This book highlights the modernity of Polish Jewish culture through its literature, poetry, film, cabaret, theater, architecture, the visual arts, and music in urban centers large and small. The contributors expertly reassert the belonging of Jews in Polish lands and showcase the multivalent texture of Polish Jewish cultural production before World War II.
Polish Jewish Culture beyond the Capital: Centering the Periphery is a path-breaking exploration of the diversity and vitality of urban Jewish identity and culture in Polish lands from the second half of the nineteenth century to the outbreak of the Second World War (1899–1939). In this multidisciplinary essay collection, a cohort of international scholars provides an integrated history of the arts and humanities in Poland by illuminating the complex roles Jews in urban centers other than Warsaw played in the creation of Polish and Polish Jewish culture. Each essay presents readers with the extraordinary production and consumption of culture by Polish Jews in literature, film, cabaret, theater, the visual arts, architecture, and music. They show how this process was defined by a reciprocal cultural exchange that flourished between cities at the periphery—from Lwów and Wilno to Kraków and Łódź—and international centers like Warsaw, thereby illuminating the place of Polish Jews within urban European cultures. Companion website (https://polishjewishmusic.iu.edu)
This volume reflects the discussions during the Princeton University Conference on Polish-Jewish Studies (April 2015). It focuses on the meaning of the POLIN Museum of the History of Polish Jews, on Polish politics of memory, and on the developments in researching and teaching Polish-Jewish subjects.
From fleeing the Warsaw Ghetto and living underground to fighting for social justice in 1960s’ Seattle and helping smash the communist system in 1980s’ Poland, this is a narrative that erupts into critical moments in Jewish, Polish, and American history. It is also a story of the hidden anguish that accompanies and courses through that history, of the living haunted by the dead. The story is told through a conversation, often contentious, between Michael Steinlauf, historian of Polish-Jewish culture and child of Holocaust survivors, and the anthropologist and artist Elżbieta Janicka. It is illustrated with scores of photographs and documents.
In 1900 over five million Jews lived in the Russian empire; today, there are four times as many Russian-speaking Jews residing outside the former Soviet Union than there are in that region. The New Jewish Diaspora is the first English-language study of the Russian-speaking Jewish diaspora. This migration has made deep marks on the social, cultural, and political terrain of many countries, in particular the United States, Israel, and Germany. The contributors examine the varied ways these immigrants have adapted to new environments, while identifying the common cultural bonds that continue to unite them. Assembling an international array of experts on the Soviet and post-Soviet Jewish diaspora, the book makes room for a wide range of scholarly approaches, allowing readers to appreciate the significance of this migration from many different angles. Some chapters offer data-driven analyses that seek to quantify the impact Russian-speaking Jewish populations are making in their adoptive countries and their adaptations there. Others take a more ethnographic approach, using interviews and observations to determine how these immigrants integrate their old traditions and affiliations into their new identities. Further chapters examine how, despite the oceans separating them, members of this diaspora form imagined communities within cyberspace and through literature, enabling them to keep their shared culture alive. Above all, the scholars in The New Jewish Diaspora place the migration of Russian-speaking Jews in its historical and social contexts, showing where it fits within the larger historic saga of the Jewish diaspora, exploring its dynamic engagement with the contemporary world, and pointing to future paths these immigrants and their descendants might follow.
Results of a survey of Jews living in Warsaw, Łódź, and Dzierżoniów conducted in 1947-50 as part of a doctoral dissertation, not published until now. Of the 20,000 questionnaires distributed only 817 were returned, but they represent a wide range of the Polish Jewish population. Ch. 8 (pp. 125-143) deals with the effects of antisemitism on assimilated Jews. Many respondents felt that antisemitism was endemic to Poland, and expressed a desire to emigrate to Palestine. Some hoped to assimilate under a socialist regime while others felt there was no future for Jews there. They accused the Poles of a share in responsibility for the Holocaust and of widespread approval of its results. During the war and after, some Jews tried to conceal their origins but conversion was rare.
Scholarship on the civilization of Polish Jews has tended to focus on elite culture and canonical literature; even modern Yiddish culture has generally been approached from the perspective of 'great works'. This volume of Polin focuses on the less explored but historically vital theme of Jewish popular culture and shows how, confronted by the challenges and opportunities of modernity in the late nineteenth and early twentieth centuries, it blossomed into a complex expression of Jewish life. In addition to a range of articles on the period before the Second World War there are studies of the traces of this culture in the contemporary world. The volume as a whole aims to develop a fresh understanding of Polish Jewish civilization in all its richness and variety. Subjects discussed in depth include klezmorim and Jewish recorded music; the development of Jewish theatre in Poland, theatrical parody, and the popular poet and performer Mordechai Gebirtig; Jewish postcards in Poland and Germany; the early Yiddish popular press in Galicia and cartoons in the Yiddish press; working-class libraries in inter-war Poland; the impact of the photographs of Roman Vishniac; contemporary Polish wooden figures of Jews; and the Krakow Jewish culture festival. In addition, a Polish Jewish popular song is traced to Sachsenhausen, the badkhn (wedding jester) is rediscovered in present-day Jerusalem, and Yiddish cabaret turns up in blues, rock 'n' roll, and reggae garb. There are also translations from the work of two writers previously unavailable in English: excerpts from the ethnographer A. Litvin's pioneering five-volume work Yidishe neshomes (Jewish Souls) and several chapters from the autobiography, notorious in inter-war Poland, of the writer and thief Urke Nachalnik. As in earlier volumes of Polin substantial space is also given to new research into a variety of topics in Polish Jewish studies. These include the origins of antisemitism in Poland; what is known about the presence of German forces in the vicinity of Jedwabne in the summer of 1941; and the vexed question of Jews in the communist security apparatus in Poland after 1944. The review section includes an important discussion of what should be done about the paintings in Sandomierz cathedral which represent an alleged ritual murder in the seventeenth century, and an examination of the 'anti-Zionist' campaign of 1968.
This exploration of the texture of contemporary Polish-Jewish relations has its origins in the author's haunting experience of growing up Polish and Jewish in Warsaw in the 1960s. It began with questions about silence: the silence of Jewish parents and the silence of once-Jewish towns, the silence in Auschwitz and the silence about anti-Semitism. But when the author went to Europe in 1983 to work on the project that resulted in this book, Poland was in the midst of preparation for a grand commemoration of the Warsaw Ghetto uprising. From all parts of the political spectrum came calls to remember and to honor Polish Jews, to reexamine and to reassess the past. In effect, Poland was inviting the Jew into its household of memories. What did such an invitation mean? And what accounted for the timing? This vividly written account of the people, the politics, the goals, and the obstacles behind words of remembrance in Poland is an example of cultural sociology at its best. The author draws on a combination of textual readings, interviews, and historical analyses. The book's main strength, is its continuous dialogue between analyst and insider, between knowledge and experience. Into a field where cognitive and emotional imprints make all the difference, the author brings unique appreciation of the power they hold; she has shared them. Into a field where partisanship -so often passes for objectivity, she brings openly stated commitment. And into a field where particularism of concerns so often deadlocks understanding, she brings much-needed broadening of vision. Students of modern Jewish history will find this volume an informative analysis of the past and present roles assigned to the Jew in Poland. Students of contemporary Poland will find new perspectives on its struggles for a democratic society. And for those concerned with how one reconciles one's self and one's history, Neutralizing Memory offers an empirically based reflection on the construction and deconstruction of remembrance.
These investigations illuminate the entangled experiences of Jews who sought to balance the pull of communal, religious, and linguistic traditions with the demands and allure of full participation in European life.
