Drawing on his storied career as a pop-culture wallflower, Steve Turner provides an all-access pass to the pervasive cultures of style, media and celebrity. Passing on his uniquely Christian way of viewing these cultures, Turner opens our eyes to a world of ideas lying just beneath the hype.
Understanding what drives popular culture is crucial for the church - whether we are consumers or creators. It will help us relate to the stories, the poetry, the idolatry of our times - and so to speak powerfully to our culture's hopes and fears.
Since leaving Eat My Dog, Mark McNulty hasn't looked back! For over twenty years Mark has been documenting the Liverpool music scene in the city and its proliferation worldwide. With 300 photographs from his portfolio Pop Cultured celebrates a city, its music and its culture through the lens of an acclaimed and highly influential Liverpool photographer. As a jobbing photographer McNulty began work covering events such as the Earthbeat festivals in Sefton Park, Liverpool, an annual live music event that would witness breakthrough performances from iconic artists such as The La's and The Stone Roses. While Britain enjoyed the 'Second Summer of Love' and the advent of acid house McNulty chronicled the full glory of the period in monochrome and technicolor capturing The Happy Mondays, The Farm, Echo & The Bunnymen, Cast and the legendary Liverpool dance mecca and rival to the Hacienda, Cream. As well as celebrating the current crop of Liverpool talent including The Zutons, Pop Levi, Candie Payne and Ladytron, Pop Cultured displays Mark's work with some of the most iconic figures in British popular music from The Who to Arctic Monkeys. Visually stunning and extremely witty Pop Cultured combine McNulty's images with his own laconic words along with contributions from some of his subjects to provide an enthralling rollercoaster account of some of the most influential artists and movements in the last twenty years of British popular culture.
Seminar paper from the year 2004 in the subject American Studies - Culture and Applied Geography, grade: 2,0, Ernst Moritz Arndt University of Greifswald (Institut für Angelistik und Amerikanistik), course: American Beliefs and Popular Culture, language: English, abstract: “Fear is the most powerful emotion in the human race and fear of the unknown is probably the most ancient. You are dealing with stuff everybody has felt...If you are making a horror film, you get to play with the audiences feelings.” John Carpenter Horror movies originate from fictional work that portrays the dark side of life with the primary aim of frightening and terrifying its audience. By presenting horrifying images, of several incorporating sub-genres and repeated themes, such as vampires and werewolves, demonic possessions, evil children, cannibals and zombies, alien invasion and mindcontrol, film makers like John Carpenter create a world where the worst nightmares become true. According to the adolescents who are providing the genre’s target group, monster movies always deal with the irresistible temptation of the unknown and forbidden, and therefore shock with a horrific impact of terrifying elements. (...) Since horror and monster movies stand for an important part of the American film industry and with it of its popular culture throughout the last eight decades, it is useful to look at the development of the horror genre in its historical and cultural context, and thus to focus again on the question of interpretive perspective. As horror movies, despite all obscurity, still deal with real fears of a society or the urge to break with social conventions, concentrating on the change of themes, styles and characters of the genre, means to learn more about the American collective consciousness and what was bothering a whole society during the 20th century.
Themelios is an international, evangelical, peer-reviewed theological journal that expounds and defends the historic Christian faith. Themelios is published three times a year online at The Gospel Coalition (http://thegospelcoalition.org/themelios/) and in print by Wipf and Stock. Its primary audience is theological students and pastors, though scholars read it as well. Themelios began in 1975 and was operated by RTSF/UCCF in the UK, and it became a digital journal operated by The Gospel Coalition in 2008. The editorial team draws participants from across the globe as editors, essayists, and reviewers. General Editor: D. A. Carson, Trinity Evangelical Divinity School Managing Editor: Brian Tabb, Bethlehem College and Seminary Consulting Editor: Michael J. Ovey, Oak Hill Theological College Administrator: Andrew David Naselli, Bethlehem College and Seminary Book Review Editors: Jerry Hwang, Singapore Bible College; Alan Thompson, Sydney Missionary & Bible College; Nathan A. Finn, Southeastern Baptist Theological Seminary; Hans Madueme, Covenant College; Dane Ortlund, Crossway; Jason Sexton, Golden Gate Baptist Seminary Editorial Board: Gerald Bray, Beeson Divinity School Lee Gatiss, Wales Evangelical School of Theology Paul Helseth, University of Northwestern, St. Paul Paul House, Beeson Divinity School Ken Magnuson, The Southern Baptist Theological Seminary Jonathan Pennington, The Southern Baptist Theological Seminary James Robson, Wycliffe Hall Mark D. Thompson, Moore Theological College Paul Williamson, Moore Theological College Stephen Witmer, Pepperell Christian Fellowship Robert Yarbrough, Covenant Seminary
Whether you're a regular attender, a leader, or have yet to step foot in a church, you may have questions about church that aren't being answered. How can the church remain relevant while communicating the unchanging integrity of God's truth? Author Tim Stevens makes an inspiring case for leveraging pop culture to reach out to people in the language of their lives. He offers a new perspective that gives relevance and impact to the church by using pop culture, meeting people in the real world with words, sounds and images that speak to them. He encourages us to get out of our comfort zones and look people in the eyes, meeting them wherever they are, relating to their problems and society's challenges, even celebrating pop culture, where there are exciting signs of spiritual seeking. Pop Goes the Church will open your mind to church in a way that breaks down walls, engages the culture and speaks to a generation that needs to hear good news.
Business and Buddhism explores alternative ways of leading in the aftermath of the Great Recession and the many stories of fraud and greed that emerged. The book explores shifts in business perspectives as more value is placed on soft skills like emotional intelligence and listening, and introduces the reader to the principles in Buddhist philosophy that can be applied in the workplace. Buddhist practices are increasingly understood as spiritual, rather than religious per se. In fact, Buddhism is alternately referred to as a philosophy or psychology. In this book, Marques explores the value of applying the positive psychology of Buddhism to work settings. She outlines the ways in which it offers highly effective solutions to addressing important management and organizational behavior related issues, but also flags up critical areas for caution. For example, Buddhism is non-confrontational, and promotes detachment. How can business leaders negotiate these principles in light of the demands of modern day pressures? The book includes end of chapter questions to promote reflection and critical thinking, and examples of Buddhist leaders in action. It will prove a captivating read for students of organizational behavior, management, leadership, diversity and ethics, as well as business consultants.
Check out Little Voice on Apple TV+! Little Voice is inspired by a lost song from Sara Bareilles’s first studio album. This updated New York Times bestselling collection of essays by seven-time Grammy nominated singer songwriter Sara Bareilles “resonates with authentic and hard-won truths” (Publishers Weekly)—and features new material on the hit Broadway musical, Waitress. Sara Bareilles “pours her heart and soul into these essays” (Associated Press), sharing the joys and the struggles that come with creating great work, all while staying true to yourself. Imbued with humor and marked by Sara’s confessional writing style, this essay collection tells the inside story behind some of her most popular songs. Well known for her chart-topper “Brave,” Sara first broke through in 2007 with her multi-platinum single “Love Song.” She has since released seven albums that have sold millions of copies and spawned several hits. “A breezy, upbeat, and honest reflection of this multitalented artist” (Kirkus Reviews), Sounds Like Me reveals Sara Bareilles, the artist—and the woman—on songwriting, soul searching, and what’s discovered along the way.
"The fan-favorite couple from Netflix's Love Is Blind share their ups and downs after two years of marriage, love advice for the modern world, and behind-the-scenes anecdotes from the pods"--