Positive Expressionism, Abridged
Author: Olatunde Lawrence
Publisher:
Published: 1983
Total Pages: 96
ISBN-13:
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Author: Olatunde Lawrence
Publisher:
Published: 1983
Total Pages: 96
ISBN-13:
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Publisher:
Published: 1986
Total Pages: 754
ISBN-13:
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Publisher:
Published: 1987
Total Pages: 420
ISBN-13:
DOWNLOAD EBOOKAuthor: James Elkins
Publisher: Routledge
Published: 2005-08-02
Total Pages: 218
ISBN-13: 113595013X
DOWNLOAD EBOOKThis deeply personal account of emotion and vulnerability draws upon anecdotes related to individual works of art to present a chronicle of how people have shown emotion before works of art in the past.
Author: Francis Spufford
Publisher: Graywolf Press
Published: 2012-02-14
Total Pages: 437
ISBN-13: 1555970419
DOWNLOAD EBOOK"Spufford cunningly maps out a literary genre of his own . . . Freewheeling and fabulous." —The Times (London) Strange as it may seem, the gray, oppressive USSR was founded on a fairy tale. It was built on the twentieth-century magic called "the planned economy," which was going to gush forth an abundance of good things that the lands of capitalism could never match. And just for a little while, in the heady years of the late 1950s, the magic seemed to be working. Red Plenty is about that moment in history, and how it came, and how it went away; about the brief era when, under the rash leadership of Khrushchev, the Soviet Union looked forward to a future of rich communists and envious capitalists, when Moscow would out-glitter Manhattan and every Lada would be better engineered than a Porsche. It's about the scientists who did their genuinely brilliant best to make the dream come true, to give the tyranny its happy ending. Red Plenty is history, it's fiction, it's as ambitious as Sputnik, as uncompromising as an Aeroflot flight attendant, and as different from what you were expecting as a glass of Soviet champagne.
Author: Berys Gaut
Publisher: Oxford University Press
Published: 2007-05-24
Total Pages: 280
ISBN-13: 0199263213
DOWNLOAD EBOOKCan a good work of art be evil? 'Art, Ethics, and Emotion' explores this issue, arguing that artworks are always aesthetically flawed insofar as they have a moral defect that is aesthetically relevant. This book will be of interest to anyone who wants to understand the relation of art to morality.
Author: Carol Strickland
Publisher: Andrews McMeel Publishing
Published: 2007-10
Total Pages: 220
ISBN-13: 9780740768729
DOWNLOAD EBOOKLike music, art is a universal language. Although looking at works of art is a pleasurable enough experience, to appreciate them fully requires certain skills and knowledge." --Carol Strickland, from the introduction to The Annotated Mona Lisa: A Crash Course in Art History from Prehistoric to Post-Modern * This heavily illustrated crash course in art history is revised and updated. This second edition of Carol Strickland's The Annotated Mona Lisa: A Crash Course in Art History from Prehistoric to Post-Modern offers an illustrated tutorial of prehistoric to post-modern art from cave paintings to video art installations to digital and Internet media. * Featuring succinct page-length essays, instructive sidebars, and more than 300 photographs, The Annotated Mona Lisa: A Crash Course in Art History from Prehistoric to Post-Modern takes art history out of the realm of dreary textbooks, demystifies jargon and theory, and makes art accessible-even at a cursory reading. * From Stonehenge to the Guggenheim and from Holbein to Warhol, more than 25,000 years of art is distilled into five sections covering a little more than 200 pages.
Author: Erika Doss
Publisher: University of Chicago Press
Published: 1995-06
Total Pages: 465
ISBN-13: 0226159434
DOWNLOAD EBOOKexpressionism.
Author:
Publisher:
Published: 1985
Total Pages: 718
ISBN-13:
DOWNLOAD EBOOKA magazine of radical film criticism & theory.
Author: Mira Schor
Publisher: Duke University Press
Published: 2010-01-25
Total Pages: 338
ISBN-13: 0822391414
DOWNLOAD EBOOKA Decade of Negative Thinking brings together writings on contemporary art and culture by the painter and feminist art theorist Mira Schor. Mixing theory and practice, the personal and the political, she tackles questions about the place of feminism in art and political discourse, the aesthetics and values of contemporary painting, and the influence of the market on the creation of art. Schor writes across disciplines and is committed to the fluid interrelationship between a formalist aesthetic, a literary sensibility, and a strongly political viewpoint. Her critical views are expressed with poetry and humor in the accessible language that has been her hallmark, and her perspective is informed by her dual practice as a painter and writer and by her experience as a teacher of art. In essays such as “The ism that dare not speak its name,” “Generation 2.5,” “Like a Veneer,” “Modest Painting,” “Blurring Richter,” and “Trite Tropes, Clichés, or the Persistence of Styles,” Schor considers how artists relate to and represent the past and how the art market influences their choices: whether or not to disavow a social movement, to explicitly compare their work to that of a canonical artist, or to take up an exhausted style. She places her writings in the rich transitory space between the near past and the “nextmodern.” Witty, brave, rigorous, and heartfelt, Schor’s essays are impassioned reflections on art, politics, and criticism.