Unlike other art indexes (arranged by artist's name) this essential reference work locates art by saint. For each saint a brief account of the subject's religious order, patronage (if known), method of martyrdom (if applicable), date of death, and feast day are provided. References to works depicting the saint are arranged chronologically and include the title, medium, artist's name, and date of creation. A major feature of this work is the notations of institutions holding the artwork, and books in which they are reproduced.
This volume is conceived as a complement to another Middle English Texts series text, Sherry Reames' Middle English Legends of Women Saints. This selection is intended to be broadly representative of saints' lives in Middle English and of the classic types of hagiographic legend as these were presented to the lay public and less-literate clergy of late medieval England.
Righteous Persecution examines the long-controversial involvement of the Order of Preachers, or Dominicans, with inquisitions into heresy in medieval Europe. From their origin in the thirteenth century, the Dominicans were devoted to a ministry of preaching, teaching, and pastoral care, to "save souls" particularly tempted by the Christian heresies popular in western Europe. Many persons then, and scholars in our own time, have asked how members of a pastoral order modeled on Christ and the apostles could engage themselves so enthusiastically in the repressive persecution that constituted heresy inquisitions: the arrest, interrogation, torture, punishment, and sometimes execution of those who deviated in belief from Roman Christianity. Drawing on an extraordinarily wide base of ecclesiastical documents, Christine Caldwell Ames recounts how Dominican inquisitors and their supporters crafted and promoted explicitly Christian meanings for their inquisitorial persecution. Inquisitors' conviction that the sin of heresy constituted the graver danger to the Christian soul and to the church at large led to the belief that bringing the individual to repentance—even through the harshest means—was indeed a pious way to carry out their pastoral task. However, the resistance and criticism that inquisition generated in medieval communities also prompted Dominicans to consider further how this new marriage of persecution and holiness was compatible with authoritative Christian texts, exemplars, and traditions. Dominican inquisitors persecuted not despite their faith but rather because of it, as they formed a medieval Christianity that permitted—or demanded—persecution. Righteous Persecution deviates from recent scholarship that has deemphasized religious belief as a motive for inquisition and illuminates a powerful instance of the way Christianity was itself vulnerable in a context of persecution, violence, and intolerance.
Maffeo Vegio (1407-1458) was the outstanding Latin poet of the first half of the fifteenth century. This volume includes Book XIII of Vergil's Aeneid, Vegio's famous continuation of the Roman epic, which was extremely popular in the later Renaissance, printed many times and translated into every major European language (and even into Scottish). It also contains three other epic works: Astyanax, based on an episode in the Iliad; The Golden Fleece (Vellum Aureum); and Antonias, a short epic based on the life of Saint Anthony of Egypt. Antonias is the first Christian epic of the Renaissance, a precursor of Milton's Paradise Lost. This volume contains the first modern editions of the Latin text of Antonias and Astyanax. Table of Contents: Introduction Book XIII of the Aeneid Astyanax The Golden Fleece Antoniad Appendix Note on the Text Notes to the Text Notes to the Translation Bibliography Index
Images that tell the story of salvation illustrate saints in various scenes. They are often depicted by an emblem or icon. It used to be that we knew enough about the saints to recognize them in images or artworks without much trouble, but it is becoming a struggle. understanding the saints. This text explains such things as why so many of the saints appear in images with Jesus and the Virgin Mary, yet remain unnamed, which symbols are associated with each saint, and what their roles were in Christian salvation. work of popular religious culture and anthropology.
This volume explores individual responses to the problem of discernment of spirits, and the adjacent problem of true and false holiness in the period following the European Reformations.
First published in 1998, the present volume aims to help the researcher locate visual motifs, whether in medieval art or in literature, and to understand how they function in yet other medieval literary or artistic works.
Peter Martyr was one of the central Dominican saints of the thirteenth century, in some cases eclipsing Dominic himself. Born in Verona around 1206 to those with Cathar sympathies, he became a convert to Catholicism. As one of the first generations of Dominicans, he represents aspects of their primitive history both as a spellbinding preacher and as one of the earliest and most famous papal inquisitors. In 1252, shortly after his official appointment to the post of inquisitor for Lombardy, Peter was assassinated at the hands of a cabal of Milanese heretics. That there is no modern monograph on Peter represents a considerable lacuna in the study of medieval saints. This work therefore fills a very important gap, in both thirteenth century hagiographical studies, and studies of the interrelationship of heresy and imperial politics in the mid-thirteenth century. The first half of the book is a systematic study of the stages in the life, miracles and posthumous cult of Peter of Verona. Part One deals with many controversial issues of Peter's life, such as his role in the growth of the Dominican order and related confraternities in Lombardy and Tuscany, his status as papal inquisitor and his preaching. Part Two explores the cult of Peter Martyr. The brief time which elapsed between death and canonization makes Peter Martyr an especially interesting case in the field of cult study as for him, life led immediately to cult: a cult dominated by those who knew him personally. The second half of the book is a translation into English of the major primary sources concerning Peter. These will be of interest to students of papal canonization, the Dominican order, the Inquisition, hagiography, and local history.
This new edition of Volume II (last published in 1994) has been extensively expanded and revised in all areas. Fully updated, the new edition includes major changes and covers a span of topics from archaeology through medieval history to statistics. It includes philosophy, psychology, religion, social sciences, geography, biology and history. All areas have been completely updated with additional material in economics, business and management.
