A Secret Worth Dying For. Noah Olsen wasn't your average seventh son of a seventh son. In fact, he wasn't a son at all. For her family not to be considered shamed her mother hid the fact that she was a woman. From everyone. With the town of Old Urn paying for her way through her first year of the Royal academy for mages and seventh sons, that secret is put at risk. To make it worse she is required to receive a sponsor in order to attend the next year. Unfortunately, the only council member interested in her is known for his harsh background in torture and deceit. Between summoning demons, fighting students, and hearing a voice inside her head. Noah must navigate the halls of the Royal academy in order to survive. But much more than that, for her family to survive. If found out they will all be slaughtered. If you enjoyed Harry Potter and other novels of the same fantasy genre, then you are sure to enjoy this new adventure by Jacob L White. The author of the Creators of six series. Buy the Prisoner of fate to start the journey bound by secrets today!
International bestseller and master storyteller Jeffrey Archer returns with a tale of fate and fortune, redemption and revenge with A Prisoner of Birth. Danny Cartwright and Spencer Craig never should have met. One evening, Danny, an East End cockney who works as a garage mechanic, takes his fianceé up to the West End to celebrate their engagement. He crosses the path of Spencer Craig, a West End barrister posed to be the youngest Queen's Counsel of his generation. A few hours later Danny is arrested for murder and later is sentenced to twenty-two years in prison, thanks to irrefutable testimony from Spencer, the prosecution's main witness. Danny spends the next few years in a high-security prison while Spencer Craig's career as a lawyer goes straight up. All the while Danny plans to escape and wreak his revenge. Thus begins Jeffrey Archer's poignant novel of deception, hatred and vengeance, in which only one of them can finally triumph while the other will spend the rest of his days in jail. But which one will triumph? This suspenseful novel takes the listener through so many twists and turns that no one will guess the ending, even the most ardent of Archer's many, many fans.
Well then — and I must premise that I am going, perforce, to rake up the very scandal which my dear Lady Burlesdon wishes forgotten — in the year 1733, George II. sitting then on the throne, peace reigning for the moment, and the King and the Prince of Wales being not yet at loggerheads, there came on a visit to the English Court a certain prince, who was afterwards known to history as Rudolf the Third of Ruritania. The prince was a tall, handsome young fellow, marked (maybe marred, it is not for me to say) by a somewhat unusually long, sharp and straight nose, and a mass of dark-red hair — in fact, the nose and the hair which have stamped the Elphbergs time out of mind. He stayed some months in England, where he was most courteously received; yet, in the end, he left rather under a cloud. For he fought a duel (it was considered highly well bred of him to waive all question of his rank) with a nobleman, well known in the society of the day, not only for his own merits, but as the husband of a very beautiful wife. In that duel Prince Rudolf received a severe wound, and, recovering therefrom, was adroitly smuggled off by the Ruritanian ambassador, who had found him a pretty handful. The nobleman was not wounded in the duel; but the morning being raw and damp on the occasion of the meeting, he contracted a severe chill, and, failing to throw it off, he died some six months after the departure of Prince Rudolf, without having found leisure to adjust his relations with his wife — who, after another two months, bore an heir to the title and estates of the family of Burlesdon. This lady was the Countess Amelia, whose picture my sister-in-law wished to remove from the drawing-room in Park Lane; and her husband was James, fifth Earl of Burlesdon and twenty-second Baron Rassendyll, both in the peerage of England, and a Knight of the Garter. As for Rudolf, he went back to Ruritania, married a wife, and ascended the throne, whereon his progeny in the direct line have sat from then till this very hour — with one short interval. And, finally, if you walk through the picture galleries at Burlesdon, among the fifty portraits or so of the last century and a half, you will find five or six, including that of the sixth earl, distinguished by long, sharp, straight noses and a quantity of dark-red hair; these five or six have also blue eyes, whereas among the Rassendylls dark eyes are the commoner...FROM THE BOOKS.
This book reconstructs the fate of Italian prisoners of war captured by the Red Army between August 1941 and the winter of 1942-43. On 230.000 Italians left on the Eastern front almost 100.000 did not come back home. Testimonies and memoirs from surviving veterans complement the author's intensive work in Russian and Italian archives. The study examines Italian war crimes against the Soviet civilian population and describes the particularly grim fate of the thousands of Italian military internees who after the 8 September 1943 Armistice had been sent to Germany and were subsequently captured by the Soviet army to be deported to the USSR. The book presents everyday life and death in the Soviet prisoner camps and explains the particularly high mortality among Italian prisoners. Giusti explores how well the system of prisoner labor, personally supervised by Stalin, was planned, starting in 1943. A special focus of the study is antifascist propaganda among prisoners and the infiltration of the Soviet security agencies in the camps. Stalin was keen to create a new cohort of supporters through the mass political reeducation of war prisoners, especially middle-class intellectuals and military élite. The book ends with the laborious diplomatic talks in 1946 and 1947 between USSR, Italy, and the Holy See for the repatriation of the surviving prisoners.
