At last we are beginning to learn as much about the French empire as the British, so that generalizations about imperialism need not continue to be skewed, as they hav,e been in the past, by drawing too many of our data from the British experience. The present study makes a major contribution in this direction, providing as it does the first nearly definitive account of a central series of episodes in the French, African, and Islamic experiences with imperialism.
Imperialism, Race and Resistance marks an important new development in the study of British and imperial interwar history. Focusing on Britain, West Africa and South Africa, Imperialism, Race and Resistance charts the growth of anti-colonial resistance and opposition to racism in the prelude to the 'post-colonial' era. The complex nature of imperial power in explored, as well as its impact on the lives and struggles of black men and women in Africa and the African diaspora. Barbara Bush argues that tensions between white dreams of power and black dreams of freedom were seminal in transofrming Britain's relationship with Africa in an era bounded by global war and shaped by ideological conflict.
The late Andrew C. Ross was a Scottish missionary in Malawi between 1958 and 1965 and one of the founding members of the Malawi Congress Party. Like many other Scottish missionaries of the period, he deeply opposed the Central African Federation, and was a strong supporter of the emerging Malawian nationalist movement. When, following the declaration of a State of Emergency in March 1959, many of the political leaders of the Nyasaland African Congress were detained, Andrew regularly visited those held at Kanjedza near Limbe - visits which helped to deepen both his friendship with them, and his commitment to their cause. Thus, when Orton Chirwa was released from detention later in 1959, and persuaded to become the temporary leader of the newly formed Malawi Congress Party, Andrew Ross was one of the first to join, becoming the proud holder of MCP card number six. This book covers the period 1875-1965 and includes a Foreword by Professor George Shepperson.
The years between 1790 and 1830 saw over a hundred and fifty million people brought under British imperial control, and one of the most momentous outbursts of British literary and artistic production, announcing a new world of social and individual traumas and possibilities. This book traces the emergence of new forms of imperialism and capitalism as part of a culture of modernisation in the late eighteenth and early nineteenth century, and looks at the ways in which they were identified with and contested in Romanticism. Saree Makdisi argues that this process has to be understood in global terms, beyond the British and European viewpoint, and that developments in India, Africa, and the Arab world (up to and including our own time) enable us to understand more fully the texts and contexts of British Romanticism. New and original readings of texts by Wordsworth, Blake, Byron, Shelley, and Scott emerge in the course of this searching analysis of the cultural process of globalisation. Choice Outstanding Academic Book of 1998.
By considering the distinctiveness of the inter-war years as a discrete period of colonial change, this book addresses several larger issues, such as tracing the origins of decolonization in the rise of colonial nationalism, and a re-assessment of the impact of inter-war colonial rebellions in Africa, Syria and Indochina. The book also connects French theories of colonial governance to the lived experience of colonial rule in a period scarred by war and economic dislocation.
**Named a 2014 Choice Outstanding Academic Title** Combining coverage of key themes and debates from a variety of historical and theoretical perspectives, this authoritative reference volume offers the most up-to-date and substantive analysis of cultural geography currently available. A significantly revised new edition covering a number of new topics such as biotechnology, rural, food, media and tech, borders and tourism, whilst also reflecting developments in established subjects including animal geographies Edited and written by the leading authorities in this fast-developing discipline, and features a host of new contributors to the second edition Traces the historical evolution of cultural geography through to the very latest research Provides an international perspective, reflecting the advancing academic traditions of non-Western institutions, especially in Asia Features a thematic structure, with sections exploring topics such as identities, nature and culture, and flows and mobility
A revealing look at U.S. imperialism through the lens of visual culture and portraiture In 1898, the United States seized territories overseas, ushering in an era of expansion that was at odds with the nation’s founding promise of freedom and democracy for all. This book draws on portraiture and visual culture to provide fresh perspectives on this crucial yet underappreciated period in history. Taína Caragol and Kate Clarke Lemay tell the story of 1898 by bringing together portraits of U.S. figures who favored overseas expansion, such as William McKinley and Theodore Roosevelt, with those of leading figures who resisted colonization, including Eugenio María de Hostos of Puerto Rico; José Martí of Cuba; Felipe Agoncillo of the Philippines; Padre Jose Bernardo Palomo of Guam; and Queen Lili‘uokalani of Hawai‘i. Throughout the book, Caragol and Lemay also look at landscapes, naval scenes, and ephemera. They consider works of art by important period artists Winslow Homer and Armando Menocal as well as contemporary artists such as Maia Cruz Palileo, Stephanie Syjuco, and Miguel Luciano. Paul A. Kramer’s essay addresses the role of the Smithsonian Institution in supporting imperialism, and texts by Jorge Duany, Theodore S. Gonzalves, Kristin L. Hoganson, Healoha Johnston, and Neil Weare offer critical perspectives by experts with close personal or scholarly relations to the island regions. Beautifully illustrated, 1898: Visual Culture and U.S. Imperialism in the Caribbean and the Pacific challenges us to reconsider the Spanish-American War, the Philippine-American War, and the annexation of Hawai‘i while shedding needed light on the lasting impacts of U.S. imperialism. Published in association with the Smithsonian’s National Portrait Gallery, Washington, DC Exhibition Schedule National Portrait Gallery, Washington, DC April 28, 2023–February 25, 2024
In A Theory of Imperialism, economists Utsa Patnaik and Prabhat Patnaik present a new theory of the origins and mechanics of capitalism that sounds an alarm about its ongoing viability. Their theory centers on trade between the core economies of the global North and the tropical and subtropical countries of the global South and considers how the Northern demand for commodities (such as agricultural products and oil) from the South has perpetuated and solidified an imperialist relationship. The Patnaiks explore the dynamics of this process and discuss innovations that could allow the economies of the South to achieve greater prosperity without damaging the economies of the North. The result is an original theory of imperialism that brings to light the crippling limitations of neoliberal capitalism. A Theory of Imperialism also includes a response by David Harvey, who interprets the agrarian system differently and sees other factors affecting trade between the North and the South. Their debate is one of the most provocative exchanges yet over the future of the global economy as resources grow thin, populations explode, and universal prosperity becomes ever more elusive.
