A celebrated and diverse group of poets have contributed the beautiful selections that make up Poetry of Presence. This book of mindfulness poems provides a refuge of quiet clarity that is much needed in today's restless, chaotic world. Every reader will find favorites to share and to return to, again and again.
In life, one finds obstacles and barriers that hinder the progression of happiness. Occasionally these obstacles cause us to fall or become distracted. Perhaps it was a lost love, or the peacefulness of nature that prompted you to turn to God in prayer. One thing is clear . . . Jesus is always on your side. Through faith we make decisions that have direct bearings on the courses we choose. Within the book “Sincerely from My Heart, Poems for Contemplation” the author reflected upon many examples of how God has used spiritual influence to guide his own life. “Sincerely from My Heart, Poems for Contemplation” is a book that was written over a span of many years. Its author, Walter A. Wheat, has felt the emotions described in this book. Once a soldier, the author has experienced the effects of both life and death in war. As a father, Walter has looked back and evaluated the mistakes and tribulations he has made during parenthood. As a husband, Walter has known potential loss. In reading “Sincerely from My Heart, Poems for Contemplation,” the author hopes the reader will identify with the verbal icons and connotations of a theme that is based upon love and understanding. The emotions tapped in “Sincerely from My Heart, Poems for Contemplation,” are absolutely real. Perhaps, as you read “Sincerely from My Heart, Poems for Contemplation,” some small memory may come back to you. With this memory, you too will have assurance that God is real and He is alive today. Walter A. Wheat, M.A.
In 1989, the centenary of his death, Gerard Manley Hopkins continues to provoke fundamental questions among scholars: what major poetic strategy informs his work and how did his reflections on the nature of poetry affect his writing? While form meant a great deal to Hopkins, it was never mere form. Maria Lichtmann demonstrates that the poet, a student of Scripture all his life, adopted Scripture's predominant form--parallelism--as his own major poetic strategy. Hopkins saw that parallelism struck deep into the heart and soul, tapping into unconscious rhythms and bringing about a healing response that he identified as contemplation. Parallelism was to him the perfect statement of the integrity of outward form and inner meaning. Other critics have seen the parallelism in Hopkins's poems only on the auditory level of alliterations and assonances. Lichtmann, however, builds on the views held by Hopkins himself, who spoke of a parallelism of words and of thought engendered by the parallelism of sound. She distinguishes the integrating Parmenidean parallelisms of resemblance from the disintegrating Heraclitean parallelisms of antithesis. The tension between Parmenidean unity and Heraclitean variety is resolved only in the wordless communion of contemplation. This emphasis on contemplation offers a corrective to the overly emphasized Ignatian interpretation of Hopkins's poetry as meditative poetry. The book also makes clear that Hopkins's preference for contemplation sharply differentiates him from his Romantic predecessors as well as from the structuralists who now claim him. Originally published in 1989. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
This is the first systematic and thorough study of mysticism or contemplation in these three seventeenth-century poets and in three modern writers. It not only clarifies the very confused issue of mysticism in seventeenth-century poetry but also connects seventeenth-century poets with modern literature and science through the contemplative tradition; from the Bible and Plato and Church fathers and important mystics of the Middle Ages through Renaissance and modern contemplatives. The transformative and redemptive power of contemplative poetry or "holy writing" (regardless of genre or discipline) is prominent throughout the book, and the relevance, indeed the vital necessity, of such poetry and of the living contemplative tradition to our apocalyptic modern world is discussed in the last chapter. In this chapter, attention is given to modern science, especially to the new physics, and to philosophical and mystical writings of eminent scientists.
Amid the noise and distractions of everyday life, is it really possible to choose to love the world? In these times of great uncertainty and anxiety, how can we find God? Thomas Merton felt the urgency of these questions more than 50 years ago, and his reflections upon them are more relevant than ever. One of America's most beloved mystics of the 20th century, Merton's voice was prophetic in the troubled era of the 1960s. In this new collection of thoughts and meditations selected from his most inspiring books and letters, Merton's radiant wisdom and foresight serve as a beacon of light for all of us searching to find true meaning and solace in today's difficult times. "Father Louis," as he was known at the Abbey of Gethsemani, fully embraced the contemplative life of a monk, yet he never held the world at arm's length: "We and our world interpenetrate. It is only in assuming full responsibility for our world, for our lives and for ourselves, that we can be said to live really for God." Sharply honest in his words but balanced by his poet's heart, Merton explores themes that include the inner ground of love, living in wisdom, and dialoguing with silence. He teaches that contemplation is possible for everyone and that the fundamental context for seeking God's presence is always our everyday lives. "In the deep silence, wisdom begins to sing her unending, sunlit, inexpressible song: the private song she speaks to the solitary soul." In Choosing to Love the World, Thomas Merton inspires us to look deep within ourselves and, in the peaceful silence of contemplation, to find and sing our own song. Edited by Jonathan Montaldo, associate director of The Merton Institute for Contemplative Living, and director of Bethany Spring, the Merton Institute retreat center in Trappist, Kentucky.
Now in paperback, revised and redesigned: This is Thomas Merton's last book, in which he draws on both Eastern and Western traditions to explore the hot topic of contemplation/meditation in depth and to show how we can practice true contemplation in everyday life. Never before published except as a series of articles (one per chapter) in an academic journal, this book on contemplation was revised by Merton shortly before his untimely death. The material bridges Merton's early work on Catholic monasticism, mysticism, and contemplation with his later writing on Eastern, especially Buddhist, traditions of meditation and spirituality. This book thus provides a comprehensive understanding of contemplation that draws on the best of Western and Eastern traditions. Merton was still tinkering with this book when he died; it was the book he struggled with most during his career as a writer. But now the Merton Legacy Trust and experts have determined that the book makes such a valuable contribution as his major comprehensive presentation of contemplation that they have allowed its publication.
Poet, Trappist monk, religious philosopher, translator, social critic: the late Thomas Merton was all these things. This classic selection from his great body of poetry affords a comprehensive view of his varied and progressively innovative work. Selected by Mark Van Doren and James Laughlin, this slim volume is now available again as a wonderful showcase of Thomas Merton's splendid poetry.
The poems in Dreaming of Stones are about what endures: hope and desire, changing seasons, wild places, love, and the wisdom of mystics. Inspired by the poet’s time living in Ireland these readings invite you into deeper ways of seeing the world. They have an incantational quality. Drawing on her commitment as a Benedictine oblate, the poems arise out of a practice of sitting in silence and lectio divina, in which life becomes the holy text. No stranger to poetry, Paintner’s bestselling spirituality titles have often included poems. In this first exclusively poetic collection, she writes with a contemplative heart about kinship with nature, ancestral connections, intimacy, the landscape, the unfolding nature of time, and Christian mystics. It can be read for reflection to spark the heart and to offer solace and inspiration in difficult times. Breath This breathing in is a miracle, this breathing out, release, this breathing in a welcome to the unseen gifts which sustain me each moment, this breathing out a sweet sigh, a bow to my mortality, this breathing in a holy yes to life, this breathing out a sacred no to all that causes me to clench and grasp, this breathing in is a revelation, this breathing out, freedom.
These poems reflect an ongoing awareness journey. The search began via personal psychotherapy and encounter groups in a secular perspective in the seventies, predictably morphing into spiritual concerns. An intense involvement as a Christian later transcended into a more all-embracing vision. The poems, few though they are, are a natural expression of that journey.