Many of the themes which were elaborated in Hanna Segal's earlier work return in this volume of her most recent papers. Two act as connecting strands and give the book its unity: the clinical usefulness of the concept of the death instinct and the relationship between fantasy and reality. A past mistress at capturing the vitality of the clinical session on the page, Segal shows how the same conflicts between life and death instincts, fantasy and reality, are experienced in the consulting room, reflected in literature, and played out by nations in their attitudes to war. Edited by John Steiner, this collection of writings by a leading psychoanalytic thinker provides a rich source of clinical insights and challenging theory for all analysts practising today.
Over the past decade, psychoanalysis has been a focus of continuing controversy for feminism, and at the centre of debates in the humanities about how we read literature and culture. In these essays, Jacqueline Rose continues her engagement with these issues while arguing for a shift of attention - from an emphasis on sexuality as writing to the place of the unconscious in the furthest reaches of or cultural and political lives. With essays on war, capital punishment and the dispute over seduction in relation to Freud, she opens up the field of psychopolitics. Finally in two extended essays on Melanie Klein and her critics, she suggests that it is time for a radical rereading of Klein's work.
This book presents unique insights into the experiences of frontline medical workers during the COVID-19 pandemic, psychoanalytic work with trauma and perspectives from literature. Part One presents a set of six ‘testimonies’, transcribed from video interviews conducted by Françoise Davoine with nurses, doctors and intensive care anaesthesiologists. These interviews are drawn on in Part Two, ‘Frontline Psychoanalysis’, which tells the story of transference related to catastrophic events, discovered and subsequently abandoned by Freud when he gave up the psychoanalysis of trauma in 1897. Davoine discusses the occurrence of this specific type of transference, both during the First World War, in which psychotherapists modified classical techniques and invented the psychoanalysis of madness in order to treat traumatised soldiers, and during the current and previous pandemics. The book also considers social and artistic responses to trauma, from the popularity of the Theatre of Fools after the Black Death ravaged Europe, to the psychotherapy described in such circumstances by Boccaccio’s Decameron. This accessible work offers an insightful reflection on trauma and the human experience. Pandemics, Wars, Traumas and Literature will be of great interest to psychoanalysts in practice and in training, psychoanalytic psychotherapists and academics and scholars of literature.
This is a collection of psychoanalytical essays on a broad spectrum of well-known Russian authors, such as Puskin, Dostoevsky, Gogol, Belyj, Tjutcev, Axmatova, and Nabokov. The volume includes some reprints, among which a contribution by Sigmund Freud on Dostoevsky and Parricide'. The majority of the contributions are original publications by present-day specialists in the field. This is a book which may benefit literary scholars as well as professional psychoanalysts.
The remarkable story of how the Allies used psychoanalysis to delve into the motivations of the Nazi leadership and to explore the mass psychology of fascism.
"Many medical men, who had previously held themselves aloof from psycho - analysis, have been brought into close touch with its theories through their service with the army compelling them to deal with the question of the war neuroses. The reader can easily gather from Ferenczi's contribution to the subject with what hesitation and misgivings this advance was made. Some of the factors, such as the psycho-genetic origin of the symptoms, the significance of unconscious impulses, and the part that the primary advantage of being ill plays in the adjusting psychical conflicts ("flight into disease"), all or which had long before been discovered and described as operating in the neuroses of peace time, were found also in the war neuroses and almost generally accepted. The war neuroses, in so far as they differ from the ordinary neuroses of peace time through particular peculiarities, are to be regarded as traumatic neuroses, whose existence has been rendered possible or promoted through an ego-conflict. In Abraham's contribution there are plain indications of this ego-conflict; the English and American authors whom Jones quotes have also recognised it. The conflict takes place between the old ego of peace time and the new war-ego of the soldier, and it becomes acute as soon as the peace-ego is faced with the danger of being killed through the risky undertakings of his newly formed parasitical double." [...] This book on psycho - analysis and war neuroses is a reprint of the originally published book from 1921.
"Brilliant . . . a must read for veterans and those who seek to understand them."—Huffington Post The Untold War draws on revealing interviews with servicemen and -women to offer keen psychological and philosophical insights into the experience of being a soldier. Bringing to light the ethical quandaries that soldiers face—torture, the thin line between fighters and civilians, and the anguish of killing even in a just war—Nancy Sherman opens our eyes to the fact that wars are fought internally as well as externally, enabling us to understand the emotional tolls that are so often overlooked.
A revolutionary new approach to the place of Nazi ideology in twentieth-century thought Psychoanalysis was a symptom of everything the Nazis reviled: an intellectual assault on Kultur largely perpetrated by Jews. It was also, as this remarkable work shows, an inescapable symptom of modernity, practiced, transformed, and perpetuated by and within the Nazi regime. A sweeping, magisterial work by one of the most incisive and interesting scholars of modern philosophy, theory, and culture, Nazi Psychoanalysis studies the breadth of this phenomenon in order to clarify and deepen our understanding not only of psychoanalysis but of the twentieth century. Tracing the intersections of psychoanalysis and Nazism, Laurence A. Rickels discovers startling conjunctions and continuities in writers as diverse as Adler and Adorno, Kafka and Goethe, Lacan, H. Rider Haggard, and Heidegger, and in works as different as Der Golem, Civilization and Its Discontents, Frankenstein, Faust, and Brave New World. In a richly allusive style, he writes of psychoanalysis in multifarious incarnations, of the concept and actual history of "insurance," of propaganda in theory and practice, of psychological warfare, Walt Disney, and the Frankfurt School debates--a dizzying tour of the twentieth century that helps us see how the "corridor wars" that arise in the course of theoretical, clinical, social, political, and cultural attempts to describe the human psyche are related to the world wars of the century in an intimate and infinitely complicated manner. Though some have used its appropriation by the Nazis to brand psychoanalysis with the political odium of fascism, Rickels instead finds an uncanny convergence--one that suggests far-reaching possibilities for both psychoanalysis and psychoanalytic criticism. His work, with its enormous intellectual and historical span, makes a persuasive argument that no element of modernity--not psychoanalysis any more than Marxism or deconstruction, cultural revolutions or technological advances-can be adequately understood without a thorough consideration of its Nazi component.
