Harriet Beecher Stowe, preeminent author of Uncle Tom's Cabin, based this book on her own experience growing up in Litchfield Connecticut. Set in the fictional village of Poganuc, the book is a beautiful and poetic description of the people, including their views on everything from religion to politics, and the geography of a small Puritanical New England town of the early nineteenth century.
"Poganuc People: Their Loves and Lives" by Harriet Beecher Stowe. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
This eBook features the unabridged text of ‘Poganuc People Their Loves and Lives by Harriet Beecher Stowe - Delphi Classics (Illustrated)’ from the bestselling edition of ‘The Complete Works of Harriet Beecher Stowe’. Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of Stowe includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily. eBook features: * The complete unabridged text of ‘Poganuc People Their Loves and Lives by Harriet Beecher Stowe - Delphi Classics (Illustrated)’ * Beautifully illustrated with images related to Stowe’s works * Individual contents table, allowing easy navigation around the eBook * Excellent formatting of the textPlease visit www.delphiclassics.com to learn more about our wide range of titles
Drawing on literature, correspondence, sermons, legal writing, and newspaper publishing, this book offers a new account women's political participation and the process of religious disestablishment. Scholars have long known that eighteenth- and nineteenth-century American women wrote pious, sentimental stories, but this book uses biographical and archival methods to understand their religious concerns as entry points into the era's debates about democratic conditions of possibility and the role of religion in a republic. Beginning with the early republic's constitutional and electoral contests about the end of religious establishment and extending through the nineteenth century, Murphy argues that Federalist women and Federalist daughters of the next generation adapted that party's ideas and fears by promoting privatized Christianity with public purpose. Harriet Beecher Stowe, Catharine Sedgwick, Lydia Sigourney, Judith Sargent Murray, and Sally Sayward Wood authorised themselves as Federalism's literary curators, and in doing so they imagined new configurations of religion and revolution, faith and rationality, public and private. They did so using literary form, writing in gothic, sentimental, and regionalist genres to update the Federalist concatenation of religion, morality, and government in response to changing conditions of secularity and religious privatization in the new republic. Murphy shows that their project both complicates received narratives of separation of church and state and illuminates the problem of democracy and belief in postsecular America.
