Printing the Classical Text

Printing the Classical Text

Author: Howard Jones

Publisher: BRILL

Published: 2021-10-18

Total Pages: 238

ISBN-13: 900447529X

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The first Classical text was printed at Mainz in 1465. By the end of 1500 more than 350 printers in over 70 locations had contributed to the printing of more than 1500 separate editions. Almost every Classical Latin author had been printed, many in multiple editions, and the printing of Greek authors was well under way. Printing the Classical Text presents a comprehensive survey of this momentous period in the evolution of the Classical text. Since the course of Classical printing cannot be viewed separately from the course of printing generally, the opening chapter of the book locates Classical printing within the wider context by reviewing some of the cultural, intellectual, and commercial factors which affected the printing industry as a whole during the first fifty years of its development. The two central chapters are devoted respectively to the Latin and Greek editions themselves. With respect to Latin editions, which represent more than ninety percent of the whole, comprehensive chronological listings provide details of the printing history of each of the more than seventy authors represented. These are supplemented by a synoptic chart and by a running commentary in which the author identifies observable patterns and highlights the most distinctive features. The relatively small number of editions of Greek authors allows the author to accord them individual treatment in which each is examined in the context of its printer's instinctive publishing programme. This analysis is preceded by an account of the introduction of Greek studies into Italy, where all fifteenth-century editions of Greek authors were printed, and by a review of the typographical challenges which faced the earliest printers of Greek texts.The concluding chapter of the book takes up the controversial question of editorial quality. The author examines what the process of editing involved and attempts to assign to the earliest printed Classical editions their appropriate place in the evolution of the authoritative text in light of both the claims which the earliest editors themselves made and the less enthusiastic judgement rendered by modern critics.


Adventures in Bookbinding

Adventures in Bookbinding

Author: Jeannine Stein

Publisher: Quarry Books

Published: 2011-06-01

Total Pages: 144

ISBN-13: 1610580214

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Each project in this book combines bookbinding with a specific craft such as quilting, jewelry making, or polymer clay, and offer levels of expertise: basic, novice, and expert. Illustrated step-by-step instructions and photographs demonstrate how to construct the cover pages, and a unique binding technique, easy enough for a beginner to master. Each project also features two other versions with the same binding geared to those with more or less experience. The novice version is for those who have no knowledge of the craft and want shortcuts, but love the look. For the quilter's book, for example, vintage quilt pieces become the covers so all that's needing in the binding. Or if you're interested in wool felting use an old sweater. This offers great opportunities for upcycling. The expert version is for those who have a great deal of knowledge and proficiency of a certain craft - the master art quilter, for example. For this version, an expert guest artist has created the cover and the author has created the binding. This offers yet another creative opportunity - the collaborative project. Since crafters often get involved with round-robins and other shared endeavors, this will show them yet another way to combine their skills. No other craft book offers the possibilities and challenges that Adventures in Bookbinding does. Readers will return to it again and again to find inspiration and ideas.


The Printing Press as an Agent of Change

The Printing Press as an Agent of Change

Author: Elizabeth L. Eisenstein

Publisher: Cambridge University Press

Published: 1980-09-30

Total Pages: 814

ISBN-13: 9780521299558

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A full-scale historical treatment of the advent of printing and its importance as an agent of change, first published in 1980.


Printing History and Cultural Change

Printing History and Cultural Change

Author: Richard Wendorf

Publisher: Oxford University Press

Published: 2022-04-21

Total Pages: 349

ISBN-13: 0192898132

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This study provides one of the most detailed and comprehensive examinations ever devoted to a critical transformation in the material substance of the printed page; it carries out this exploration in the history of the book, moreover, by embedding these typographical changes in the context of other cultural phenomena in eighteenth-century Britain. The gradual abandonment of pervasive capitalization, italics, and caps and small caps in books printed in London, Dublin, and the American colonies between 1740 and 1780 is mapped in five-year increments which reveal that the appearance of the modern page in English began to emerge around 1765. This descriptive and analytical account focuses on poetry, classical texts, Shakespeare, contemporary plays, the novel, the Bible, the Book of Common Prayer, sermons and religious writings, newspapers, magazines, anthologies, government publications, and private correspondence; it also examines the reading public, canon formation, editorial theory and practice, and the role of typography in textual interpretation. These changes in printing conventions are then compared to other aspects of cultural change: the adoption of the Gregorian calendar in 1752, the publication of Johnson's Dictionary in 1755, the transformation of shop signs and the imposition of house numbers in London beginning in 1762, and the evolution of the English language and of English prose style. This study concludes that this fundamental shift in printing conventions was closely tied to a pervasive interest in refinement, regularity, and standardization in the second half of the century--and that it was therefore an important component in the self-conscious process of modernizing British culture.


