Since the early seventeenth century when the secret of porcelain was first carried from China to Japan by Korean potters, Japan has produced some of the world's most exquisite porcelains. The Kakiemon masters in Arita on the island of Kyushu gained particular renown for the quality of their colourful overglaze enamels and artistic designs. Through exports Kakiemon ware had a profound impact on the development of European porcelain in the eighteenth and nineteenth centuries, inspiring ceramic manufacturers in both continental Europe and England to reach new levels of technical and artistic achievement. Dragons, Tigers and Bamboo highlights 170 masterpieces from the Bill and Molly Anne Macdonald Collection at the Gardiner Museum of Ceramic Art in Toronto, Canada. This extraordinary collection illustrates many different aspects of the historical interaction between Japanese and European porcelain during the seventeenth, eighteenth and nineteenth centuries. It is unquestionably the best cross-cultural porcelain collection in Canada and is among the best of its kind in the world. Illustrated with more than 160 full-colour photographs commissioned for this volume, Dragons, Tigers and Bamboo for the first time makes the Macdonald Collection accessible to an international audience.
An enduring witness to Dutch-Japanese relations is Arita export porcelain made for the Dutch market in the 17th and 18th centuries. The Dutch East India Company (VOC) was instrumental in ordering and distributing a variety of export wares. Private trade also played an important role. This resulted in the importation of large amounts of Japanese porcelain into The Netherlands. While many of these exquisite pieces have been lost over time, numerous examples are still preserved in public and private collections in The Netherlands. The author discusses the variety of export ware and the extraordinary pieces in those collections, many of which are published here for the first time. This survey offers a fascinating insight into a relatively unknown aspect of Dutch-Japanese interaction and is the first book of its kind devoted to this subject in English.
What do Persian robes of honour, 20th-century still-life painting, fur garments, and 18th-century porcelain all have in common? Prized, possessed and modelled, they highlight the deep connections we share with cultural objects. Establishing new connections between people and things via artistic media and material culture, this highly interdisciplinary volume brings together both established and emerging scholars in the fields of art history, material culture, museum and heritage studies and literary studies to investigate the intersection of the personal with the material. Raising vital questions of cultural identity, belonging and selfhood, Material Selves is the first book of its kind to consider the relationship between people and things across transcultural and transhistorical contexts. It employs innovative methodologies across ten chapters and critically expands on current models for understanding the dynamic relationship between people and things by tracing the central role objects have played in the construction, creation and performance of identity throughout history. Structured around four key sections exploring biography and narrative; adornment and ornament; reclamation and intervention; and subjects and objects, the volume presents a global selection of case studies that explore, amongst other things, Margaret Olley's enduring fame, the significance of the Khil'a in Safavid Persia and early modern Europe, and 17th-century French painter Charles LeBrun's royal portraiture. Fusing these with contemporary theories of identity, the contributors provide analyses informed by posthumanism, the environmental humanities, race and gender. At the same time, they confront vital questions of identity, agency, and materiality, and highlight the way in which we use objects to tell stories, construct myths and make sense of our place in the world. In doing so, the book illuminates a wide range of cultural and chronological settings whilst giving close attention to the mobility of people and things between, across, and through time and place.
Palaces of Reason traces the fascinating history of three royal residences built outside of Naples in the eighteenth century at Capodimonte, Portici, and Caserta. Commissioned by King Charles of Bourbon and Queen Maria Amalia of Saxony, who reigned over the Kingdom of the Two Sicilies, these buildings were far more than residences for the monarchs. They were designed to help reshape the economic and cultural fortunes of the realm. The palaces at Capodimonte, Portici, and Caserta are among the most complex architectural commissions of the eighteenth century. Considering the architecture and decoration of these complexes within their political, cultural, and economic contexts, Robin L. Thomas argues that Enlightenment ideas spurred their construction and influenced their decoration. These modes of thinking saw the palaces as more than just centers of royal pleasure or muscular assertions of the crown’s power. Indeed, writers and royal ministers viewed them as active agents in improving the cultural, political, social, and economic health of the kingdom. By casting the palaces within this narrative, Thomas counters the assumption that they were imitations of Versailles and the swan songs of absolutism, while expanding our understanding of the eighteenth-century European palace more broadly. Original and convincing, Thomas’s book will be of interest to historians of art and architectural history and eighteenth-century studies.
An in-depth look at the British monarchy that’s “a superb synthesis of historical analysis, politics, and top-notch royal gossip” (Kirkus Reviews). Since William the Conqueror, duke of Normandy, crossed the English Channel in 1066 to defeat King Harold II and unite England’s various kingdoms, forty-one kings and queens have sat on Britain’s throne. “Shining examples of royal power and majesty alongside a rogue’s gallery of weak, lazy, or evil monarchs,” as Tracy Borman describes them in her sparkling chronicle, Crown & Sceptre. Ironically, during very few of these 955 years has the throne’s occupant been unambiguously English—whether Norman French, the Welsh-born Tudors, the Scottish Stuarts, and the Hanoverians and their German successors to the present day. Acknowledging the intrinsic fascination with British royalty, Borman lifts the veil to reveal the remarkable characters and personalities who have ruled and, since the Restoration of the monarchy in 1660, more ceremonially reigned. It is a crucial distinction explaining the staying power of the monarchy as the royal family has evolved and adapted to the needs and opinions of its people, avoiding the storms of rebellion that brought many of Europe’s royals to an abrupt end. Richard II; Henry VIII; Elizabeth I; George III; Victoria; Elizabeth II: their names evoke eras and the dramatic events Borman recounts. She is equally attuned to the fabric of monarchy: royal palaces; the way monarchs have been portrayed in art, on coins, in the media; the ceremony and pageantry surrounding the crown. Elizabeth II is already one of the longest reigning monarchs in history. Crown & Sceptre is a fitting tribute to her remarkable longevity and that of the magnificent institution she represents. “Crown & Sceptre brings us in short, vivid chapters from William the Conqueror to Elizabeth herself, much of it constituting a dark record of bumping off adversaries, rivals and spouses, confiscating vast estates and military invasions…. [A] lucid, character-rich book.” —Minneapolis Star-Tribune “Borman’s deep understanding of English royalty shines.” —Chris Schluep, Amazon Editors’ Picks, The Best History Books of February 2022