Prison Movies
Prison Movies

Author: Kevin Kehrwald

Publisher: Columbia University Press

Published: 2017-02-14

Total Pages: 130

ISBN-13: 0231851049

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Prison Movies: Cinema Behind Bars traces the public fascination with incarceration from the silent era to the present. Often considered an offshoot of the gangster film, the prison film precedes the gangster film and is in many ways its opposite. Rather than focusing on tragic figures heading for a fall, the prison film focuses on fallen characters seeking redemption. The gangster's perverse pursuit of the American dream is irrelevant to the prisoner for whom that dream has already failed. At their core, prison films are about self-preservation at the hands of oppressive authority. Like history itself, prison films display long stretches of idleness punctuated by eruptions of violence, dangerous moments that signify liberation and the potential for change. The enclosed world of the prison is a highly effective microcosm, one that forces characters and audiences alike to confront vexing issues of race, class, gender, and sexuality. These portrayals of men and women behind bars have thrived because they deal with such fundamental human themes as freedom, individuality, power, justice, and mercy. Films examined include The Big House (1930), I Want to Live! (1958), The Defiant Ones (1958), Cool Hand Luke (1967), Midnight Express (1978), Escape from Alcatraz (1979), The Shawshank Redemption (1994), and Starred Up (2013).

Captured on Film
Captured on Film

Author: Bruce Crowther

Publisher: B. T. Batsford Limited

Published: 1989

Total Pages: 200

ISBN-13:

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Prison has long fascinated film makers and audiences alike. The author explores the dark enclosed world of prisons on film from light-hearted comedies to the deeper implications of people imprisoned for their political and religious beliefs.

Prisoners on Prison Films
Prisoners on Prison Films

Author: Jamie Bennett

Publisher: Springer Nature

Published: 2020-11-16

Total Pages: 134

ISBN-13: 3030609499

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This book explores how an audience of men serving sentences in an English prison responded to viewing five contemporary British prison films. It examines how media representations of prison vary in style and content, how film can influence public attitudes, and how this affects people in prison. The book explains the ways in which film acts as a power resource, presenting an ideological vision of criminal justice. The audience used these films to map the social terrain of prison, including issues of power and resistance; race and racism; corruption and the illicit economy; and staff-prisoner relationships, themes which are explored in the films screened. The authors argue that media consumption is one of the ways in which people in prison construct and maintain an ideal of the prisoner culture and what it is to be a ‘prisoner’. The book also reveals the ways in which audience members’ media choices and readings are part of the ongoing process of constructing their self-identity. This book illuminates the complex ways in which media consumption is an integral part of social power, cultural formation and identity construction. Recognising and engaging with audiencehood offers one potential route for supporting more progressive penal practice. This book speaks to those interested in prisons, crime, media and culture, and film studies.

Images of Incarceration
Images of Incarceration

Author: David Wilson

Publisher: Waterside Press

Published: 2004

Total Pages: 193

ISBN-13: 1904380085

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An analysis of the impact of TV on the democratic processes that lead to criminal policy making - Everthing from 'The Shawshank Redemption' to the TV sit-com; how public perceptions of serious social issues are often based on superficial, misleading and sometimes comfortable accounts.

Crime, Media, and Reality
Crime, Media, and Reality

Author: Venessa Garcia

Publisher: Rowman & Littlefield

Published: 2017-12-08

Total Pages: 184

ISBN-13: 1442260823

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In today's society, the public perception of crime has been skewed by how the media depicts it. People use the media for enjoyment, companionship, surveillance, and interpretation. The problem is that it becomes hard to separate fact from entertainment. This raises several questions. How are we consuming media? Are we consuming reality within the news? And are we consuming harmless pleasure from entertainment media? In Crime, Media, and Reality: Examining Mixed Messages about Crime and Justice in Popular Media, Venessa Garcia and Samantha Garcia Arkerson focus predominantly on the social constructions of crime and justice and how we absorb them. They look at the influence of crime news and true crime television series that prevent the public from understanding pure entertainment from the realities of crime and justice. They bring to light the social science knowledge missed by media "infotainment," which has blurred the line between information and entertainment. Throughout, all different forms of media are discussed, news media, crime dramas and true crime television series. In doing so, they keep all of its fascinating coverage while uncovering the reality of crime and justice. This book adds significant information to the constructs held by the general public by placing media depictions into historical, legal, and social context.

