Construction for Landscape Architecture covers all aspects of landscape construction, giving a good understanding of building materials and assembly. It is heavily illustrated with specially commissioned, detailed construction drawings and has a strong emphasis on sustainability and good practice. At the end of the book there is an extensive glossary and an appendix of technical information.
An indispensable tool for all landscape architects, this time-saving guide answers the most frequently asked questions in one pocket-sized volume. It is a concise, easy-to-read reference that gives instant access to a wide range of information needed on a daily basis, both out on site and in the office. Covering all the major topics, including hard landscaping, soft landscaping as well as planning and legislation, the pocket book also includes a handy glossary of important terms, useful calculations and helpful contacts. Not only an essential tool for everyday queries on British standards and procedures, this is a first point of reference for those seeking more extensive, supplementary sources of information, including websites and further publications. This new edition incorporates updates and revisions from key planning and environmental legislation, guidelines and national standards.
The ?ible?of portfolio design and production is now in its third edition, revised and expanded to include essential information on the digital and multimedia direction of portfolios today. Whether you work in architecture, urban planning, landscape or interior design, a finely tailored portfolio is the most important element to include in your application for graduate school, a design grant or competition, or to bring to a job interview. In addition to showing you how to assemble a portfolio that will display your talents and qualifications to the best advantage, the third edition of Portfolio Design adds a chapter on digital strategies, discussing all the elements necessary to bring your work together in a digital format. Also new to this edition is commentary and analysis of selected student portfolios by three experienced professionals who offer unique insights to help you develop your own portfolio. From formats, bindings, and cases to reproduction techniques, content, style, sequencing, multimedia, and the latest in promoting yourself on the Internet, Portfolio Design addresses every aspect of portfolio planning and production. Three-hundred samples nearly half of them new to this edition drawn from a wide array of current student and professional portfolios, both print and electronic, illustrate many and varied graphic design alternatives to demonstrate what will capture the reviewer? attention?nd secure you an offer. Portfolio pointers from industry professionals and educators complement the practical advice given by Harold Linton, who has taught portfolio design to generations of students.
The Architecture Portfolio Guidebook shows you how to make portfolios for both academic and professional needs to provide reviewers exactly what they are looking for. In school, architecture curricula nurture the knowledge and skills to develop design work to varying levels of presentation. In the profession, those skills are further developed and applied in the creation of the built environment. In both contexts, a portfolio is a core component for admission and advancement. This book provides key strategies to: • develop an understanding of the unique needs of professional and academic organizations; • identify applicants’ key differentiators; • highlight how applicants present themselves in their portfolios to address institutional needs; • create successful reinforcing documentation; • communicate using portfolios. Rather than proposing generic solutions, this book details the successful practices for portfolio creation by addressing portfolio creation academically and professionally. Supporting insights and examples from leading academics and architects from around the world reinforce the themes presented in this guidebook. An ideal read for students and professionals of architecture, landscape architecture, interior design, and urban design, looking to advance their studies and careers.
Perspectives on Place provides an inspiring insight into the territory of landscape photography. Using a range of historic and contemporary examples, Alexander explores the rich and diverse history of landscape photography and the many ways in which contemporary photographers engage with the landscape and their surroundings.Bridging theory and practice, this book demonstrates how mastering a variety of different photographic techniques can help you communicate ideas, explore themes, and develop more abstract concepts. With practical guidance on everything from effective composition, to managing challenging lighting conditions and working with different lenses and formats, you’ll be able to build your own varied and creative portfolio.Each chapter concludes with discussion questions and an assignment, encouraging you to explore key concepts and apply different photographic techniques to your own practice. Richly illustrated with images from some of the world’s most influential photographers, Perspectives on Place will help you to explore the visual qualities of your images and represent your surroundings more meaningfully.
Isabel and Julian Bannerman have been described as "mavericks in the grand manner, touched by genius" (Min Hogg, World of Interiors) and "the Bonnie and Clyde of garden design" (Ruth Guilding, The Bible of British Taste). Their approach to design, while rooted in history and the classical tradition, is fresh, eclectic and surprising. They designed the British 9/11 Memorial Garden in New York and have also designed gardens for the Prince of Wales at Highgrove and the Castle of Mey, Lord Rothschild at Waddesdon Manor, the Duke and Duchess of Norfolk at Arundel Castle in Sussex and John Paul Getty II at Wormsley in Buckinghamshire. The garden they made for themselves at Hanham Court near Bath was acclaimed by Gardens Illustrated as the top garden of 2009, ahead of Sissinghurst. When they moved from Hanham it was to the fairytale castle of Trematon overlooking Plymouth Sound, where they have created yet another magical garden. Landscape of Dreams celebrates the imaginative and practical process of designing, making and planting all of these gardens, and many more.
Geoffrey Jellicoe has long been regarded internationally as the pre-eminent landscape architect of our time. The recipient of many honors, including a knighthood, he now ranks among the century's leading artists in any medium. His working career spans more than six decades, and embraces a truly staggering variety of landscapes and gardens. Project by project, this authoritative monograph examines the definitive canon of Jellicoe's work. Divided into three major sections, the book chronicles Jellicoe's progress towards his remarkable late flowering after 1964, when he finally freed himself from the demands of running a formal practice to concentrate on developing his own unique vision and philosophy of man's relationship to his environment. The author's introduction provides an invaluable guide to the underlying vocabulary and idioms of Jellicoe's work: water, viewpoints, axes, paths, routes, groves, landmarks, secret gardens, elevation and gradation. Over fifty projects, both planned and fully realized, are described in detail, often with a preamble by the author, followed by Jellicoe's own comments, either drawn from his own unpublished papers or from his classic texts on landscape design. The projects include his masterworks: Shute House, Sutton Place, the Moody Gardens and the Atlanta Historical Gardens. Several complete designs have been specially photographed by Hugh Palmer to show the development of Geoffrey Jellicoe's work over years of growth and change, notably at Ditchley, St. Paul's Walden Bury and Shute. Where available, Geoffrey Jellicoe's own plans have been reprinted in full color, some on 6-page foldouts; many of these have never been reproduced in book form before.Michael Spens has enjoyed the benefit of considerable assistance from Geoffrey Jellicoe, whose own contribution to the book has been substantial. As a survey of the work of the century's foremost landscape architect, this volume is as important a contribution to the literature of landscape and garden design as his own The Landscape of Man, also published by Thames and Hudson.
