Six Suites for Violoncello Solo
Six Suites for Violoncello Solo

Author: David Starkweather

Publisher:

Published: 2009-03-01

Total Pages:

ISBN-13: 9781429105590

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This edition of the Bach Cello Suites is appealing to both the scholar and the performer. The genesis of this edition was the alignment of the relevant manuscripts for easy comparison and study using a line-by-line layout. It has resulted in the ultimate scholarly approach to the study of these manuscripts and has led to many discoveries concerning notes, trills, dots, dynamics, and rhythm. In the scordatura version of "Suite No. 5," pitch names are given above the notes for the re-tuned top string, clarifying confusing elements in the notation. Fingerings and bowings in this edition reflect those used on the DVD set of Starkweather's performance of the suites (item number 730150). Reference to the manuscript edition makes it possible to visually assess the ambiguity of many of the slurs and to reach one's own conclusions.

First 50 Songs You Should Play on Vibraphone
First 50 Songs You Should Play on Vibraphone

Author: Hal Leonard Corp.

Publisher: Hal Leonard

Published: 2020-01-01

Total Pages: 173

ISBN-13: 1540085287

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(Percussion). If you've been playing vibes for a little while, you are probably eager to learn some familiar songs. This book includes a wide variety of favorite songs, from pop hits and movie themes to classical melodies and folk songs. Songs include: All of Me * Birdland * Clair De Lune * Desafinado * Friend like Me * Havana * Misty * On Green Dolphin Street * The Pink Panther * Sway (Quien Sera) * Sweet Caroline * Walkin' on the Sun * and more.

Prelude and Fugue in B-Flat Major
Prelude and Fugue in B-Flat Major

Author:

Publisher: Alfred Publishing Company

Published: 1996

Total Pages: 0

ISBN-13: 9780757933080

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The Roland E. Moelmann arrangement of Johann Sebastian Bach's "Prelude and Fugue in B-flat Major" was originally scored in 1955 and remains on contest and festival lists. The fluid prelude establishes the melody and then it is amended musically with fascinating intricacy. Clarity of the composer's intent is certain in this time-honored arrangement. Classic repertoire for your concert band. Freshly re-engraved, this is must in every serious band music library!

The Well-Tempered Clavier
The Well-Tempered Clavier

Author: Johann Sebastian Bach

Publisher: Courier Corporation

Published: 2012-11-13

Total Pages: 210

ISBN-13: 0486311848

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All 48 preludes and fugues in all major and minor keys. Authoritative Bach-Gesellschaft edition. Explanation of ornaments in English, tempo indications, music corrections.

Capriccio on the Departure of His Dearly Beloved Brother
Capriccio on the Departure of His Dearly Beloved Brother

Author: Johann Sebastian Bach

Publisher: Alfred Music

Published: 1996-02-01

Total Pages: 10

ISBN-13: 1457471736

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The Capriccio in B-flat Major, "On the Departure of a Friend," is an unusually romantic-styled composition by Johann Sebastian Bach when he was 19 years of age, written upon the departure of his brother, Johann Jacob Bach, for his new duties in the service of King Carl XII of Sweden. Titles: * 1. An Affectionate Plea to the Friend not to Embark * 2. Reflections on the Misfortunes of Travel * 3. Mutual Lamentations * 4. The Farewell * 5. Aria and Fugue on the Post Horn Call

Bach's Well-tempered Clavier
Bach's Well-tempered Clavier

Author: David Ledbetter

Publisher: Yale University Press

Published: 2002-01-01

Total Pages: 430

ISBN-13: 0300128983

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Bach's Well-tempered Clavier (or the 48 Preludes and Fugues) stands at the core of baroque keyboard music and has been a model and inspiration for performers and composers ever since it was written. This invaluable guide to the 96 pieces explains Bach's various purposes in compiling the music, describes the rich traditions on which he drew, and provides commentaries for each prelude and fugue. In his text, David Ledbetter addresses the main focal points mentioned by Bach in his original 1722 title page. Drawing on Bach literature over the past three hundred years, he explores German traditions of composition types and Bach's novel expansion of them; explains Bach's instruments and innovations in keyboard technique in the general context of early eighteenth-century developments; reviews instructive and theoretical literature relating to keyboard temperaments from 1680 to 1750; and discusses Bach's pedagogical intent when composing the Well-tempered Clavier. Ledbetter's commentaries on individual preludes and fugues equip readers with the concepts necessary to make their own assessment and include information about the sources when details of notation, ornaments, and fingerings have a bearing on performance.