Key Issues in Corrections
Key Issues in Corrections

Author: Jeffrey Ian Ross

Publisher: Policy Press

Published: 2016-09-28

Total Pages: 360

ISBN-13: 1447318722

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Key Issues in Corrections is an engaging textbook critically analyzing the most important challenges affecting the correctional system in the USA. Written by a highly respected expert in the field, and building on his best-selling book Special problems in corrections, it examines long-standing and emerging issues, grounding the discussion in empirical research and current events. Updates to this edition include: • Integrating new scholarship, lawsuits, and the use of technology • The introduction and evaluation of new policies and practices • New sections on “The Privatization of Prisons” and “The Death Penalty” Primarily written for undergraduate students who have already had an introduction to the topic, the book offers a no-nonsense approach to explaining the problems of correctional officers, correctional managers, prisoners, and the public.

The Palgrave Handbook of Incarceration in Popular Culture
The Palgrave Handbook of Incarceration in Popular Culture

Author: Marcus Harmes

Publisher: Springer Nature

Published: 2020-02-03

Total Pages: 785

ISBN-13: 3030360598

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The Handbook of Incarceration in Popular Culture will be an essential reference point, providing international coverage and thematic richness. The chapters examine the real and imagined spaces of the prison and, perhaps more importantly, dwell in the uncertain space between them. The modern fixation with ‘seeing inside’ prison from the outside has prompted a proliferation of media visions of incarceration, from high-minded and worthy to voyeuristic and unrealistic. In this handbook, the editors bring together a huge breadth of disparate issues including women in prison, the view from ‘inside’, prisons as a source of entertainment, the real worlds of prison, and issues of race and gender. The handbook will inform students and lecturers of media, film, popular culture, gender, and cultural studies, as well as scholars of criminology and justice.

Horror Films by Subgenre
Horror Films by Subgenre

Author: Chris Vander Kaay

Publisher: McFarland

Published: 2016-02-09

Total Pages: 243

ISBN-13: 1476622833

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More horror movies are produced and released each year than any other film genre. While horror enjoys broad popularity, many hardcore fans voraciously consume films from their favorite subgenres while avoiding others entirely. This says something interesting about the films and their audiences. This primer and reference guide defines and explores 75 alphabetically listed subgenres of horror film, from Abduction to Witchcraft and two Zombie subgenres. Each sizeable entry provides a critical survey of the subgenre, a detailed examination of its characteristic elements and themes, and a discussion of three or four exemplary titles as well as other titles of interest.

Women, Film, and Law
Women, Film, and Law

Author: Suzanne Bouclin

Publisher: UBC Press

Published: 2021-03-15

Total Pages: 224

ISBN-13: 077486589X

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Entertainment and profit constitute the driving force behind popular representations of women in correctional facilities. But the creative influence of film and television also generates legal meaning. The women-in-prison (WIP) genre can leave viewers feeling both empathetic toward the women portrayed in these representations and troubled about the crimes for which they have been convicted. Focusing on five exemplary WIP films and a television series – Ann Vickers, Caged, Caged Heat, Stranger Inside, Civil Brand, and Orange Is the New Black – Women, Film, and Law asks how fictional representations explore, shape, and refine beliefs about women who are incarcerated. From melodrama to exploitation, and from theatre screenings to on-demand film, television programs, and music videos, these texts bring into view the legal, economic, and political structures that criminalize women differently from men, and that target those women who are already marginalized. Women, Film, and Law convincingly argues that popular depictions of women’s imprisonment can illuminate the multiple forms of social exclusion and oppression experienced by criminalized women.