Much has changed in Papua New Guinea in the years following Independence, but much as remained the same. White expatriates still form a rich, privileged but impermanent minority. Few of them have a long-term commitment to the country. The local inhabitants are often relegated to roles as domestic servants, subordinates at work, or as partners in brief sexual flings. Among the expatriates themselves, relations are complicated by boredom, jealousy and self-importance. These highly readable stories range from the tragic to the ribald. They reflect expatriate life in urban PNG and illustrate some of its major preoccupations: insecurity, money, drink, sex. Originally published in 1992, this edition includes a new preface by the author.
Enhanced with anecdotes and bolded messages, a travel guide for women of all ages offers practical advice on packing, planning, and safety, along with a full list of website resources and advice on the latest travel technology.
A study of nation-building processes in the young state of Papua New Guinea, and of opposition to these in one of the country's peripheral provinces, Manus. Intense resistance to Lucifer (the state) is offered there by Wind Nation, the old Paliau Movement made famous by Mead and Schwartz.
"This volume of essays is an exploration of the way in which scholars from different disciplines, standpoints and theoretical orientations attempt to write life stories in the Pacific. It is the product of a conference organised by the Division of Pacific and Asian History at The Australian National University in December 2005. The aim of the conference was to explore ways in which Pacific lives are read and constructed through a variety of media: films, fiction, faction, history under four overarching themes. The first, Framing Lives, sought to explore various ways of constructing a life from a classic western perspective of birth, formation, experiences and death of an individual to other ways, for example, life as secondary to a longer genealogical entity, life as a symbol of collective experience, individual lives captured and fragmented in a mosaic of others, lives made meaningful by their implication in a particular historical or cultural web, the underlying values and world views that inform one or another approach to framing a life. The second theme, the Stuff of Life, looked at materials, methods and collaborative arrangements with which the biographer, autobiographer and recorder work, their objectives, constraints, inspirations, challenges and tricks. The third section, Story Lines, focused on formats and genres such as edited diaries, collections of writings, voice recordings, genres of biography autobiography, truth and fiction (verse, dance, novels) and the varieties and different advantages of narrative shapes that crystallise the telling of a life. The final section, Telling Lives/Changing Lives, focused on biography/autobiography and the consciousness of identity, history, purpose, lives as witness and windows, telling lives as change for those involved in the tale, the telling, the listening. The overall aim was to bring out both the generic or universal challenges of telling lives as well as to highlight the particular tendencies and trends in the Pacific. Yet these four themes, which seemed analytically promising at the outset, proved in practice difficult to disentangle from the presentations at the workshop"--Provided by publisher.
