Progressive Rock, Religion, and Theology examines progressive rock music’s engagement with theology and religion, which spans an array of artists and songs from its early days to the present. Co-written by a musician and a professor of religious studies, this book looks closely not only at lyrics but at the music itself and how the two together serve to foster the exploration of religious and spiritual themes from a wide array of angles. Each chapter covers a key song by ELP, Yes, Genesis, Jethro Tull, Kansas, Rush, and Neal Morse as well as tracing the themes from those songs into other works by the same artist and the music of others. Readers will get to know music that is familiar to them through an academic lens, and will discover that its engagement with theological ideas, if not typically informed by study of academic theologians, is nonetheless at times both intellectually rigorous and profoundly insightful.
From the author of the bestselling novel The Shack and the New York Times bestsellers Cross Roads and Eve comes a compelling, conversational exploration of twenty-eight assumptions about God—assumptions that just might be keeping us from experiencing His unconditional, all-encompassing love. In his wildly popular novels, Wm. Paul Young portrayed the Triune God in ways that challenged our thinking—sometimes upending long-held beliefs, but always centered in the eternal, all-encompassing nature of God’s love. Now, in Wm. Paul Young’s first nonfiction book, he invites us to revisit our assumptions about God—this time using the Bible, theological discussion, and personal anecdotes. Paul encourages us to think through beliefs we’ve presumed to be true and consider whether some might actually be false. Expounding on the compassion fans felt from the “Papa” portrayed in The Shack—now a major film starring Sam Worthington and Octavia Spencer—Paul encourages you to think anew about important issues including sin, religion, hell, politics, identity, creation, human rights, and helping us discover God’s deep and abiding love.
Diana Butler Bass, one of contemporary Christianity’s leading trend-spotters, exposes how the failings of the church today are giving rise to a new “spiritual but not religious” movement. Using evidence from the latest national polls and from her own cutting-edge research, Bass, the visionary author of A People’s History of Christianity, continues the conversation began in books like Brian D. McLaren’s A New Kind of Christianity and Harvey Cox’s The Future of Faith, examining the connections—and the divisions—between theology, practice, and community that Christians experience today. Bass’s clearly worded, powerful, and probing Christianity After Religion is required reading for anyone invested in the future of Christianity.
Christianity receives a lot of attention in the media, but the most frequently discussed version represents a type of Christianity that sometimes turns people away from the Church. Kissing Fish presents a postmodern systematic theology of progressive Christianity, a growing movement that reclaims the radical message of the Gospel. This informative, contemplative, and entertaining book will guide you through the beliefs that inspire us to love one another in the transformative way that Jesus proclaimed, including practices that will take your faith to a new level. Kissing Fish is a scholarly yet thoroughly accessible introduction to progressive Christianity. While the intended target audience for this work would seem to be those who have either left the Christian faith or never adopted it at all; the work is filled with pearls of wisdom for all of us, whether associated with Christianity or not. Kissing Fish is a truly remarkable work, serving both as a reminder of the beauty and grace that form the central tenets of the faith, while offering a graceful yet prophetic rebuttal to its more exclusionary tendencies. Kissing Fish is part theological text and part tell-all personal spiritual journey. Imagine a down-to-earth combination of the works of Marcus Borg, Anne Lamott, Jim Wallis, Rob Bell, Shane Claiborne, Diana Butler-Bass, Brian McLaren, Walter Wink, Wes Howard-Brook, and Donald Miller. A profound romp that informs and inspires.