She was raised to be beautiful, nothing more. And then the rules changed . . . In icy Dasnaria, rival realm to the Twelve Kingdoms, a woman’s role is to give pleasure, produce heirs, and question nothing. But a plot to overthrow the emperor depends on the fate of his eldest daughter. And the treachery at its heart will change more than one carefully limited life . . . THE GILDED CAGE Princess Jenna has been raised in supreme luxury—and ignorance. Within the sweet-scented, golden confines of the palace seraglio, she’s never seen the sun, or a man, or even learned her numbers. But she’s been schooled enough in the paths to a woman’s power. When her betrothal is announced, she’s ready to begin the machinations that her mother promises will take Jenna from ornament to queen. But the man named as Jenna’s husband is no innocent to be cozened or prince to charm. He’s a monster in human form, and the horrors of life under his thumb are clear within moments of her wedding vows. If Jenna is to live, she must somehow break free—and for one born to a soft prison, the way to cold, hard freedom will be a dangerous path indeed... Praise for The Mark of the Tala “Magnificent...a richly detailed fantasy world.” —RT Book Reviews, 41⁄2 stars, Top Pick “Well written and swooningly romantic.” —Library Journal, starred review
Starting in 1970, Jean Genet—petty thief, prostitute, modernist master—spent two years in the Palestinian refugee camps in Jordan. Always an outcast himself, Genet was drawn to this displaced people, an attraction that was to prove as complicated for him as it was enduring. Prisoner of Love, written some ten years later, when many of the men Genet had known had been killed, and he himself was dying, is a beautifully observed description of that time and those men as well as a reaffirmation of the author's commitment not only to the Palestinian revolution but to rebellion itself. For Genet's most overtly political book is also his most personal—the last step in the unrepentantly sacrilegious pilgrimage first recorded in The Thief's Journal, and a searching meditation, packed with visions, ruses, and contradictions, on such life-and-death issues as the politics of the image and the seductive and treacherous character of identity. Genet's final masterpiece is a lyrical and philosophical voyage to the bloody intersection of oppression, terror, and desire at the heart of the contemporary world.
Death penalty has produced endless discourses not only in the context of prisons, prisoners and punishment but also in various legal aspects concerning the validity of death penalty, the right to life, and torture. Death penalty is embedded in Indian law, however very little is known about the people who are on death row barring a few media reports on them. The main objective of this book is to enquire whether the dignity of prisoners is upheld while they confront the criminal justice system and whilst surviving on death row. Additionally, it explores the lived-experiences and perceptions of prisoners on death row as they create meaning out of their world. With this rationale, 111 prisoners on death row in India and some of their family members were interviewed. The theoretical underpinnings of phenomenology and symbolic interactionism coupled with data analysis lead to an understanding of the prisoners on death row with special reference to their demographic profile and the impact of death sentence on their families. George’s research highlights three salient features, namely: poverty, social exclusion and marginalisation are antecedent to death penalty; death penalty is a constructed account by the state machinery; and prisoners on death row situate dignity higher in the juxtaposition of death and dignity.
RENDER UNTO CAESAR... Gifted with the power of Nabu, armed with the Helmet of Fate, Egyptian-American medical student Khalid Nassour is getting a crash course in the ways of the world beyond. Unfortunately, our world’s a big enough mess as it is. As Khalid struggles to reconcile everything he thought he knew about life and faith with the angels, demons, gods and monsters facing him at every turn, the people of his ancestral homeland face monsters of their own. So when protests against the police state turn violent outside the Egyptian consulate in New York, it’s Khalid’s fate to investigate. What he discovers is a dictatorship much older—and potentially deadlier—than the one the protesters face. The spirit of none other than Julius Caesar himself has risen again, and he’s determined to finish what he started and conquer Egypt for good. Stopping Caesar will take everything the new Doctor Fate knows about space and time, magic and history. And it may bring a former Fate out of retirement in the bargain... Comics legend Paul Levitz (LEGION OF SUPER-HEROES, JSA) and acclaimed artist Sonny Liew (THE SHADOW HERO, THE ART OF CHARLIE CHAN HOCK CHYE) continue their rollicking reimagining of DC’s premiere superhero sorcerer in DOCTOR FATE VOL. 2: PRISONERS OF THE PAST! Collects issues #8-12.
