Carl McKever wants to thank you, the audience, for his success in creating Poetic Expressions Vol. V. The foreword has been excluded from this book to prevent misuse of information security. In this book, you will find short stories filled with laughter and excitement. Carl's future goals are displayed in the final remarks of this book and you can learn about his great accomplishments by reading the preface of this book. We are happy and delighted to inform you of Carl McKever's 6th commemoration of being a poet and now, creative writer. Six years of due diligence in promoting and appreciating the passion towards poetry!
Poetic Expressions Vol. VI is comprised of new poems written by Carl McKever and his writing goals for 2013 and 2014 (Chicago School of Poetics). Carl would like you to know how book reviews are handled and this book will explicitly explain that process for you. Romantic poems, personal poems, short stories, and riddles are all contained in this book.
In the dynamic tradition of the BreakBeat Poets anthology, The BreakBeat Poets Vol. 4: LatiNEXT celebrates the embodied narratives of Latinidad. Poets speak from an array of nationalities, genders, sexualities, races, and writing styles, staking a claim to our cultural and civic space. Like Hip-Hop, we honor what was, what is, and what's next.
Negritude has been defined by Léopold Sédar Senghor as "the sum of the cultural values of the black world as they are expressed in the life, the institutions, and the works of black men." Sylvia Washington Bâ analyzes Senghor's poetry to show how the concept of negritude infuses it at every level. A biographical sketch describes his childhood in Senegal, his distinguished academic career in France, and his election as President of Senegal. Themes of alienation and exile pervade Senghor's poetry, but it was by the opposition of his sensitivity and values to those of Europe that he was able to formulate his credo. Its key theme, and the supreme value of black African civilization, is the concept of life forces, which are not attributes or accidents of being, but the very essence of being. Life is an essentially dynamic mode of being for the black African, and it has been Senghor's achievement to communicate African intensity and vitality through his use of the nuances, subtleties, and sonorities of the French language. In the final chapter Sylvia Washington Bâ discusses the future of Senghor's belief that the black man's culture should be recognized as valid not simply as a matter of human justice, but because the values of negritude could be instrumental in the reintegration of positive values into western civilization and the reorientation of contemporary man toward life and love. Originally published in 1973. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
In Islam the fascination for “the word” is as vigorous as in Judaism and in Christianity, but an extra dimension is, that the revealed text, the Koran, is considered to be verbatim the word of the Almighty Himself, thereby providing the Arabic language with just an extra quality. No wonder that throughout Islamic history the study of the word, the Koran, the prophet’s utterances and the interpretation of both, has become the main axis of knowledge and education. As a consequence the intellectuals – and also the poets in Islamic culture - were thoroughly familiar with religious terms and the phraseology of a language which was highly estimated because of the divine origin with which it was associated. No wonder therefore, that allusions to religious texts can be found throughout Arabic literature, both classical and modern. The subject of this volume is the representation of the divine in Arabic poetry, be it the experience of the divine as expressed by poets or the use of imagery coined by religion.
First published in 1928, this book gathers together a selection of John Ruskin's relatively neglected writings on literature and aesthetics. As noted in the textual preface, 'The attention which has been given to Ruskin's other subjects makes the neglect of this branch of his work more striking, for there is here much of permanent value. Interesting themes, original treatment, suggestive ideas which warm and stimulate the mind, are set out in a more easily readable form than is usual in Ruskin's works.' This book will be of value to anyone with an interest in Ruskin and literary criticism.
