Cupid and Psyche Apuleius - Cupid and Psyche is a story from the Latin novel Metamorphoses, also known as The Golden Ass, written in the 2nd century AD by Apuleius. It concerns the overcoming of obstacles to the love between Psyche (Soul or Breath of Life) and Cupid (Desire), and their ultimate union in a sacred marriage.
Life without myth, the vital force of archetypal experiences, is life filled with maladies, neuroses, addictions, and disease. Alchemy of the Soul retells the myth of Eros and Psyche to help readers reconnect mind and relatedness to find wholeness and deep meaning. Author Martin Lowenthal describes how the story of Eros and Psyche illustrates the alchemical process of marrying soul and matter so that life can be lived with more joy, meaning, and a tangible sense of divine love. The book is divided into three parts: • Part 1 is a beautiful retelling of the myth of Eros and Psyche. • Part 2 examines the power of myth and alchemy and shows how spiritual alchemy can restore and transform the soul. • Part 3 is an initiation into the alchemical mysteries using myth as mentor. Lowenthal writes, "The story assails the defenses of our mind and our reactive habits and seeks to wrest a victory for life and growth from the inertia of daily habits and confusion. It initiates us into a world far more vibrant, rich, and nourishing than the one we knew in childhood and naively, yet regressively, settle for. In this sense, story reveals what happens as we attempt to spread our emotional wings in the developmentally confining domain of our childhood home and community and what it takes to make something significant of ourselves in ways that feed the future. As guests of the story, we discover the larger sacred garden in which we emerge as a unique and beautiful flower in a bed of exquisite blossoms, each one unique and essential." Alchemy of the Soul takes alchemy from the realm of the esoteric and places it in practical terms of story—terms that anyone can understand, value, and use as a guide to life.
From the artist of the bestselling Faithless series...comes Eros/Psyche. La Rosa's female boarding school is paradise for young girls...but only if you follow the rules. Because, if you disobey them, you can end up expelled, or even worse, dead. Sara and Silje are two students learning the rules of the school, which includes classes by day...and the casting of curses and spells by night. A love develops between the two, which is tender, but threatens to break under the weight of the dark secret society within La Rosa. Acclaimed creator Maria Llovet (Faithless, Heartbeat, Loud) brings you a surreal, bewitching tale of love, magic, and tragedy in Eros/Psyche.
The Eros and Psyche myth has, over the course of the twentieth century, received nearly as much attention from depth psychologists as has the Oedipus story. In their attempt to better understand this popular story, scholars have proposed various interpretations, which have generally followed eithether Freudian or Jungian theories about the nature of the psyche and its development. This elaborate work provides serious students of psychology, religion and mythology with a detailed account and analysis of what has been accomplished in the spychological interpretation of the Eros and Psyche myth to date. It emphasizes how psychological theory determines the direction of interpretation much more than does the literary context of the myth itself. It also examines the strengths and weaknesses of these psychological interpretations (five Freudian and six Jungian) of the Eros and Psyche myth in order to lay the groundwork for an interpretation which (1) avoids the rigidity of both Freudian and Jungian dogma and (2) restores the myth to its rightful literary and religious context — something which has been ignored by most psychological interpretations.
The God of Love loses his heart to a mortal girl in this timeless tale of passion, devotion and eternal love. Eros is the goddess Aphrodite's son and servant, shooting his love-tipped arrows at gods and humans alike to stir their passions for good or ill. When his mother becomes jealous of Psyche, the beautiful daughter of a king, Eros is sent to seal the girl's doom - but with a scratch from his own arrow, he falls in love with her himself. Psyche wants more from life than to be married off to a suitor of her father's choosing. The Oracle foretells she will marry the "Almighty Monster, to whom men and gods alike are enslaved," and she is abandoned to meet her woeful fate. Instead, she is spirited away to a spectacular palace and discovers tenderness and passion in the arms of her mysterious, invisible husband: Eros. Yet mistrust shatters their bliss, and Psyche must win back her beloved through many labors at the hands of the beautiful and cruel Aphrodite.
How does Victorian fiction represent personality? How does it express emotion and how does it imagine the mind? These questions stand at the centre of Eros and Psyche, first published in 1984. In examining how three authors – Charlotte Brontë, Charles Dickens and George Eliot – depict the mind and organise emotion, Chase approaches their works as expressive structures, and analyses their struggle to accommodate rival imperatives in depicting personality: desire and duty, guilt and innocence, love and autonomy. The title begins with Brontë’s early Angrian tales, which introduce the problem that unifies the book: the attempt of Victorian fiction to escape the constraints of the romance mode, while assimilating its energies. There follow readings of The Pickwick Papers, Jane Eyre, Bleak House, and Middlemarch, in the light of such problems as confinement and exposure in Brontë, tragic doubt in Dickens, and the image of the moral mind in George Eliot.