Using a range of examples, from Surinamese zombies to American horror films, this volume demonstrates the extent to which evil imagery is linked to a fear of excess. It examines in-depth key themes in the anthropology of belief.
A key theme in the anthropology of beliefs is the relationship between socio-economic change and changes in the belief system. It has been widely argued that rapid economic change, particularly the introduction of capitalism, leads to an increase in beliefs in, and representations of, evil and the devil. These beliefs, it is argued, constitute forms of resistance to, or rejection of, "modernity." This volume builds on these arguments, suggesting that rather than an indigenous resistance to capitalism, such representations signal a profound moral ambivalence towards the socio-economic process inherent in capitalist economy. Using a range of examples, from Surinamese zombies to American horror films, it demonstrates the extent to which evil imagery is linked to a fear of excess, particularly in situations where people find themselves, or perceive themselves, to be peripheral to the centers of political, economic, and cultural power.
Love and evil are real – they are substances of force fields which contain us as constituent parts. Of all the powers of life they are the two most pregnant with meaning, hence the most generative of what is specifically human. Love and evil stand in the closest relationship to each other: evil is both what destroys love and what forces more love out of us; it is, as Augustine astutely grasped, privative (requiring something to negate) but it is also born out of misdirected love. Breaking with naïve realist and post-modern dogmas about the nature of the real, this book provides the basis for a philosophy of generative action as it draws upon examples from philosophy, literature, religion and popular culture. While this book has a sympathetic ear for ancient and traditional narratives about the meaning of life, it offers a philosophy appropriate for our times and our crises. It is particularly directed at readers who are seeking for new ways to think about our world and self-making, and who are as dissatisfied with post-Nietzschean and post-Marxian 20th century social theory as they are by more traditional philosophical and naturalistic accounts of human being.
Amoral, cunning, ruthless, and instructive, this multi-million-copy New York Times bestseller is the definitive manual for anyone interested in gaining, observing, or defending against ultimate control – from the author of The Laws of Human Nature. In the book that People magazine proclaimed “beguiling” and “fascinating,” Robert Greene and Joost Elffers have distilled three thousand years of the history of power into 48 essential laws by drawing from the philosophies of Machiavelli, Sun Tzu, and Carl Von Clausewitz and also from the lives of figures ranging from Henry Kissinger to P.T. Barnum. Some laws teach the need for prudence (“Law 1: Never Outshine the Master”), others teach the value of confidence (“Law 28: Enter Action with Boldness”), and many recommend absolute self-preservation (“Law 15: Crush Your Enemy Totally”). Every law, though, has one thing in common: an interest in total domination. In a bold and arresting two-color package, The 48 Laws of Power is ideal whether your aim is conquest, self-defense, or simply to understand the rules of the game.
What does it mean to be human in a world filled with tragedy? With creativity and insight Edward Farley, one of today's most respected theologians, here addresses this universal and haunting question of evil. Farley anchors his discussion firmly in interhuman (I-thou) dynamics as a key to unfolding the personal and social spheres of human existence. "It is," says Farley, "the corruption of elemental passions and the resulting contagion of the personal and social spheres that provide a total view of human evil and its redemptive possibilities."
THE SCHOOL FOR GOOD AND EVIL is now a major motion picture from Netflix, starring Academy Award winner Charlize Theron, Kerry Washington, Laurence Fishburne, Michelle Yeoh, Cate Blanchett, and many more! A dark and enchanting fantasy adventure for those who prefer fairytales with a twist. The first in the bestselling series.
Books on the demonic abound, but not until Sydney H. T. Page's Powers of Evil has there been such a comprehensive biblical analysis of Satan and demons. Powers of Evil offers an exposition of every biblical reference to the demonic and analyzes historic and modern views. Page interprets particular passages from which some Bible readers have leaped to false conclusions. Studies of Jesus' confrontations with demons and of the exorcisms recorded in the Gospels and Acts examine the interplay of power and authority and the implications for the believer's stand in Christ.
Gregory Boyd seeks to defend his scripturally grounded trinitarian warfare theod-icy with rigorous philosophical reflection and insights from human experience and scientific discovery.
First published in 1975, The Powers of Evil is an interesting study of beliefs about supernatural agencies, thought to menace and prey on human beings, are known to all societies and, even in this age of materialism and rationalism, they still have a firmer grip on Western minds that is not always understood or admitted. Richard Cavendish investigates supernatural agencies which have been involved over the ages with thought and belief in areas far beyond their own immediate spheres of suffering harm and death. These beings and forces include the Devil and the demons of Christian tradition, the evil gods and spirits of paganism, malevolent ghosts, witches, vampires, nightmares, powers of the underworld and hell, giants, dragons and many other sinister creatures of popular belief, as well as the two great evil and inescapable mechanisms of death and fate. He examines recurrent themes and motifs in the context of the ancient world and medieval Europe as well as modern Europe and North America: the connection between evil and the animal world for example, the dread of being devoured, the links between death, evil and sex, the fear of disorder. This book will be of interest to students of history, religion and folktales.
At the book's center are two twentieth-century men who represent different kinds of power: Kenneth Toomey, eminent novelist, a man who has outlived his contemporaries to survive into, bitter, luxurious old age as a celebrity of dubious notoriety, and Don Carlo Campanati, a man of God, eventually beloved Pope, who rises through the Vatican as a shrewd manipulator to become the architect of church revolution and a candidate for sainthood.