The Lives of Lucian Freud: YOUTH 1922 - 1968
The Lives of Lucian Freud: YOUTH 1922 - 1968

Author: William Feaver

Publisher: Bloomsbury Publishing

Published: 2019-09-05

Total Pages: 705

ISBN-13: 140885094X

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SELECTED AS BOOK OF THE YEAR BY THE TIMES, FINANCIAL TIMES, DAILY TELEGRAPH, NEW STATESMAN, SUNDAY TIMES, TIMES LITERARY SUPPLEMENT AND SPECTATOR SHORTLISTED FOR THE BAILLIE GIFFORD PRIZE FOR NON-FICTION 2019 'This exceptional book is far from standard biography ... A compendium of high-grade gossip about everyone from Princess Margaret to the Krays, a tour of the immediate post-war art world, a snapshot of grimy London and a narrative of Freud's career and rackety life and loves ... Leaves the reader itchy for volume two' SUNDAY TIMES, ART BOOK OF THE YEAR 'Brilliant ... Freud would have approved' DAILY TELEGRAPH 'Sparkling' SUNDAY TIMES 'Superlative ... packed with stories' GUARDIAN 'Brilliant and compendious ... It does justice to Lucian' FRANK AUERBACH 'A tremendous read. Anyone interested in British art needs it' ANDREW MARR, NEW STATESMAN Though ferociously private, Lucian Freud spoke every week for decades to his close confidante and collaborator William Feaver – about painting and the art world, but also about his life and loves. The result is this a unique, electrifying biography, shot through with Freud's own words. In Youth, the first of two volumes, Feaver conjures Freud's early childhood: Sigmund Freud's grandson, born into a middle-class Jewish family in Weimar Berlin, escaping Nazi Germany in 1934 before being dropped into successive English public schools. Following Freud through art school, his time in the Navy during the war, his post-war adventures in Paris and Greece, and his return to Soho – consorting with duchesses and violent criminals, out on the town with Greta Garbo and Princess Margaret – Feaver traces a brilliant, difficult young man's coming of age. An account of a century told through one of its most important artists, The Lives of Lucian Freud is a landmark in the story its subject and in the art of biography itself.

Shadows of Progress
Shadows of Progress

Author: Patrick Russell

Publisher: Bloomsbury Publishing

Published: 2019-07-25

Total Pages: 446

ISBN-13: 1838718133

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Britain emerged from war a changed country, facing new social, industrial and cultural challenges. Its documentary film tradition – established in the 1930s and 1940s around legendary figures such as Grierson, Rotha and Jennings – continued evolving, utilising technical advances, displaying robust aesthetic concerns, and benefiting from the entry into the industry of wealthy commercial sponsors. Thousands of films were seen by millions worldwide. Received wisdom has been that British documentary went into swift decline after the war, resurrected only by Free Cinema and the arrival of television documentary. Shadows of Progress demolishes these simplistic assumptions, presenting instead a complex and nuanced picture of the sponsored documentary in flux. Patrick Russell and James Piers Taylor explore the reasons for the period's critical neglect, and address the sponsorship, production, distribution and key themes of British documentary. They paint a vivid picture of institutions – from public bodies to multinational industries – constantly redefining their relationships with film as a form of enlightened public relations. Many of the issues that these films addressed could not be more topical today: the rise of environmentalism; the balance of state and industry, individual and community; a nation and a world travelling from bust to boom and back again. In the second part of the book, contributors from the curatorial and academic world provide career biographies of key film-makers of the period. From Lindsay Anderson's lesser-known early career to neglected film-makers like John Krish, Sarah Erulkar, Eric Marquis and Derrick Knight, a kaleidoscopic picture is built up of the myriad relationships of artist and sponsor.

