the issues memorials raise for management and planning. Memorials as Spaces of Engagement will be of interest to architects, landscape architects and artists; historians of art, architecture and culture; urban sociologists and geographers; planners, policymakers and memorial sponsors; and all those concerned with the design and use of public space.

Structures of Memory
Structures of Memory

Author: Jennifer A. Jordan

Publisher: Stanford University Press

Published: 2006

Total Pages: 308

ISBN-13: 9780804752770

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Structures of Memory turns to the landscape of contemporary Berlin, particularly places marked by the presence of the Nazi regime, in order to understand how some places of great cruelty or great heroism are forgotten by all but eyewitnesses, while others become the site of public ceremonies, museums, or commemorative monuments.