Popcorn Venus
Author: Marjorie Rosen
Publisher:
Published: 1975
Total Pages: 416
ISBN-13: 9780720602043
DOWNLOAD EBOOKRead and Download eBook Full
Author: Marjorie Rosen
Publisher:
Published: 1975
Total Pages: 416
ISBN-13: 9780720602043
DOWNLOAD EBOOKAuthor: Marjorie Rosen
Publisher:
Published: 1973
Total Pages: 440
ISBN-13:
DOWNLOAD EBOOKRosen's book, one of the first books written by a woman about women in film, is a first step in the right direction. Rosen slogged through endless reels of film from the 1900s to the present, carefully documenting significant and insignificant films from all periods. Her index lists hundreds of titles, and there is also an impressive bibliography about women, including articles from popular magazines and newspapers relevant to film images or to the position of women in society at various times. Rosen manages to give a brief description of each film's plot, and to capture in succinct phrases the essence of its style, tone, and attitude toward women. Rosen's lively style is ultimately responsible for the ease with which the book moves along. Her wit, irony and humor keep the reader interested. There is information about stars' lives, their relationships with directors, their attitudes to their careers. The text throughout is punctuated with thoughtfully chosen remarks by stars, directors, and producers, and with quotations from popular magazines about what women are or should be. Rosen attempts to account for the changes in female images in terms of women's place in society at any one time.
Author: Susan Liddy
Publisher: Springer Nature
Published: 2020-08-08
Total Pages: 352
ISBN-13: 3030390705
DOWNLOAD EBOOKThe chapter Experiencing Male Dominance in Swedish Film Production” is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.
Author: Annette Kuhn
Publisher: Univ of California Press
Published: 1994-01-01
Total Pages: 484
ISBN-13: 9780520088795
DOWNLOAD EBOOKIncludes short entries for actresses, genres, studios and topics.
Author: Andrea Walsh
Publisher: Bloomsbury Publishing USA
Published: 1986-09-10
Total Pages: 272
ISBN-13: 0313391114
DOWNLOAD EBOOKWomen's Film and Female Experience takes a fresh look at a wide range of popular women's films in order to discover what American female consciousness in the 1940s was really about. The author traces the evolution and development of the Hollywood women's film, and describes the social history of American women in the 1940s. She then analyzes dominant narrative patterns within popular women's films of the decade: the maternal drama, the career woman comedy, and the films of suspicion and distrust.
Author: Alison L. McKee
Publisher: Routledge
Published: 2014-04-03
Total Pages: 260
ISBN-13: 1135053693
DOWNLOAD EBOOKThis book explores the relationship among gender, desire, and narrative in 1940s woman’s films which negotiate the terrain between public history and private experience. The woman’s film and other form of cinematic melodrama have often been understood as positioning themselves outside history, and this book challenges and modifies that understanding, contextualizing the films it considers against the backdrop of World War II. In addition, in paying tribute to and departing from earlier feminist formulations about gendered spectatorship in cinema, McKee argues that such models emphasized a masculine-centered gaze at the inadvertent expense of understanding other possible modes of identification and gender expression in classical narrative cinema. She proposes ways of understanding gender and narrative based in part on literary narrative theory and ultimately works toward a notion of an androgynous spectatorship and mode of interpretation in the 1940s woman’s film.
Author: Cynthia Lucia
Publisher: John Wiley & Sons
Published: 2015-06-25
Total Pages: 514
ISBN-13: 1118475003
DOWNLOAD EBOOKFrom the American underground film to the blockbuster superhero, this authoritative collection of introductory and specialized readings explores the core issues and developments in American cinematic history during the second half of the twentieth-century through the present day. Considers essential subjects that have shaped the American film industry—from the impact of television and CGI to the rise of independent and underground film; from the impact of the civil rights, feminist and LGBT movements to that of 9/11. Features a student-friendly structure dividing coverage into the periods 1960-1975, 1976-1990, and 1991 to the present day, each of which opens with an historical overview Brings together a rich and varied selection of contributions by established film scholars, combining broad historical, social, and political contexts with detailed analysis of individual films, including Midnight Cowboy, Nashville, Cat Ballou, Chicago, Back to the Future, Killer of Sheep, Daughters of the Dust, Nothing But a Man, Ali, Easy Rider, The Conversation, The Texas Chain Saw Massacre, Longtime Companion, The Matrix, The War Tapes, the Batman films, and selected avant-garde and documentary films, among many others. Additional online resources, such as sample syllabi, which include suggested readings and filmographies, for both general and specialized courses, will be available online. May be used alongside American Film History: Selected Readings, Origins to 1960 to provide an authoritative study of American cinema from its earliest days through the new millennium
Author: Mollie Gregory
Publisher: Macmillan
Published: 2003-11
Total Pages: 484
ISBN-13: 9780312316341
DOWNLOAD EBOOKWomen who stormed the gates of Hollywood's "boy's club" over the past three decades tell their stories in this inside look at the new feminine face of the movie industry.
Author: Jerry Rodnitzky
Publisher: Bloomsbury Publishing USA
Published: 1999-07-30
Total Pages: 235
ISBN-13: 0313002258
DOWNLOAD EBOOKThe rise and fall of feminist counterculture is traced through feminism's liberation of popular media such as music, cinema, and television and provides portraits of personalities as countercultural models. In addition, the decline of feminism after 1980 is explored. The book begins by suggesting relevant countercultural problems and failures throughout American history to provide a broad historical perspective. It also describes how the New Left countercultural stress influenced the women's liberation movement. Individual chapters focus on how feminists used music as a counterculture and how they attempted to liberate media such as cinema, television, and advertising. Cultural portraits of Janis Joplin, Joan Baez, and Gloria Steinem suggest how individual women can be effective countercultural models. The book examines the decline of feminism since 1980 and links that decline to the fall of feminist counterculture. Feminists of the 1960s seemed to be repeating the history of the 1920s, when feminists gained the vote, but then lost the next generation. Contemporary feminists made many economic and political gains, but again lost the next generation of women. Despite this loss, the book concentrates primarily on the positive and predicts that countercultural feminism will rise phoenix-like into a new future, feminist era.
Author: Michael E. Parrish
Publisher: W. W. Norton & Company
Published: 1994-04-17
Total Pages: 548
ISBN-13: 0393254240
DOWNLOAD EBOOK"Impressively detailed. . . . An authoritative and epic overview."—Publishers Weekly In the convulsive years between 1920 and 941, Americans were first dazzled by unprecedented economic prosperity and then beset by the worst depression in their history. It was the era of Model T's, rising incomes, scientific management, electricity, talking movies, and advertising techniques that sold a seemingly endless stream of goods. But is was also a time of grave social conflict and human suffering. The Crash forced Hoover, and then Roosevelt and the nation, to reexamine old solutions and address pressing questions of recovery and reform, economic growth and social justice. The world beyond America changed also in these years, making the country rethink its relation to events in Europe, Latin America, and Asia. The illusion of superiority slowly died in the 1930s, sustaining a fatal blow in December 1941 at Pearl Harbor.