Encyclopedia of Twentieth-Century Photography, 3-Volume Set
Encyclopedia of Twentieth-Century Photography, 3-Volume Set

Author: Lynne Warren

Publisher: Routledge

Published: 2005-11-15

Total Pages: 1823

ISBN-13: 1135205361

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The Encyclopedia of Twentieth-Century Photography explores the vast international scope of twentieth-century photography and explains that history with a wide-ranging, interdisciplinary manner. This unique approach covers the aesthetic history of photography as an evolving art and documentary form, while also recognizing it as a developing technology and cultural force. This Encyclopedia presents the important developments, movements, photographers, photographic institutions, and theoretical aspects of the field along with information about equipment, techniques, and practical applications of photography. To bring this history alive for the reader, the set is illustrated in black and white throughout, and each volume contains a color plate section. A useful glossary of terms is also included.

Simon Hantaï and the Reserves of Painting
Simon Hantaï and the Reserves of Painting

Author: Molly Warnock

Publisher: Penn State Press

Published: 2020-04-21

Total Pages: 281

ISBN-13: 0271086629

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The Hungarian-born French painter Simon Hantaï (1922–2008) is best known for abstract, large-format works produced using pliage: the painting of a crumpled, gathered, or systematically pleated canvas that the artist then unfolds and stretches for exhibition. In her study of this profoundly influential artist, Molly Warnock presents a persuasive historical account of his work, his impact on a younger generation of French artists, and the genesis and development of the practice of pliage over time. Simon Hantaï and the Reserves of Painting covers the entirety of Hantaï’s expansive oeuvre, from his first aborted experiments with folding around 1950 to his post-pliage experiments with digital scanning and printing. Throughout, Warnock analyzes the artist’s relentlessly searching studio practice in light of his no less profound engagement with developments in philosophy, psychoanalysis, and critical theory. Engaging both Hantaï’s art and writing to support her argument and paying particular attention to his sustained interrogation of religious painting in the West, Warnock shows how Hantaï’s work evinces a complicated mixture of intentionality and contingency. Appendixes provide English translations of two major texts by the artist, “A Plantaneous Demolition” and “Notes, Deliberately Confounding, Accelerating, and the Like for a ‘Reactionary,’ Nonreducible Avant-Garde.” Original and insightful, this important new book is a central reference for the life, art, and theories of one of the most significant and exciting artists of the twentieth century. It will appeal to art historians and students of modernism, especially those interested in the history of abstraction, materiality and Surrealism, theories of community, and automatism and making.

Art After the Bomb
Art After the Bomb

Author: Darrell D. Davisson

Publisher: AuthorHouse

Published: 2008

Total Pages: 310

ISBN-13: 1438907184

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This book is requisite reading material for any person claiming to be an educated and informed member of the global community. Our understanding in the West of the Eastern cultures, specially the different cultures involving the Muslims, is alarmingly low. The book strives to offer a view from the ground, a keyhole perspective that offers the readers a close and personal peek into some of the ethical underpinnings and the philosophical guiding parameters that inform the Muslim and the Eastern mind. There are over 1.3 billion Muslims in the world. It would be a serious intellectual fallacy to assume that they are all homogenous, or to be more preposterous, assume they are all terrorists. It is extremely tragic that it took the Iranian hostage crisis to teach us about Shia Islam and 9/11 to teach us about Wahabi Islam. Properly acquired knowledge, not just what we learn from the media, will allow us to be anticipatory and rational, rather than being reactive and emotional. For the Muslim reader, specially the children and the youth, the book strives to offer a deeper understanding of Islam, beyond the boundaries of ritual Islam into the wide open space of spiritual and intellectual Islam. To inspire them to appreciate and live up to the wonderful legacy of Islam and not to be mired down into some deviant interpretations of people, with questionable motives. The book is designed to encourage the process of tearing down walls and building bridges. We share common dreams, aspirations and challenges. We share a common globe and a common destiny. The author believes that there are no clashes of civilizations, just clashes of ignorance and misunderstanding.

United States Senate Catalogue of Graphic Art
United States Senate Catalogue of Graphic Art

Author: United States. Congress. Senate

Publisher:

Published: 2006

Total Pages: 499

ISBN-13:

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Contains over 900 historical prints and engravings of 19th and early 20th century images portraying the events, people, and settings of the U.S. Senate.