Propaganda in Moving Pictures
Author: United States. Congress. Senate. Committee on Interstate and Foreign Commerce
Publisher:
Published: 1942
Total Pages: 474
ISBN-13:
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Author: United States. Congress. Senate. Committee on Interstate and Foreign Commerce
Publisher:
Published: 1942
Total Pages: 474
ISBN-13:
DOWNLOAD EBOOKAuthor: Jessica Ka Yee Chan
Publisher: Bloomsbury Publishing
Published: 2019-01-24
Total Pages: 219
ISBN-13: 1786724340
DOWNLOAD EBOOKEngaging with fiction films devoted to heroic tales from the decade and a half between 1949 and 1966, this book reconceives state propaganda as aesthetic experiments that not only radically transformed acting, cinematography and screenwriting in socialist China, but also articulated a new socialist film theory and criticism. Rooted in the interwar avant-garde and commercial cinema, Chinese revolutionary cinema, as a state cinema for the newly established People's Republic, adapted Chinese literature for the screen, incorporated Hollywood narration, appropriated Soviet montage theory and orchestrated a new, glamorous, socialist star culture. In the wake of decolonisation, Chinese film journals were quick to project and disseminate the country's redefined self-image to Asia, Africa and Latin America as they helped to create an alternative vision of modernity and internationalism. Revealing the historical contingency of the term 'propaganda', Chan uncovers the visual, aural, kinaesthetic, sexual and ideological dynamics that gave rise to a new aesthetic of revolutionary heroism in world cinema. Based on extensive archival research, this book's focus on the distinctive rhetoric of post-war socialist China will be of value to East Asian Cinema scholars, Chinese Studies academics and those interested in the history of twentieth-century socialist culture.
Author: Library of Congress. Subject Cataloging Division
Publisher:
Published: 1966
Total Pages: 1438
ISBN-13:
DOWNLOAD EBOOKAuthor: Library of Congress. Subject Cataloging Division
Publisher:
Published: 1980
Total Pages: 1314
ISBN-13:
DOWNLOAD EBOOKAuthor: Library of Congress
Publisher:
Published: 2013
Total Pages: 1624
ISBN-13:
DOWNLOAD EBOOKAuthor: Library of Congress. Office for Subject Cataloging Policy
Publisher:
Published: 1992
Total Pages: 1360
ISBN-13:
DOWNLOAD EBOOKAuthor: Noël Carroll
Publisher: Springer Nature
Published: 2019-10-30
Total Pages: 1047
ISBN-13: 3030196011
DOWNLOAD EBOOKThis handbook brings together essays in the philosophy of film and motion pictures from authorities across the spectrum. It boasts contributions from philosophers and film theorists alike, with many essays employing pluralist approaches to this interdisciplinary subject. Core areas treated include film ontology, film structure, psychology, authorship, narrative, and viewer emotion. Emerging areas of interest, including virtual reality, video games, and nonfictional and autobiographical film also have dedicated chapters. Other areas of focus include the film medium’s intersection with contemporary social issues, film’s kinship to other art forms, and the influence of historically seminal schools of thought in the philosophy of film. Of emphasis in many of the essays is the relationship and overlap of analytic and continental perspectives in this subject.
Author: Library of Congress. Cataloging Policy and Support Office
Publisher:
Published: 2007
Total Pages: 1512
ISBN-13:
DOWNLOAD EBOOKAuthor: Library of Congress. Subject Cataloging Division
Publisher:
Published: 1989
Total Pages: 1534
ISBN-13:
DOWNLOAD EBOOKAuthor: Jay Douglas Steinmetz
Publisher: Lexington Books
Published: 2017-11-24
Total Pages: 217
ISBN-13: 1498556817
DOWNLOAD EBOOKIn Beyond Free Speech and Propaganda: The Political Development of Hollywood, 1907–1927, Jay Douglas Steinmetz provides an original and detailed account of the political developments that shaped the American Film Industry in the silent years. In the 1900s and 1910s, the American film industry often embraced the arguments of film free speech and extolled the virtues of propagandistic cinema—the visual art of persuasion seen as part and parcel of deliberative democracy. The development of American cinema in these years was formatively shaped by conflicts with another industry of cultural consumption: liquor. Exhibitors battled with their competitors, the ubiquitous saloon, while film producers often attacked the immorality of drink with explosive propaganda on the screen. But the threat of censorship and economic regulation necessitated control and mastery over the social power of the cinema (its capacity to influence the public through the visualization of ideas) not an open medium of expression or an explicitly political instrument of molding public opinion. By the early 1920s, big producer-distributors based in Southern California sidelined arguments for film free speech and tamped down the propagandistic possibilities of the screen. Through their trade association, the Motion Picture Producers and Distributors of America, headed by Republican insider Will H. Hays, the emerging moguls of Hollywood negotiated government regulation, prohibition, and the insurgency of the Ku Klux Klan in the turbulent 1920s. A complex and interconnected work of political history, this volume also uncovers key aspects in the development of modern free speech, propaganda in American political culture, the modern Republican Party, cultural developments leading up to prohibition, and the rise and fall of the Ku Klux Klan in the 1920s. This work will be of particular interest to film and political historians interested in social movements, economic development, regulation, and the evolution of consumer capitalism in the early 20th century.