Postmodern Music/Postmodern Thought

Postmodern Music/Postmodern Thought

Author: Judy Lochhead

Publisher: Routledge

Published: 2013-10-08

Total Pages: 389

ISBN-13: 1135717788

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What is postmodern music and how does it differ from earlier styles, including modernist music? What roles have electronic technologies and sound production played in defining postmodern music? Has postmodern music blurred the lines between high and popular music? Addressing these and other questions, this ground-breaking collection gathers together for the first time essays on postmodernism and music written primarily by musicologists, covering a wide range of musical styles including concert music, jazz, film music, and popular music. Topics include: the importance of technology and marketing in postmodern music; the appropriation and reworking of Western music by non-Western bands; postmodern characteristics in the music of Górecki, Rochberg, Zorn, and Bolcom, as well as Björk and Wu Tang Clan; issues of music and race in such films as The Bridges of Madison County, Batman, Bullworth, and He Got Game; and comparisons of postmodern architecture to postmodern music. Also includes 20 musical examples.


Postmodern Music/postmodern Thought

Postmodern Music/postmodern Thought

Author: Judith Irene Lochhead

Publisher: Taylor & Francis

Published: 2002

Total Pages: 396

ISBN-13: 9780815338208

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First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.


Postmodern Music/postmodern Thought

Postmodern Music/postmodern Thought

Author: Judith Irene Lochhead

Publisher: Psychology Press

Published: 2002

Total Pages: 392

ISBN-13: 9780815338192

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First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.


Postmodern Music, Postmodern Listening

Postmodern Music, Postmodern Listening

Author: Jonathan D. Kramer

Publisher: Bloomsbury Publishing USA

Published: 2016-08-11

Total Pages: 401

ISBN-13: 1501306022

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Kramer was one of the most visionary musical thinkers of the second half of the 20th century. In his The Time of Music, he approached the idea of the many different ways that time itself is articulated musically. This book has become influential among composers, theorists, and aestheticians. Now, in his almost completed text written before his untimely death in 2004, he examines the concept of postmodernism in music. Kramer created a series of markers by which we can identify postmodern works. He suggests that the postmodern project actually creates a radically different relationship between the composer and listener. Written with wit, precision, and at times playfully subverting traditional tropes to make a very serious point about this difference, Postmodern Music, Postmodern Listening leads us to a strongly grounded intellectual basis for stylistic description and an intuitive sensibility of what postmodernism in music entails. Postmodern Music, Postmodern Listening is an examination of how musical postmodernism is not just a style or movement, but a fundamental shift in the relationship between composer and listener. The result is a multifaceted and provocative look at a critical turning point in music history, one whose implications we are only just beginning to understand.


Postmodernism in Music

Postmodernism in Music

Author: Kenneth Gloag

Publisher: Cambridge University Press

Published: 2012-06-21

Total Pages: 223

ISBN-13: 0521151570

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What is postmodernism? How does it relate to music? This introduction clarifies the concept, providing ways of interpreting postmodern music.


Classical Music and Postmodern Knowledge

Classical Music and Postmodern Knowledge

Author: Lawrence Kramer

Publisher: Univ of California Press

Published: 2023-04-28

Total Pages: 315

ISBN-13: 0520918428

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A leading cultural theorist and musicologist opens up new possibilities for understanding mainstream Western art music—the "classical" music composed between the eighteenth and early twentieth centuries that is, for many, losing both its prestige and its appeal. When this music is regarded esoterically, removed from real-world interests, it increasingly sounds more evasive than transcendent. Now Lawrence Kramer shows how classical music can take on new meaning and new life when approached from postmodernist standpoints. Kramer draws out the musical implications of contemporary efforts to understand reason, language, and subjectivity in relation to concrete human activities rather than to universal principles. Extending the rethinking of musical expression begun in his earlier Music as Cultural Practice, he regards music not only as an object that invites aesthetic reception but also as an activity that vitally shapes the personal, social, and cultural identities of its listeners. In language accessible to nonspecialists but informative to specialists, Kramer provides an original account of the postmodernist ethos, explains its relationship to music, and explores that relationship in a series of case studies ranging from Haydn and Mendelssohn to Ives and Ravel. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1996. A leading cultural theorist and musicologist opens up new possibilities for understanding mainstream Western art music—the "classical" music composed between the eighteenth and early twentieth centuries that is, for many, losing both its prestige and its


Founders of Constructive Postmodern Philosophy

Founders of Constructive Postmodern Philosophy

Author: David Ray Griffin

Publisher: SUNY Press

Published: 1993-01-01

Total Pages: 258

ISBN-13: 9780791413333

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In presenting Peirce, James, Bergson, Whitehead, and Hartshorne as members of a common and distinctively postmodern trajectory, this book casts the thought of each of them in a new light. It also suggests a new direction for the philosophical community as a whole, now that the various forms of modern philosophy, and even the deconstructive form of postmodern philosophy, are widely perceived to be dead-ends. This new option offers the possibility that philosophy may recover its role as critic and guide within the more general culture, a recovery that is desperately needed in these perilous times.


Postmodern Times

Postmodern Times

Author: Gene Edward Veith (Jr.)

Publisher: Crossway

Published: 1994

Total Pages: 136

ISBN-13: 0891077685

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The cultural landscape is now made up of diverse "communities"--feminists, gays, neo-conservatists, African-Americans, pro-lifers--who seem to have no common frame of reference by which to communicate with each other. Veith offers Christians instructions as to how they can respond to these varied groups.


Postmodern Management and Organization Theory

Postmodern Management and Organization Theory

Author: David Boje

Publisher: SAGE

Published: 1996

Total Pages: 425

ISBN-13: 0803970056

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"This excellent, pioneering book is a must-read as we enter the new millennium." --David J. Farmer, State University of New York Comprehensive and timely, Postmodern Management and Organization Theory provides a critique of postmodern theory as it stands today. The text gives an overview of issues as they relate to management and organization theory and its history and assembles in one volume a variety of important works on postmodern philosophy--including feminist, cultural, and environmental philosophies. The contributors address the future of postmodern advancement in management and organization theory and method, establishing an agenda for future research. This thought-provoking book will be useful to scholars, researchers and upper-level students in organization theory, organization behavior and change, management, and industrial psychology.


Rationalizing Culture

Rationalizing Culture

Author: Georgina Born

Publisher: Univ of California Press

Published: 1995-09-08

Total Pages: 415

ISBN-13: 0520202163

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As a year-long participant-observer, Born studied the social and cultural economy of an institution for research and production of avant-garde and computer music. She gives a unique portrait of IRCAM's composers, computer scientists, technicians, and secretaries, interrogating the effects of the cultural philosophy of the controversial avant-garde composer, Pierre Boulez, who directed the institute until 1992.