The Imaginary Signifier

The Imaginary Signifier

Author: Christian Metz

Publisher: Indiana University Press

Published: 1981

Total Pages: 344

ISBN-13: 9780253203809

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"... less about film than about the psychology of the viewing experience." --American Film Employing Freudian psychoanalysis, Christian Metz explores the nature of cinematic spectatorship and looks at the operations of meaning in the film text.


Questions of Cinema

Questions of Cinema

Author: Stephen Heath

Publisher:

Published: 1981

Total Pages: 272

ISBN-13: 9780253159137

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"It is essential reading for anyone concerned with the theoretical discussion of cinema, and ideology in general." -- Semiotica ..". Heath is an antidote to the Cinema 101 worldview." -- Voice Literary Supplement Heath's study of film draws on Lacanian psychoanalysis, semiotics, and Marxism, presenting film as a signifying practice and the cinema as a social institution of meanings.


Lacan and Contemporary Film

Lacan and Contemporary Film

Author: Todd Mcgowan

Publisher: Other Press, LLC

Published: 2020-09-08

Total Pages: 262

ISBN-13: 1635421063

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This unique volume collects a series of essays that link new developments in Lacanian psychoanalytic theory and recent trends in contemporary cinema. Though Lacanian theory has long had a privileged place in the analysis of film, film theory has tended to ignore some of Lacan's most important ideas. As a result, Lacanian film theory has never properly integrated the disruptive and troubling aspects of the filmic experience that result from the encounter with the Real that this experience makes possible. Many contemporary theorists emphasize the importance of the encounter with the Real in Lacan's thought, but rarely in discussions of film. By bringing the encounter with the Real into the dialogue of film theory, the contributors to this volume present a new version of Lacan to the world of film studies. These essays bring this rediscovered Lacan to bear on contemporary cinema through analysis of a wide variety of films, including Memento, Eyes Wide Shut, Breaking the Waves, and Fight Club. The films discussed here demand a turn to Lacanian theory because they emphasize the disruptive role of the Real and of jouissance in the experience of the human subject. There is a growing number of films in contemporary cinema that speak to film's power to challenge and disturb the complacency of spectators, and the essays in Lacan and Contemporary Film analyze some of these films and bring their power to light. Because of its dual focus on developments in Lacanian theory and in contemporary film, this collection serves as both an accessible introduction to current Lacanian film theory and an introduction to the study of contemporary cinema. Each essay provides an accessible, jargon-free analysis of one or more important films, and at the same time, each explains and utilizes key concepts of Lacanian theory. The collection stages an encounter between Lacanian theory and contemporary cinema, and the result is the enrichment of both.


Film Language

Film Language

Author: Christian Metz

Publisher: University of Chicago Press

Published: 1991

Total Pages: 290

ISBN-13: 9780226521305

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A pioneer in the field, Christian Metz applies insights of structural linguistics to the language of film. "The semiology of film . . . can be held to date from the publication in 1964 of the famous essay by Christian Metz, 'Le cinéma: langue ou langage?'"—Geoffrey Nowell-Smith, Times Literary Supplement "Modern film theory begins with Metz."—Constance Penley, coeditor of Camera Obscura "Any consideration of semiology in relation to the particular field signifying practice of film passes inevitably through a reference to the work of Christian Metz. . . . The first book to be written in this field, [Film Language] is important not merely because of this primacy but also because of the issues it raises . . . issues that have become crucial to the contemporary argument."—Stephen Heath, Screen


Endless Night

Endless Night

Author: Janet Bergstrom

Publisher: Univ of California Press

Published: 1999-06-30

Total Pages: 324

ISBN-13: 9780520207486

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On film theory and psychoanalysis


Film Study

Film Study

Author: Frank Manchel

Publisher: Fairleigh Dickinson Univ Press

Published: 1990

Total Pages: 988

ISBN-13: 9780838631867

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The four volumes of Film Study include a fresh approach to each of the basic categories in the original edition. Volume one examines the film as film; volume two focuses on the thematic approach to film; volume three draws on the history of film; and volume four contains extensive appendices listing film distributors, sources, and historical information as well as an index of authors, titles, and film personalities.


Psychoanalytic Film Theory and The Rules of the Game

Psychoanalytic Film Theory and The Rules of the Game

Author: Todd McGowan

Publisher: Bloomsbury Publishing USA

Published: 2015-07-30

Total Pages: 193

ISBN-13: 162892084X

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"Psychoanalytic Film Theory and The Rules of the Game offers a concise introduction to psychoanalytic film theory in jargon-free language and shows how this theory can be deployed to interpret Jean Renoir's classic film"--


Christian Metz and the Codes of Cinema

Christian Metz and the Codes of Cinema

Author: Margrit Tröhler

Publisher: Film Theory in Media History

Published: 2018

Total Pages: 0

ISBN-13: 9789089648921

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A pioneering figure in film studies, Christian Metz proposed countless new concepts for reflecting on cinema, rooted in his phenomenological structuralism. He also played a key role in establishing film studies as a scholarly discipline, making major contributions to its institutionalisation in universities worldwide. This book brings together a stellar roster of contributors to present a close analysis of Metz's writings, their theoretical and epistemological positions, and their ongoing influence today.