Pop Empires
Pop Empires

Author: S. Heijin Lee

Publisher: University of Hawaii Press

Published: 2019-07-31

Total Pages: 361

ISBN-13: 0824878019

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At the start of the twenty-first century challenges to the global hegemony of U.S. culture are more apparent than ever. Two of the contenders vying for the hearts, minds, bandwidths, and pocketbooks of the world’s consumers of culture (principally, popular culture) are India and South Korea. “Bollywood” and “Hallyu” are increasingly competing with “Hollywood”—either replacing it or filling a void in places where it never held sway. This critical multidisciplinary anthology places the mediascapes of India (the site of Bollywood), South Korea (fountainhead of Hallyu, aka the Korean Wave), and the United States (the site of Hollywood) in comparative dialogue to explore the transnational flows of technology, capital, and labor. It asks what sorts of political and economic shifts have occurred to make India and South Korea important alternative nodes of techno-cultural production, consumption, and contestation. By adopting comparative perspectives and mobile methodologies and linking popular culture to the industries that produce it as well as the industries it supports, Pop Empires connects films, music, television serials, stardom, and fandom to nation-building, diasporic identity formation, and transnational capital and labor. Additionally, via the juxtaposition of Bollywood and Hallyu, as not only synecdoches of national affiliation but also discursive case studies, the contributors examine how popular culture intersects with race, gender, and empire in relation to the global movement of peoples, goods, and ideas.

Pop Empires
Pop Empires

Author: S. Heijin Lee

Publisher: University of Hawaii Press

Published: 2019-07-31

Total Pages: 361

ISBN-13: 0824879929

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At the start of the twenty-first century challenges to the global hegemony of U.S. culture are more apparent than ever. Two of the contenders vying for the hearts, minds, bandwidths, and pocketbooks of the world’s consumers of culture (principally, popular culture) are India and South Korea. “Bollywood” and “Hallyu” are increasingly competing with “Hollywood”—either replacing it or filling a void in places where it never held sway. This critical multidisciplinary anthology places the mediascapes of India (the site of Bollywood), South Korea (fountainhead of Hallyu, aka the Korean Wave), and the United States (the site of Hollywood) in comparative dialogue to explore the transnational flows of technology, capital, and labor. It asks what sorts of political and economic shifts have occurred to make India and South Korea important alternative nodes of techno-cultural production, consumption, and contestation. By adopting comparative perspectives and mobile methodologies and linking popular culture to the industries that produce it as well as the industries it supports, Pop Empires connects films, music, television serials, stardom, and fandom to nation-building, diasporic identity formation, and transnational capital and labor. Additionally, via the juxtaposition of Bollywood and Hallyu, as not only synecdoches of national affiliation but also discursive case studies, the contributors examine how popular culture intersects with race, gender, and empire in relation to the global movement of peoples, goods, and ideas.

The Soft Power of the Korean Wave
The Soft Power of the Korean Wave

Author: Youna Kim

Publisher: Routledge

Published: 2021-09-05

Total Pages: 247

ISBN-13: 1000437523

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At this fascinating historical moment, this timely collection explores the new meaning of the Korean Wave and the process of media production, representation, distribution and consumption in a global context as a distinctive and complex form of soft power. Focusing on the most recent phenomenon of Korean popular culture, this book considers the Korean Wave in the global digital age and addresses the social, cultural and political implications in their complexity within the contexts of global inequalities and uneven power structures. The collection brings together internationally renowned scholars and regional specialists to examine this historically significant, visibly growing, yet under-explored current phenomenon in the global digital age. Drawing on a wide range of perspectives from media and communications, cultural studies, sociology, history and anthropology, and including a series of case studies from Asia, the USA, Europe and the Middle East, it provides an empirically rich and theoretically stimulating tour of this area of study, going beyond the standard Euro-American view of the evolving and complex dynamics of the media today. This collection is essential reading for students and scholars interested in Korean popular culture and in film, media, fandom and cultural industries more widely.