Printing and the Book: Oxford Bibliographies Online Research Guide

Printing and the Book: Oxford Bibliographies Online Research Guide

Author: Oxford University Press

Publisher: Oxford University Press, USA

Published: 2010-06-01

Total Pages: 35

ISBN-13: 0199809224

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This ebook is a selective guide designed to help scholars and students of Islamic studies find reliable sources of information by directing them to the best available scholarly materials in whatever form or format they appear from books, chapters, and journal articles to online archives, electronic data sets, and blogs. Written by a leading international authority on the subject, the ebook provides bibliographic information supported by direct recommendations about which sources to consult and editorial commentary to make it clear how the cited sources are interrelated related. This ebook is a static version of an article from Oxford Bibliographies Online: Renaissance and Reformation, a dynamic, continuously updated, online resource designed to provide authoritative guidance through scholarship and other materials relevant to the study of European history and culture between the 14th and 17th centuries. Oxford Bibliographies Online covers most subject disciplines within the social science and humanities, for more information visit www.oxfordbibliographies.com.


Print Culture in Renaissance Italy

Print Culture in Renaissance Italy

Author: Brian Richardson

Publisher: Cambridge University Press

Published: 1994

Total Pages: 288

ISBN-13: 9780521893022

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The emergence of print in late fifteenth-century Italy gave a crucial new importance to the editors of texts, who determined the form in which texts from the Middle Ages would be read, and who could strongly influence the interpretation and status of texts by adding introductory material or commentary. Brian Richardson here examines the Renaissance circulation and reception of works by earlier writers including Dante, Petrarch, Boccaccio and Ariosto, as well as popular contemporary works of entertainment. In so doing he sheds light on the impact of the new printing and editing methods on Renaissance culture, including the standardisation of vernacular Italian and its spread to new readers and writers, the establishment of new standards in textual criticism, and the increasing rivalry between the two cities on which this study is chiefly focused, Venice and Florence.


Thornton Wilder, Classical Reception, and American Literature

Thornton Wilder, Classical Reception, and American Literature

Author: Stephen J. Rojcewicz, Jr.

Publisher: Routledge

Published: 2021-11-25

Total Pages: 178

ISBN-13: 1000480747

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This book delineates how Thornton Wilder (1897–1975), a learned playwright and novelist, embeds himself within the classical tradition, integrating Greek and Roman motifs with a wide range of sources to produce heart-breaking masterpieces such as Our Town and comedy sensations such as Dolly Levi. Through this study of archival sources and close reading, readers will understand Wilder’s avant-garde staging and innovative time sequences not as a break with the past, but as a response to the classics. The author traces the genesis of unforgettable characters like Dolly Levi in The Matchmaker, Emily Webb in Our Town, and George Antrobus in The Skin of Our Teeth. Vergil’s expression, "Here are the tears of the world, and human matters touch the heart" haunts Wilder’s oeuvre. Understanding Vergil’s phrase as "tears for the beauty of the world," Wilder utilizes scenes depicting the beauty of the world and the sorrow when individuals recognize this too late. Wilder exhorts us to observe lovingly, alert to the wonder of the everyday. This work will appeal to actors and directors, professors and students in classics and in American literature, those fascinated by modern drama and performance studies, and non-specialists, theatre-goers, and readers in the general public.


Early Printed Books as Material Objects

Early Printed Books as Material Objects

Author: International Federation of Library Associations and Institutions. Rare Books and Manuscripts Section

Publisher: Walter de Gruyter

Published: 2010

Total Pages: 381

ISBN-13: 3110253240

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The papers collected in this volume discuss descriptive methods and present conclusions relevant for the history of the book production and reception. Books printed in Europe in the 15th and 16th century still had much in common with manuscripts. They are not mere textual sources, but also material objects whose physical make-up and individual features need to be taken into account in library projects for cataloguing and digitization.