Howard Zinn's unique take on this vital period in U.S. history with a new introduction. The postwar boom in the U.S. brought about massive changes in U.S. society and culture. In this accessible volume, historian Zinn offers a view from below on these vital years. By critically examining U.S. militarism abroad and racism at home, he raises challenging questions about this often romanticized period.
Finalist for the Pulitzer Prize • Winner of the Council on Foreign Relations Arthur Ross Book Award • One of the New York Times' Ten Best Books of the Year “Impressive . . . Mr. Judt writes with enormous authority.” —The Wall Street Journal “Magisterial . . . It is, without a doubt, the most comprehensive, authoritative, and yes, readable postwar history.” —The Boston Globe Almost a decade in the making, this much-anticipated grand history of postwar Europe from one of the world's most esteemed historians and intellectuals is a singular achievement. Postwar is the first modern history that covers all of Europe, both east and west, drawing on research in six languages to sweep readers through thirty-four nations and sixty years of political and cultural change-all in one integrated, enthralling narrative. Both intellectually ambitious and compelling to read, thrilling in its scope and delightful in its small details, Postwar is a rare joy. Judt's book, Ill Fares the Land, republished in 2021 featuring a new preface by bestselling author of Between the World and Me and The Water Dancer, Ta-Nehisi Coates.
The decades between the Progressive Era of the 1920s and the civil rights struggles of the 1960s were a period of profound change in the lives of southern women. The life of Sarah Towles Reed (1882–1978) illuminates and parallels many of these transformations. Over the course of her long public life as a teacher, labor union lobbyist, and activist for the rights of public school teachers, Reed emerged as a groundbreaking leader, unafraid of taking on the educational and political hierarchies of the South. A Will of Her Own is the life story of a woman who had a lasting impact on her times as well as the story of the times themselves. Reed engaged the most significant concerns of the liberal reformers during the first half of the twentieth century—the struggle for economic independence for women and the fight for women's rights, the effort to maintain intellectual freedom in the face of cold war paranoia, and the pursuit of racial justice. Her successes, as well as her failures, lend a personal perspective to these national trends. Her career also helps to clarify what it meant to be a southern liberal in the twentieth century and how the region's peculiar circumstances shaped the politics and strategies of southern reformers.
A “well-chosen anthology of the radical historian’s prodigious output,” from A People’s History of the United States and lesser known sources (Kirkus Reviews). When Howard Zinn died in early 2010, millions of Americans mourned the loss of one of the nation’s foremost intellectual and political guides; a historian, activist, and truth-teller who, in the words of the New York Times’s Bob Herbert, “peel[ed] back the rosy veneer of much of American history to reveal sordid realities that had remained hidden for too long.” A collection designed to highlight Zinn’s essential writings, The Indispensable Zinn includes excerpts from Zinn’s bestselling A People’s History of the United States; his memoir, You Can’t Be Neutral on a Moving Train; his inspiring writings on the civil rights movement, and the full text of his celebrated play, Marx in Soho. Noted historian and activist Timothy Patrick McCarthy provides essential historical and biographical context for each selection. With a foreword by Noam Chomsky and an afterword from Zinn’s former Spellman College student and longtime friend, Alice Walker, The Indispensable Zinn is both a fitting tribute to the legacy of a man whose “work changed the way millions of people saw the past,” and a powerful and accessible introduction for anyone coming to Zinn’s essential body of work for the first time (Noam Chomsky).
Charles Olson is often described as one of the most influential American poets of the last quarter century; some would rather describe him as a cult figure, prophet of the Black Mountain poets and their descendants. Both judgments refer to an influence exerted as much through theories as through poems. Here is an examination of Olson's understanding of poetry that is cogent and a pleasure to read. It provides the framework needed for understanding Olson's work. Mr. von Hallberg shows us the Olson of the 1950s, who tried to bring change through teaching, who wanted poetry to communicate knowledge, as well as the more private poet of the 1960s, turning from history to myth. Olson's ambitions for poetry were based on his sense of cultural politics, and the author studies the relation between Olson's politics and his poetics. He traces too Olson's relation to older poets, especially Ezra Pound and William Carlos Williams. His book will interest anyone reading contemporary American poetry.
This volume concerns the origins, organisation and method of British, American and Soviet propaganda during the 1950s. Drawing upon a range of archival material which has only been accessible to researchers in the last few years, the authors discuss propaganda's international and domestic dimensions, and chart the development of a shared Cold War culture. They demonstrate how the structures of propaganda which were organised at this time endured, giving shape and meaning to the remaining years of the Cold War.
