A Shakespeare Music Catalogue: Volume V
A Shakespeare Music Catalogue: Volume V

Author: Bryan N. S. Gooch

Publisher: Clarendon Press

Published: 1991-05-16

Total Pages: 328

ISBN-13: 9780198129455

DOWNLOAD EBOOK

V.1. The catalogue of music, All's well that ends well-Love's labour's lost -- v.2. The catalogue of music, Macbeth-The taming of the shrew -- v.3. The catalo gue of music, The tempest-The two nobel kinsmen, the sonnets ... -- v.4. Indices --v.5. Bibliography.

Brass Bands of the British Isles 1800-2018 - a historical directory
Brass Bands of the British Isles 1800-2018 - a historical directory

Author: Gavin Holman

Publisher: Gavin Holman

Published:

Total Pages: 290

ISBN-13:

DOWNLOAD EBOOK

Of the many brass bands that have flourished in Britain and Ireland over the last 200 years very few have documented records covering their history. This directory is an attempt to collect together information about such bands and make it available to all. Over 19,600 bands are recorded here, with some 10,600 additional cross references for alternative or previous names. This volume supersedes the earlier “British Brass Bands – a Historical Directory” (2016) and includes some 1,400 bands from the island of Ireland. A separate work is in preparation covering brass bands beyond the British Isles. A separate appendix lists the brass bands in each county

Pasticcio opera in Britain
Pasticcio opera in Britain

Author: Peter Morgan Barnes

Publisher: Manchester University Press

Published: 2024-07-09

Total Pages: 303

ISBN-13: 1526165171

DOWNLOAD EBOOK

This study overturns twentieth-century thinking about pasticcio opera. This radical way of creating opera formed a counterweight, even a relief, to the trenchant masculinity of literate culture in the seventeenth century. It undermined the narrowing of nationalism in the eighteenth century, and was an act of gross sacrilege against the cult of Romantic genius in the nineteenth century. In the twentieth century, it found itself on the wrong side of copyright law. However, in the twenty-first century it is enjoying a tentative revival. This book redefines pasticcio as a method rather than a genre of opera and aligns it with other art forms which also created their works from pre-existing parts, including sculpture. A pasticcio opera is created from pre-existing music and text, thus flying in face of insistence on originality and creation by a solo genius.

Gian Francesco Malipiero (1882-1973)
Gian Francesco Malipiero (1882-1973)

Author: John C. G. Waterhouse

Publisher: Routledge

Published: 2013-12-19

Total Pages: 453

ISBN-13: 1134409109

DOWNLOAD EBOOK

In recent years Gian Francesco Malipiero has been recognised increasingly widely as one of the most original and strangely fascinating Italian composers of the early 20th century. He was the teacher of Maderna and Nono, and was revered by (among many others) Dallapiccola, who even called him the most important (musical) personality that Italy has had since the death of Verdi . He was also a key figure in the revival of the long- neglected music of Italy's great past, and himself edited what remains the only virtually complete edition of the surviving compositions of Monteverdi. The present book not only provides the first monographic survey of Malipiero's life, times and music to appear in English, but covers the subject more comprehensively than any previous publication in any language. Dr Waterhouse draws on hitherto unpublished documents, and with the help of numerous musical examples, analyses the composer's works, style and idiosyncratic personality.

The Cambridge Companion to Elgar
The Cambridge Companion to Elgar

Author: Daniel M. Grimley

Publisher: Cambridge University Press

Published: 2005-01-06

Total Pages: 280

ISBN-13: 1139827081

DOWNLOAD EBOOK

Edward Elgar occupies a pivotal place in the British cultural imagination. His music has been heard as emblematic of Empire and the English landscape. The recent success of Anthony Payne's elaboration of the sketches for Elgar's Third Symphony has prompted a critical revaluation of his music. This Companion provides an accessible and vivid account of Elgar's work in its historical and cultural context. Established authorities on British music and scholars new in the field examine Elgar's music from a range of critical perspectives, including nationalism, post-colonialism, decadence, reception and musical influences. There are also chapters on interpretation, including his own (Elgar was the first major composer to commit a representative quantity of his own work to record), and on Elgar's relationships with the BBC and with his publishers. The book includes much new material, drawing on original research, as well as providing a comprehensive introduction to Elgar's major musical achievements.