The Works of Thomas De Quincey, Part I Vol 6
The Works of Thomas De Quincey, Part I Vol 6

Author: Grevel Lindop

Publisher: Routledge

Published: 2020-03-25

Total Pages: 385

ISBN-13: 1000749711

DOWNLOAD EBOOK

Thomas De Quincey (1785-1859) is considered one of the most important English prose writers of the early-19th century. This is the first part of a 21-volume set presenting De Quincey's work, also including previously unpublished material.

"James Barry, 1741?806: History Painter "

Author: Tom Dunne

Publisher: Routledge

Published: 2017-07-05

Total Pages: 300

ISBN-13: 1351561820

DOWNLOAD EBOOK

Bringing into relief the singularity of Barry's unswerving commitment to his vision for history painting despite adverse cultural, political and commercial currents, these essays on Barry and his contemporaries offer new perspectives on the painter's life and career. Contributors, including some of the best known experts in the field of British eighteenth-century studies, set Barry's works and writings into a rich political and social context, particularly in Britain. Among other notable achievements, the essays shed new light on the influence which Barry's radical ideology and his Catholicism had on his art; they explore his relationship with Reynolds and Blake, and discuss his aesthetics in the context of Burke and Wollstonecraft as well as Fuseli and Payne Knight. The volume is an indispensable resource for scholars of eighteenth-century British painting, patronage, aesthetics, and political history.

Living Forms
Living Forms

Author: Bruce Haley

Publisher: State University of New York Press

Published: 2012-02-01

Total Pages: 319

ISBN-13: 0791487679

DOWNLOAD EBOOK

Based on years of archival research in various British and American libraries, Living Forms examines the early nineteenth century's fascination with representations of the human form, particularly those from the past, which, having no adequate verbal explanatory text, are vulnerable to having their meanings erased by time. The author explores a variety of such representations and responses to them, including Coleridge's Shakespeare lectures, Hazlitt's essays on portraits, Keats's poems on mythic and sculpted figures, meditations by Byron's Childe Harold on the monuments of Italy, Felicia Hemans's verses on monuments to and by women, and Shelley's poems and letters on figures from Italy, Egypt, and other antique lands. Haley argues that in what has been called the "museum age," Romantics sought aesthetically to frame these figures as "living forms," mental images capable of realization in alternate modes or forms.