Poetic Expressions Volume II is an addition to Poetic Expressions; including new poems of different styles of writing. This book includes a Poets' Purpose feature, A Tribute to my Parents, and new goals of writing that Carl McKever is trying to obtain. After 5 years of successful writing of poetry, Carl still remains active in Florida State Poets Association, Iowa Poetry Association, Dubuque Area Writers' Guild, and Association of Writers and Writing Programs. Daily, he is reaching out to his local community and library (Carnegie Stout Public Library) to recruit others who have a passion and burden for poetry; as well as new-beginning poets.
This second volume of The Library of America’s two-volume collection of nineteenth-century American poetry follows the evolution of American poetry from the monumental mid-century achievements of Herman Melville and Emily Dickinson to the modernist stirrings of Stephen Crane and Edwin Arlington Robinson. The cataclysm of the Civil War—reflected in fervent antislavery protests, in marching songs and poetic calls to arms, and in muted post-bellum expressions of grief and reconciliation—ushered in a period of accelerating change and widening regional perspectives. Here too are the pioneering African-American poets (Frances Harper, Albery Allson Whitman, Paul Laurence Dunbar); popular humorists (James Whitcomb Riley, Eugene Field); writers embodying America’s newfound cosmopolitanism (Edith Wharton, George Santayana); and extravagant self-mythologizing figures who could have existed nowhere else, like the actress Adah Isaacs Menken and the frontier poet Joaquin Miller. Parodies, dialect poems, song lyrics, and children’s verse evoke the liveliness of an era when poetry was accessible to all. Here are poems that played a crucial role in American public life, whether to arouse the national conscience (Edwin Markham’s “The Man with the Hoe”) or to memorialize the golden age of the national pastime (Ernest Lawrence Thayer’s “Casey at the Bat”). An entire section of this volume is devoted to American Indian poetry in nineteenth-century versions, making available—some for the first time since their initial publication—an astonishing range of translations and adaptations: Ojibwa healing rituals, the songs of the Ghost Dance religion, Zuni mythological narratives, chants from the Kwakiutl Winter Ceremonial. Also included is a generous selection from America’s rich heritage of anonymous folk songs, ballads, and hymns. Unprecedented in its textual authority, the anthology includes newly researched biographical sketches of each poet, a year-by-year chronology of poets and poetry from 1800 to 1900, and extensive notes. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.
This volume is the Poetry In Expression Series thus far with the exclusion of Growth In Expression: Modern Christian Poems. This poetry celebrates love, life, people, cinema, heritage, and concepts generally, in both rhyme and free verse.
Carl McKever continues with new styles of poetry in his third volume of Poetic Expressions. In this book, an afterword and foreword is included; written by Anna Maria Clark. New features can be found and once Carl returns from his break in September, he will working on Volume 4. Hope you enjoy this volume more, since it has sonnets and quatrains.
'It is impossible to say just what I mean!' Prufrock's frustration in Eliot's celebrated poem underlines the pessimistic view of language at the heart of much Modernist poetry. Locating the greatest Italian poet of the twentieth century, Eugenio Montale, firmly within European Modernism, thisbook examines the struggle with language that is central to his work. What can a poet do when words fail him? Does he put down his pen, retreat into silence? Does he seek instead to push language towards its limits, and, if so, what tools can he employ? What part does metaphor, the via negativa,allusive or understated writing have in this process? These are just some of the issues that Clodagh J. Brook seeks to address. In its unravelling of the inexpressibility paradox, her book offers a new reading of Montale's early verse, and reveals how in articles and metapoetic comments Montalegives us insights into both his poetics and the whole process of expression.
Carl McKever wants to thank you, the audience, for his success in creating Poetic Expressions Vol. V. The foreword has been excluded from this book to prevent misuse of information security. In this book, you will find short stories filled with laughter and excitement. Carl's future goals are displayed in the final remarks of this book and you can learn about his great accomplishments by reading the preface of this book. We are happy and delighted to inform you of Carl McKever's 6th commemoration of being a poet and now, creative writer. Six years of due diligence in promoting and appreciating the passion towards poetry!
Winner of the National Book Award for Young People’s Literature, the Michael L. Printz Award, and the Pura Belpré Award! Fans of Jacqueline Woodson, Meg Medina, and Jason Reynolds will fall hard for this astonishing New York Times-bestselling novel-in-verse by an award-winning slam poet, about an Afro-Latina heroine who tells her story with blazing words and powerful truth. Xiomara Batista feels unheard and unable to hide in her Harlem neighborhood. Ever since her body grew into curves, she has learned to let her fists and her fierceness do the talking. But Xiomara has plenty she wants to say, and she pours all her frustration and passion onto the pages of a leather notebook, reciting the words to herself like prayers—especially after she catches feelings for a boy in her bio class named Aman, who her family can never know about. With Mami’s determination to force her daughter to obey the laws of the church, Xiomara understands that her thoughts are best kept to herself. So when she is invited to join her school’s slam poetry club, she doesn’t know how she could ever attend without her mami finding out. But she still can’t stop thinking about performing her poems. Because in the face of a world that may not want to hear her, Xiomara refuses to be silent. “Crackles with energy and snaps with authenticity and voice.” —Justina Ireland, author of Dread Nation “An incredibly potent debut.” —Jason Reynolds, author of the National Book Award Finalist Ghost “Acevedo has amplified the voices of girls en el barrio who are equal parts goddess, saint, warrior, and hero.” —Ibi Zoboi, author of American Street This young adult novel, a selection of the Schomburg Center's Black Liberation Reading List, is an excellent choice for accelerated tween readers in grades 6 to 8. Plus don't miss Elizabeth Acevedo's With the Fire on High and Clap When You Land!
