The thirty-two postcards in Evelyn Cameron's Montana offer glimpses of western life at the turn of the century. Each postcard is perforated; tear them out and mail them or keep them as souvenirs of your own Montana experience.
Helena began in 1864 as a mining camp with the discovery of gold along Last Chance Gulch (soon to become Helena's main street). In 1875, Helena became the territorial capital of Montana, and in 1894 it outpolled Anaconda in a statewide election to become the permanent state capital. Postcard images captured many of Helena's landmarks and events over the past century, including the magnificent Broadwater Hotel and Natatorium, pre-urban-renewal Main Street, and the ravages of the 1935 earthquake. This book features postcard images of the Helena area, the majority of which have never been published in book or magazine form.
Yellowstone National Park is one of the earth's most famous places. Established in 1872 as the world's first national park, it has preserved remarkable natural wonders like Old Faithful Geyser and cultural icons such as Old Faithful Inn. For centuries, it was home to the Shoshone, Crow, Bannock, Blackfeet, and other Indian tribes, but these groups were banished in the 1870s by park promoters who feared that tourists would not visit if American Indians lived there. Almost immediately after its establishment, Yellowstone became the primary destination for tourist travel to the American West following the Civil War. By 1900, it was a vast tourist success, and today it is both a world biosphere preserve and a world heritage site.
Riverside has been a vital center of agriculture and government throughout the growth of Southern California. Postcards sent from this city to those far away usually depict it as a resort, situated on the western edge of the Colorado Desert, where the historic Mission Inn has been a vacation destination for generations. Illustrating many facets of this world-renowned, garden-like gathering spot, these attractive images also showcase Riverside's Main Street, public buildings, parks, broad avenues, the sharply rising Mt. Rubidoux on the edge of town, and the influence of the citrus industry.
Mining Childhood offers a fresh perspective on Montana history. Drawing from a broad range of archival materials and oral histories, the book offers a child’s-eye view of key events in Butte’s history and considers how social, political, and economic forces shaping life in Butte left their marks on children. With its rich stories, the book captures children’s experiences of school, play, and work by exploring their joys and miseries, their keen impressions of life in Butte, and the varied lessons learned. These stories illuminate the meaning and purpose of mining life in Butte: people came in search of a better life for themselves, and they stayed and struggled in order to build a better life for their sons and daughters—living with the hardships and dangers of mining life so that their children might have a life beyond mining. Children were, quite simply, Butte’s reason to be.
In 1909 Charlie Russell presented a watercolor titled York as a gift to the Montana Historical Society—the first of many Russell masterworks to join the museum’s collection. Today, that collection of Russell art is one of the best anywhere. The Art of Charlie Russell presents thirty-two postcards featuring Russell’s finest artworks in the collection of the Montana Historical Society. Each postcard is perforated; tear them out and mail them or keep them as souvenirs of your own Montana experience.
The thirty postcards in Montana Views offer glimpses of western life during the last century. Each postcard is perforated; tear them out and mail them or keep them as souvenirs of your own Montana experience.
Walker Evans said in his 1958 introduction to Robert Frank’s The Americans, 'For the thousandth time, it must be said that pictures speak for themselves, wordlessly, visually, or they fail.' The images revolutionized post-war American photography. With their candid images of men and women from all classes and walks of life, the photographs presented a very different story than that portrayed by the wholesome caricature of midcentury prosperity pervading American photography at the time. Although initially dismissed by his peers for his pioneering work, Frank was ultimately credited with changing the course of the art form, and his photography holds a secure status in the history of twentieth-century art. And he did all this without words. It seems appropriate then – and not a little overdue – that Jonathan Day has created a book that expounds, explores and examines Frank’s work pictorially. Taking Frank’s iconic images as his point of reference, Day shot new photographs that commented on the road and contemporary America. Here, these images are paired with critical commentary that details the aspects of the work that are visually expounded and explained in Day’s complementary images. A visual entryway to the photographs and themes of this iconic book in the history of photography, Postcards from the Road represents an innovative, carefully considered departure from standard photographic textbooks.