Informative contents on Dark Angel and background to the show. Cast biographies, episode guides to seasons 1&2. Other content such as Logan's Investigations and the impact they had on those around him, including showing what life was like in the future.
Joseph Marquez's only crime was hunger, and taking back what was already stolen from him. In the Democratic Republic of the Americas, the sentence for theft of government property is public execution. His sentence was commuted, despite pleading guilty, in exchange for his help. What exactly he's supposed to help with has been intentionally kept from him, but the rumors about the atrocities at Petty Island don't bode well for him and the other prisoners. Nothing is known for sure about Petty Island, but for Marquez and three other prisoners, their very lives are at stake as they struggle to determine friend or foe.
Science fiction series have remained a staple of American television from its inception: classic programs such as The Twilight Zone, The Outer Limits, and Star Trek, along with recent and current series including Babylon 5 and Stargate SG-1, have been some of the most enduring and influential of all television shows. In this chronological survey, author M. Keith Booker examines this phenomenon and provides in-depth studies of the most important of these series. Science Fiction Television traces the development of the genre as a distinct cultural phenomenon within the context of broader developments in American culture as a whole. In the process, it offers a unique and informative guide for television fans and science fiction fans alike, one whose coverage is unprecedented in its scope and breadth. A must-read for anyone interested in its subject or in American popular culture, Science Fiction Television is a perceptive and entertaining history of one of television's most lasting forms of entertainment.
A companion to the hit TV series • Seattle ca. A.D. 2020 A post-Pulse city crawling with cops on the take, crooks on the make, genetically engineered supersoldiers, and hundreds of thousands of plain folks just hanging on by a thread to the sputtering engine that was once the all-powerful American economy . . . November 12, 2021: My name is Logan Cale—though whoever finds this material will undoubtedly know me better as Eyes Only. In the years after the Pulse struck, greed, corruption, and cruelty exploded on a scale I never before imagined possible. Something had to be done. I began working as an investigative journalist to expose the truth, but the truth brought a lot of enemies out of the woodwork. So I went undercover, and EYES ONLY was born. For years, with the help of a lot of good people, we’ve uncovered many wrongs and made them right. No matter what the dangers, this work needs to survive, and continue . . . especially some of the more explosive facts still need to be revealed. Facts concerning the Grand Coulee massacre, the secret government program known as The Phoenix Project, and the Conclave’s breeding program, to name but a few. Putting these documents together in one place poses a big risk—not just to the corrupt, but to the innocent as well. Yet the chance that these truths might remain unspoken is an even bigger risk. People may die, but the truth must live on.
It's the first day of school at prestigious Solstice High. Seniors Matt, Rochelle, Daphne and Jonas each have a big surprise waiting for them. When the four friends undergo a freak accident, they begin to develop superhuman abilities and come to realize that all is not as it seems within the bleak walls of their high school. While dealing with the day-to-day challenges of being teenagers, they must also confront their sinister principal, Mr. Devlin, who seems to have more than just education on his agenda. Ardash Vartparonian was born in London and raised in Buenos Aires, Argentina. He moved back to the UK to begin university and is now a fourth-year undergraduate studying English Literature at the University of Edinburgh in Scotland. In his free time, he enjoys going out at night with his friends, watching horror movies and writing bad poetry. Publisher's Website: http: //sbpra.com/ArdashVartparonian
Irrespective of whether we use economic or societal metrics, the Internet is one of the most important technical infrastructures in existence today. It will be a catalyst for much of our innovation and prosperity in the future. A competitive Europe will require Internet connectivity and services beyond the capabilities offered by current technologies. Future Internet research is therefore a must. This book is published in full compliance with the Open Access publishing initiative; it is based on the research carried out within the Future Internet Assembly (FIA). It contains a sample of representative results from the recent FIA meetings spanning a broad range of topics, all being of crucial importance for the future Internet. The book includes 32 contributions and has been structured into the following sections, each of which is preceded by a short introduction: Foundations: architectural issues; socio-economic issues; security and trust; and experiments and experimental design. Future Internet Areas: networks, services, and content; and applications.
In this companion, an international range of contributors examine the cultural formation of cyberpunk from micro-level analyses of example texts to macro-level debates of movements, providing readers with snapshots of cyberpunk culture and also cyberpunk as culture. With technology seamlessly integrated into our lives and our selves, and social systems veering towards globalization and corporatization, cyberpunk has become a ubiquitous cultural formation that dominates our twenty-first century techno-digital landscapes. The Routledge Companion to Cyberpunk Culture traces cyberpunk through its historical developments as a literary science fiction form to its spread into other media such as comics, film, television, and video games. Moreover, seeing cyberpunk as a general cultural practice, the Companion provides insights into photography, music, fashion, and activism. Cyberpunk, as the chapters presented here argue, is integrated with other critical theoretical tenets of our times, such as posthumanism, the Anthropocene, animality, and empire. And lastly, cyberpunk is a vehicle that lends itself to the rise of new futurisms, occupying a variety of positions in our regionally diverse reality and thus linking, as much as differentiating, our perspectives on a globalized technoscientific world. With original entries that engage cyberpunk’s diverse ‘angles’ and its proliferation in our life worlds, this critical reference will be of significant interest to humanities students and scholars of media, cultural studies, literature, and beyond.
This book examines the proliferation of surveillance technologies&—such as facial recognition software and digital fingerprinting&—that have come to pervade our everyday lives. Often developed as methods to ensure "national security," these technologies are also routinely employed to regulate our personal information, our work lives, what we buy, and how we live.
From Mrs Peel to the first female Doctor Who, this book offers a timely focus on the popular phenomenon of the cult TV heroine. The enduring phenomenon of cult TV itself is carefully explored through questions of genre, the role of the audience and the external environment of technological advances and business drivers. Catriona Miller then suggests a fresh account of the psychological dimension of the phenomenon utilising Carl Jung's concepts of the transcendent function and active imagination. Her analysis of the heroines themselves considers the workings of the audio-visual text alongside narrative and character arcs, exploring the complex and contradictory ways in which the heroines are represented. Established cult TV favourites such as Buffy the Vampire Slayer, The X Files, and Xena: Warrior Princess are examined alongside more recent shows such as Chilling Adventures of Sabrina, Jessica Jones and American Horror Story: Coven.
Examining representations of the tattoo and tattooing in literature, television, and film from two periods of tattoo renaissance (1851-1914, and 1955 to present), this study makes an original contribution to understandings of crime and detective genre and the ways in which tattoos act as a mimetic device that marks and remarks these narratives in complex ways.