Miniature Empires
Miniature Empires

Author: James Minahan

Publisher: Routledge

Published: 2013-12-16

Total Pages: 358

ISBN-13: 113594010X

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The 20th century's most protracted conflict, the Cold War, also provided the longest and most stable peace in the history of the modern world--a fragile peace that came at the price of national freedom for many people. With the demise of the Cold War, new nearly-unknown countries, long ignored or suppressed, came to the attention of the world, as ethnic and national conflicts, rooted in the multi-ethnic populations of the newly independent states, emerged. From Bosnia-Herzegovina and Macedonia to Eritrea and Uzbekistan, Miniature Empires provides an essential guide to the states recognized since 1989 and the "nations" that dwell within their borders. Miniature Empires is the first reference book to address the post-Cold War nationalist resurgence by focusing on the nations within the new nation-states--both the core nationalities and the national minorities. Each article highlights the historical, political, social, and economic evolution of the new nations. Outstanding Academic Book

The First and Second United States Empires
The First and Second United States Empires

Author: Jack E. Eblen

Publisher: University of Pittsburgh Pre

Published: 2010-11-23

Total Pages: 357

ISBN-13: 0822975726

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In the late eighteenth century the fledgling republic of the United States was faced with the problem of devising a form of government to oversee its vast land possessions north and west of the Ohio River. To fill this need, Thomas Jefferson drafted the Ordinance of 1784, which evolved into the Northwest Ordinance of 1787. Deliberately modeled on the British colonial system, it granted territorial governors broad autocratic powers. It defined government in the Northwest, and all other subsequent territories in the public domain. Eblen defines two historical periods (empires): 1787-1848; and 1849-1912; based on government land acquisition. This book describes the nature of government in all the contiguous territories of the United States, offering an original and comprehensive view of the role and meaning of territorial government, and the administration of the Western territories.

Writing About Screen Media
Writing About Screen Media

Author: Lisa Patti

Publisher: Routledge

Published: 2019-07-30

Total Pages: 359

ISBN-13: 1351187058

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Writing About Screen Media presents strategies for writing about a broad range of media objects – including film, television, social media, advertising, video games, mobile media, music videos, and digital media – in an equally broad range of formats. The book’s case studies showcase media studies’ geographical and industrial breadth, with essays covering topics as varied as: Brazilian telenovelas, K-pop music videos, Bombay cinema credit sequences, global streaming services, film festivals, archives, and more. With the expertise of over forty esteemed media scholars, the collection combines personal reflections about writing with practical advice. Writing About Screen Media reflects the diversity of screen media criticism and encourages both beginning and established writers to experiment with content and form. Through its unprecedented scope, this volume will engage not only those who may be writing about film and other screen media for the first time but also accomplished writers who are interested in exploring new screen media objects, new approaches to writing about media, and new formats for critical expression.

A Companion to Korean American Studies
A Companion to Korean American Studies

Author: Rachael Miyung Joo

Publisher: BRILL

Published: 2018-06-12

Total Pages: 727

ISBN-13: 9004335331

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A Companion to Korean American Studies presents interdisciplinary works from a number of authors who have contributed to the field of Korean American Studies. This collection ranges from chapters detailing the histories of Korean migration to the United States to contemporary flows of popular culture between South Korea and the United States. The authors present on Korean American history, gender relations, cultural formations, social relations, and politics. Contributors are: Sohyun An, Chinbo Chong, Angie Y. Chung, Rhoanne Esteban, Sue-Je Lee Gage, Hahrie Han, Jane Hong, Michael Hurt, Rachael Miyung Joo, Jane Junn, Miliann Kang, Ann H. Kim, Anthony Yooshin Kim, Eleana Kim, Jinwon Kim, Ju Yon Kim, Kevin Y. Kim, Nadia Y. Kim, Soo Mee Kim, Robert Ji-Song Ku, EunSook Lee, Se Hwa Lee, S. Heijin Lee, Shelley Sang-Hee Lee, John Lie, Pei-te Lien, Kimberly McKee, Pyong Gap Min, Arissa H. Oh, Edward J.W. Park, Jerry Z. Park, Josephine Nock-Hee Park, Margaret Rhee and Kenneth Vaughan.

The Palgrave Handbook of Asian Cinema
The Palgrave Handbook of Asian Cinema

Author: Aaron Han Joon Magnan-Park

Publisher: Springer

Published: 2018-11-04

Total Pages: 742

ISBN-13: 1349958220

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This collection offers new approaches to theorizing Asian film in relation to the history, culture, geopolitics and economics of the continent. Bringing together original essays written by established and emerging scholars, this anthology transcends the limitations of national borders to do justice to the diverse ways in which the cinema shapes Asia geographically and imaginatively in the world today. From the revival of the Silk Road as the “belt and road” of a rising China to historical ruminations on the legacy of colonialism across the continent, the authors argue that the category of “Asian cinema” from Turkey to the edges of the Pacific continues to play a vital role in cutting-edge film research. This handbook will serve as an essential guide for committed scholars, students, and all those interested in the past, present, and possible future of Asian cinema in the 21st century.