From one of the country’s most respected religion reporters, a paradigm-shifting discussion of how the Religious Left is actually the moral compass that has long steered America’s political debates, including today. Since the ascendancy of the Religious Right in the 1970s, common wisdom holds that it is a coalition of fundamentalist powerbrokers who are the “moral majority,” setting the standard for conservative Christian values and working to preserve the status quo. But, as national religion reporter Jack Jenkins contends, the country is also driven by a vibrant, long-standing moral force from the left. Constituting an amorphous group of interfaith activists that goes by many names and takes many forms, this coalition has operated since America’s founding — praying, protesting, and marching for common goals that have moved society forward. Throughout our history, the Religious Left has embodied and championed the progressive values at the heart of American democracy—abolition, labor reform, civil rights, environmental preservation. Drawing on his years of reporting, Jenkins examines the re-emergence of progressive faith-based activism, detailing its origins and contrasting its goals with those of the Religious Right. Today’s rapidly expanding interfaith coalition — which includes Christians, Jews, Muslims, Buddhists, and other faiths — has become a force within the larger “resistance” movement. Jenkins profiles Washington political insiders—including former White House staffers and faith outreach directors for the campaigns of Barack Obama, John Kerry, and Hillary Clinton—as well as a new generation of progressive faith leaders at the forefront today, including: Rev. William Barber II, leader of North Carolina’s Moral Mondays and co-chair of the nationwide Poor People’s campaign Linda Sarsour, co-chair of the Women’s March Rev. Traci Blackmon, a pastor near Ferguson, Missouri who works to lift up black liberation efforts across the country Sister Simone Campbell, head of the Catholic social justice lobby and the “Nuns on the Bus” tour organizer Native American “water protectors” who demonstrated against the Dakota Access Pipeline in Standing Rock Bishop Gene Robinson, the first openly gay Episcopal bishop An exciting reevaluation of America’s moral center and an inspiring portrait of progressive faith-in-action, American Prophets will change the way we think about the intersection of politics and religion.
Public theology is an increasingly important area of theological discourse with strong global networks of institutions and academics involved in it. Elaine Graham is one of the UK's leading theologians and an established SCM author. In this book, Elaine Graham argues that Western society is entering an unprecedented political and cultural era, in which many of the assumptions of classic sociological theory and of mainstream public theology are being overturned. Whilst many of the features of the trajectory of religious decline, typical of Western modernity, are still apparent, there are compelling and vibrant signs of religious revival, not least in public life and politics - local, national and global. This requires a revision of the classic secularization thesis, as well as much Western liberal political theory, which set out separate or at least demarcated terms of engagement between religion and the public domain. Elaine Graham examines claims that Western societies are moving from 'secular' to 'post-secular' conditions and traces the contours of the 'post-secular': the revival of faith-based engagement in public sphere alongside the continuing - perhaps intensifying - questioning of the legi¬timacy of religion in public life. She argues that public theology must rethink its theological and strategic priorities in order to be convincing in this new 'post-secular' world and makes the case for the renewed prospects for public theology as a form of Christian apologetics, drawing from Biblical, classical and contemporary sources.
In this book, the glory days of progressive rock are relived in a series of insightful essays about the key bands, songwriters and songs that made prog-rock such an innovative style.
We must lay down our certainties and honestly admit our doubts to identify with Jesus. Rollins purposely upsets fundamentalist certainty in order to open readers up to a more loving, active manifestation of Christ's love. He explores how the Good News actually involves embracing the idea that we can't be whole, that life is difficult, and that we are in the dark. By joyfully embracing our brokenness, and courageously accepting the difficulties of existence, we truly rob death of its sting and enter into the fullness of life.
The second edition of The Bloomsbury Handbook of Religion and Popular Music provides an updated, state-of-the-art analysis of the most important themes and concepts in the field, combining research in religious studies, theology, critical musicology, cultural analysis, and sociology. It comprises 30 updated essays and six new chapters covering the following areas: · Popular Music, Religion, and Performance · Musicological Perspectives · Popular Music and Religious Syncretism · Atheism and Popular Music · Industrial Music and Noise · K-pop The Handbook continues to provide a guide to methodology, key genres and popular music subcultures, as well as an extensive updated bibliography. It remains the essential tool for anyone with an interest in popular culture generally and religion and popular music in particular.
As the West becomes more religiously diverse, Christians are aware of questions raised by proclaiming Jesus as the way, the truth, and the life. Can objections to Christian exclusivity be answered, and how should Christians understand other religions and their followers? Their Rock is Not Like Our Rock presents a theology of other religions.
