Originally published in England in 1934, this searing, still timely novel offers and incisive critique of the sexual politics and militarism of England, and the West as a whole. Proud Man is told from the perspective of a "Genuine Person" who has been thrown back in time thousands of years from a peaceful future society. The Genuine Person comes from a people that are androgynous, self-fertilizing, and vegetarian; they live without a national government and artificial social divisions of gender and class. Taking on first female, then male form, the "Genuine Person" confronts the deeply troubled reality of England in the 1930s, still battered after one World War and on the road to another.
What if two people determined to marry anyonebut each other end up falling in love?A hatpin-wielding, parasol-armed poet with a maddening Royal Navy officer in tow races against time to attract the marital attentions of the perfect "gentleman of the ton."Sophia Brancellli, the orphaned, illegitimate child of a duke's daughter and an Italian poet, is on a mission. She must ensure her marriage to a "suitable gentleman of the ton" before her twenty-first birthday or she'll be destitute, per the terms of her ducal grandmother's will. Close to having her own poems published, Sophia has her hopes dashed each time by someone revealing her secrets. That same someone so desperately wants her to fail the terms of the will, they're willing to commit violent acts to ruin her reputation.Captain Arnaud Bellingham has ascended the ranks of the Royal Navy in spite of his half-French heritage by proving himself at the Battle of Algiers and with the West African Squadron. He seeks a simple marriage of convenience to a mature woman, a widow who has been his sometime mistress the last several years. The very thing he does not want, an exotic Italian innocent, literally falls into his life when he rescues her from kidnappers, although she disputes she needed saving. And now, honor and duty dictate he has to waste the rest of his leave guarding her through the mad whirl of the Season.
Huddled on dank ships and tossed about in the waves of the Atlantic, English Puritans envisioned a new society predicated on the values of individual and communal humility. Pride, a pervasive sin, jeopardized their very survival and incited God’s wrath. The first generation of New England settlers, deeply affected by the miseries of their migration experience, crafted New England society on the dichotomy of pride and humility. Embracing demonstrative suffering as essential, Puritans embraced perpetual martyrdom, often taking great pride in the extent of their humiliation. This ideology affected self-perceptions and informed legal codes, theology, and community values. Anxieties around pride resulted in violent efforts to eradicate “proud” individuals, but also whole communities as demonstrated by the Pequot War (1636-37). The dichotomy of pride and humility permeated all aspects of New England Puritanism.
"In many ways," Waller R. Newell writes, "young men today are in deep spiritual trouble. But they are also yearning for a way back to the noblest ideals of American manhood." The Code of Man represents a deep and thought-provoking effort to help guide contemporary men back to those ideals, as embodied in what Newell calls the five paths to manliness: love, courage, pride, family, and country. At the dawn of the twenty-first century, he argues, we have grown so concerned about the roles of sex and violence in our society that we have forgotten the older virtues: romance and eros, courage and patriotism, the blend of love and bravery it takes to raise a family. In The Code of Man, he exhorts us to look to the traditional virtues of the past for inspiration. Contrasting the time-honored lessons of traditional voices -- Shakespeare and Abraham Lincoln, Jane Austen and Teddy Roosevelt -- with the chaotic signals emanating from sources like Eminem, video games like Thrill Kill, and Goth culture, Newell illustrates how we have come to associate courage with violence, "transgression" with wisdom. Most disturbing, he argues, the essential triumph of Western culture may have left us with a building reserve of untapped aggressive energy, and no consensus about how to channel it -- a situation that threatens to weaken us at the core. Seamlessly weaving together literary references from a diverse body of sources, Waller Newell offers an open-eyed look at what it means to be a man in America today, and a clarion call to recapture our traditions if we are to preserve our character as a society ... and avoid catastrophe.
A fallen world is full of reasons to lose heart. From the large-scale tragedies of war, famine, and natural disasters, to the more personal tragedies of broken relationships and broken dreams, it can be difficult to avoid discouragement--even for the believer. And yet, Scripture calls us to a life of hope, based not on wishful thinking or avoiding our problems but based on who God is, what he has done, and what he is still doing. In this short, giftable book, pastor Jason Meyer shows you that though the reasons for discouragement seem strong, the reasons we have to take heart and hold on to hope are stronger yet. Through biblical truth and personal stories, Meyer encourages the weary and anxious believer by shining light on the nature of reality, the nature of God, and the intersection of the two in our daily, rubber-meets-the-road lives. The result is a book that lifts our spirits in a world that too often seeks to drag us down.
A GOOD MORNING AMERICA BOOK CLUB PICK Named a Best Book Pick of 2021 by Harper’s Bazaar and Real Simple Named a Most Anticipated Book of Fall by People, Essence, New York Post, PopSugar, New York Newsday, Entertainment Weekly, Town & Country, Bustle, Fortune, and Book Riot Told from alternating perspectives, this “propulsive, deeply felt tale of race and friendship” (People) follows two women, one Black and one white, whose friendship is indelibly altered by a tragic event. Jen and Riley have been best friends since kindergarten. As adults, they remain as close as sisters, though their lives have taken different directions. Jen married young, and after years of trying, is finally pregnant. Riley pursued her childhood dream of becoming a television journalist and is poised to become one of the first Black female anchors of the top news channel in their hometown of Philadelphia. But the deep bond they share is severely tested when Jen’s husband, a city police officer, is involved in the shooting of an unarmed Black teenager. Six months pregnant, Jen is in freefall as her future, her husband’s freedom, and her friendship with Riley are thrown into uncertainty. Covering this career-making story, Riley wrestles with the implications of this tragic incident for her Black community, her ambitions, and her relationship with her lifelong friend. Like Tayari Jones’s An American Marriage and Jodi Picoult’s Small Great Things, We Are Not Like Them takes “us to uncomfortable places—in the best possible way—while capturing so much of what we are all thinking and feeling about race. A sharp, timely, and soul-satisfying novel” (Emily Giffin, New York Times bestselling author) that is both a powerful conversation starter and a celebration of the enduring power of friendship.
A forceful and accessible discussion of Christian belief that has become one of the most popular introductions to Christianity and one of the most popular of Lewis's books. Uncovers common ground upon which all Christians can stand together.
Marine biologist Cassie Boulton likes her coffee with cream and her literature with happy endings. Her favorite book is Pride and Prejudice, but Cassie has no patience when a modern-day Mr. Darcy appears in her lab. Silent and aloof, Calder Westing III doesn't seem to offer anything but a famous family name. But there is more to Calder than meets the eye, and he can't get enough of Cassie Boulton. Especially after one passionate night by the sea. But Cassie keeps her distance. Frustrated by Cassie's evasions, Calder tells her about his feelings the only way she'll let him-by rewriting her favorite book, with the two of them in the roles of Mr. Darcy and Elizabeth Bennet. But it's up to Cassie to supply the ending ...
