Perspectives on contemporary printmaking

Perspectives on contemporary printmaking

Author: Ruth Pelzer-Montada

Publisher: Manchester University Press

Published: 2018-07-23

Total Pages: 379

ISBN-13: 1526125765

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This anthology, the first of its kind, presents thirty-two texts on contemporary prints and printmaking written from the mid-1980s to the present by authors from across the world. The texts range from history and criticism to creative writing. More than a general survey, they provide a critical topography of artistic printmaking during the period. The book is directed at an audience of international stakeholders in the field of contemporary print, printmaking and printmedia, including art students, practising artists, museum curators, critics, educationalists, print publishers and print scholars. It expands debate in the field and will act as a starting point for further research.


Printmaking in the Expanded Field

Printmaking in the Expanded Field

Author: Jan Pettersson

Publisher:

Published: 2017

Total Pages: 378

ISBN-13: 9788292613665

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"The radical changes within the field of printmaking the last 20 years has totally changed the approach towards the media. Printmaking is now an art form that consists of sculpture, performance, clothes, installation, the commercial aspect, cyberspace, artist books, multiples, ready-mades, newspapers, etc. The result is a cross pollination which in its turn points to the total reflection of todays contemporary art."--Page 4 of cover.


Printmaking

Printmaking

Author: Paul Coldwell

Publisher: Black Dog Publishing

Published: 2010

Total Pages: 196

ISBN-13:

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Review of the art of printmaking, focusing on the contemporary approaches to the medium. Includes work from all over the world, profiling some of the most innovative examples of printmaking today. Artists featured include Grayson Perry, Thomas Kilpper, Patrick Caulfield, Marko Blazo, Chuck Close, Masami Teraoka, Michael Craig-Martin, Kara Walker, Willie Cole, Banksy, and others.


Critical Mass

Critical Mass

Author: Richard Noyce

Publisher: A&C Black

Published: 2010-08-15

Total Pages: 161

ISBN-13: 1408109395

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This exciting new book showcases the work of a very diverse selectionof 52 artists from 28 countries, against a spectrum of the concernsthat inform the role and function of art in the increasinglytechnological global society. The mediums used by these artists rangefrom new variations on traditional intaglio and relief techniques, toextreme forms of digital techniques, including time-based forms such asfilm and multi-media presentation. Printmaking continues to evolve asartists develop the traditionaltechniques and experiment with new techniques and materials. In recentyears the boundaries between the once distinct fields of the visualarts have become blurred, and growing numbers of artists nowincorporate printmaking techniques within their practice. This bookprovides a broad-ranging and challenging source of information on themost exciting cutting edge developments in international printmaking,which will be of value to students, professional artists and all thosewith an interest in the contemporary visual arts


Contemporary Printmaking in the Northwest

Contemporary Printmaking in the Northwest

Author: Lois Allan

Publisher: Fine Art Publishing

Published: 1997

Total Pages: 240

ISBN-13:

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This collection of the work of 48 artists represents the diverse conceptual and stylistic approaches to printmaking. Each artist focuses on a particular characteristic of printmaking -- the transferred image, the possibility of multiples, the inherent visual appearance resulting from the process. Essays on artists' works are included and focus more on aesthetics and content than on the mechanical process. Some of the featured artists include Glen Alps, Paul Berger, Joan Ross Blaedel, Byron Bratt, Eric Chesebro, Dennis Cunningham, Lockwood Dennis, and Eleanor Erskine.


Collaborative Digital and Wide Format Printing

Collaborative Digital and Wide Format Printing

Author: Paul Anthony Laidler

Publisher:

Published: 2012

Total Pages:

ISBN-13:

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This thesis investigates the collaborative production of fine art digital prints for artists, a process which is used by many contemporary practitioners including Richard Hamilton and Damien Hirst. Digital print as a fine art process has emerged over the last twenty years, and as yet, there is no in depth evidence on the collaborative endeavour and production process which is central to the digital~aster Printer's role. The investigation first establishes the historical context and significance of the Master Printer in traditional printmaking, and the more recent development of the digital print studio and the digital print pioneers of the 1990s. A series of seven artists' case studies in the context of the collaborative digital print studio are then offered to demonstrate the working process. The analysis of these proposes a best practice model for Master Printers working with contemporary artists to produce high quality, fine art, wide format inkjet digital prints. The study also compares production methods at the cutting-edge digital facility of the Rijksakademie in The Netherlands, to assess the validity of the practices proposed through a facility closest to the study's research base at the CFPR's digital studio. The comparative study also explored the expanding digital production process and the role of the Master Printer. Evolving production processes are also considered in this study as a response to the advancement of digital print technology alongside a practical exploration of what actually constitutes a digital print in this rapidly expanding field of fine art printmaking. This study aims to reveal the inner workings of the digital collaborative process between the artist and Master Printer, and appraise the digital Master Printer's role. It offers a set of best practice methods for the digital Master Printer developed from this research. The study also considers how the digital print, and the digital print studio may evolve in line with current and future developments in new technologies.


Printmaking

Printmaking

Author: Bill Fick

Publisher: Laurence King Publishing

Published: 2015-08-25

Total Pages: 0

ISBN-13: 9781780671949

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Printmaking is a practical and comprehensive guide to printmaking techniques with clear step–by–step illustrations. This fully updated second edition contains new images throughout, including improved process shots and examples of the latest work from contemporary printmakers. There are expanded chapters on digital and mixed media processes, as well as a brand new 'Print & Make' chapter, which explores the opportunities for creative expression within the many processes available to print makers. For example, this edition includes a new, detailed section on Japanese moku hanga woodblock printing while the more traditional techniques of relief, intaglio, collograph, lithography, screen printing and monoprint have also been refreshed. The addition of new images showing a broader range of subject matter, include more contemporary prints and international artists. Each technique is explored from the development of the printing or digital matrix, through the different stages of creation to image output. Guidance on how to set up a print studio, sections on troubleshooting techniques and the inclusion of up–to–date lists of suppliers, workshops and galleries make this an essential volume for beginner and experienced printmakers alike. Special attention is given to safe practices, addressing the important concern for health and safety. Step–by–step illustrations provide an enhanced visual reference – either photographic or diagrams for clarity – and the authors have supplied more information on safer and more sustainable practices. Since nontoxic alternatives are a rapidly growing and ever–evolving landscape, Printmaking 2nd Edition presents products and practices that are accessible worldwide. Praise for Printmaking 2nd Edition 'A lavishly illustrated large–format volume that constitutes a veritable printmaker's bible.' – The West Australia News


Artists & Prints

Artists & Prints

Author: Deborah Wye

Publisher: The Museum of Modern Art

Published: 2004

Total Pages: 296

ISBN-13: 9780870701252

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Volume covers the Collection of Prints and Illustrated Books, not the collection of artists' books.