A historical atlas must depict complex issues in a manner immediately accessible to the reader. The Cold War has long needed such an atlas. With easily understood maps and text, this atlas meets this demand. Not only are the obvious issues addressed, such as Cuba, Berlin and so on, but the author also presents themes such as cultural issues and détente to the reader, presenting the Cold War in all its complexities in a form which is useful and understandable.
From the first shots fired at Fort Sumter in 1861 to the final clashes on the Road to Appomattox in 1864, The Atlas of the Civil War reconstructs the battles of America's bloodiest war with unparalleled clarity and precision. Edited by Pulitzer Prize recipient James M. McPherson and written by America's leading military historians, this peerless reference charts the major campaigns and skirmishes of the Civil War. Each battle is meticulously plotted on one of 200 specially commissioned full-color maps. Timelines provide detailed, play-by-play maneuvers, and the accompanying text highlights the strategic aims and tactical considerations of the men in charge. Each of the battle, communications, and locator maps are cross-referenced to provide a comprehensive overview of the fighting as it swept across the country. With more than two hundred photographs and countless personal accounts that vividly describe the experiences of soldiers in the fields, The Atlas of the Civil War brings to life the human drama that pitted state against state and brother against brother.
In this fascinating history of Cold War cartography, Timothy Barney considers maps as central to the articulation of ideological tensions between American national interests and international aspirations. Barney argues that the borders, scales, projections, and other conventions of maps prescribed and constrained the means by which foreign policy elites, popular audiences, and social activists navigated conflicts between North and South, East and West. Maps also influenced how identities were formed in a world both shrunk by advancing technologies and marked by expanding and shifting geopolitical alliances and fissures. Pointing to the necessity of how politics and values were "spatialized" in recent U.S. history, Barney argues that Cold War–era maps themselves had rhetorical lives that began with their conception and production and played out in their circulation within foreign policy circles and popular media. Reflecting on the ramifications of spatial power during the period, Mapping the Cold War ultimately demonstrates that even in the twenty-first century, American visions of the world--and the maps that account for them--are inescapably rooted in the anxieties of that earlier era.
The “utterly fascinating” untold story of Soviet Russia’s global military mapping program—featuring many of the surprising maps that resulted (Marina Lewycka, author of A Short History of Tractors in Ukrainian). From 1950 to 1990, the Soviet Army conducted a global topographic mapping program, creating large-scale maps for much of the world that included a diversity of detail that would have supported a full range of military planning. For big cities like New York, Washington, D.C., and London to towns like Pontiac, MI, and Galveston, TX, the Soviets gathered enough information to create street-level maps. The information on these maps ranged from the locations of factories and ports to building heights, road widths, and bridge capacities. Some of the detail suggests early satellite technology, while other specifics, like detailed depictions of depths and channels around rivers and harbors, could only have been gained by Soviet spies on the ground. The Red Atlas includes over 350 extracts from these incredible Cold War maps, exploring their provenance and cartographic techniques as well as what they can tell us about their makers and the Soviet initiatives that were going on all around us.
'The English Civil War is a joy to behold, a thing of beauty... this will be the civil war atlas against which all others will judged and the battle maps in particular will quickly become the benchmark for all future civil war maps.' -- Professor Martyn Bennett, Department of History, Languages and Global Studies, Nottingham Trent University The English Civil Wars (1638–51) comprised the deadliest conflict ever fought on British soil, in which brother took up arms against brother, father fought against son, and towns, cities and villages fortified themselves in the cause of Royalists or Parliamentarians. Although much historical attention has focused on the events in England and the key battles of Edgehill, Marston Moor and Naseby, this was a conflict that engulfed the entirety of the Three Kingdoms and led to a trial and execution that profoundly shaped the British monarchy and Parliament. This beautifully presented atlas tells the whole story of Britain's revolutionary civil war, from the earliest skirmishes of the Bishops' Wars in 1639–40 through to 1651, when Charles II's defeat at Worcester crushed the Royalist cause, leading to a decade of Stuart exile. Each map is supported by a detailed text, providing a complete explanation of the complex and fluctuating conflict that ultimately meant that the Crown would always be answerable to Parliament.
Prelude to war, 1941: Blitzkrieg -- Prelude to war, 1943: war in the Pacific -- 1942-1944: breaking Hitler's grip -- 1944-1945: victory over Germany -- 1943-1945: defeating Japan.
Atlas at War! collects fifty hard-hitting stories from Atlas Comics, the company that became Marvel Comics and published more war titles than anyone in the industry between the years 1951 and 1960. Comics historian Dr. Michael J. Vassallo has chosen the best of the best, many of which are coming back into print for the first time, from sixteen different Atlas war titles and featuring the artwork of twenty different artists--giants of the genre, including Russ Heath, John Severin, Bernie Krigstein, Joe Maneely, Jerry Robinson, Steve Ditko, and Jack Kirby. Each page has been meticulously restored from its first printing by comic art restorer Allan Harvey. Atlas at War! covers the brutal pre-code period where graphic depictions of war action were rendered by artists who were World War II veterans themselves, as well as the post-code period, where code restrictions forced creators to tell stories without graphic violence but produced some of the most beautiful comic art of the genre. In addition to the artists, stories cover all aspects of war--from famous campaigns, weaponry, and personal soldier stories to political topics, Nazi atrocities, and even one story tinged with pre-code horror! Often overlooked in favor of its competitors, Atlas at War! will finally show that Atlas' war titles were second to no one.
A stunning visual account of the greatest conflict in world history. The Second World War is the largest event in the history of mankind. No populated continent was untouched by its operations, and the political structure of the postwar world has been largely determined by its outcome. The global nature of the war, and the ambitions of the belligerents, meant that it was fought on a scale that, even today, confounds the imagination. It was a stimulus to unparalleled economic activity and provoked the most important clash of ideologies experienced by the world since the Crusades. The Collins Atlas of World War II furthers our understanding of the war that forever changed our world. The scale and scope of the war is examined here in graphic form, with maps that trace the military campaigns as well as the social and political developments. Authoritative text addresses the issues and events leading to war and all of the clashes and challenges during wartime. More than 125 full-color maps, diagrams, and timelines Edited by acclaimed military historian John Keegan Comprehensive coverage of the prewar world and the world at war Examination of military plans and key battles Internet links for further research Glossary and Index For anyone with an interest in the history, society, politics, warfare, and culture of the world, the Collins Atlas of World War II is a perfect companion.
