An invaluable reassessment of what we think we know about the daily lives of women in medieval Europe. Poet, Mystic, Widow, Wife charts the life and times of four medieval women--Marie de France, a poet; Julian of Norwich, a mystic and anchoress; Christine de Pizan, a widow and court writer; and Margery Kempe, a no-good wife--who all bucked convention and forged their own path. Largely forgotten by modern readers, these women have an astonishing amount to teach us about love, marriage, motherhood, friendship, and earning a living. Through these four writers, Hetta Howes engagingly reveals how everyday women lived, survived, and thrived in medieval times. Who did they marry and why? Were they expected to have children? Did they ever have extramarital affairs? Could they earn money and become self-sufficient? How did they make friends? Could they be leaders? What did they think about death--and what about life and their place in it? While in many ways the Middle Ages was a terrible time to be a woman, there were areas of life that were surprisingly progressive. Poet, Mystic, Widow, Wife paints a vibrant portrait of these women, their world, and the ways they speak to us today.
An invaluable reassessment of what we think we know about the daily lives of women in medieval Europe. Poet, Mystic, Widow, Wife charts the lives and times of four medieval women writers—Marie de France, a poet; Julian of Norwich, a mystic and anchoress; Christine de Pizan, a widow and court writer; and Margery Kempe, a no-good wife—who all bucked convention and forged their own paths. Largely forgotten by modern readers, these women have an astonishing amount to teach us about love, marriage, motherhood, friendship, and earning a living. Reading the words of these four writers, Hetta Howes engagingly reveals how everyday women lived, survived, and thrived in medieval times. Who did they marry and why? Did they ever have extramarital affairs? Could they earn money and become self-sufficient? Could they be leaders? What did they think about death—and what about life and their place in it? Poet, Mystic, Widow, Wife paints a vibrant portrait of these women, their world, and the ways they speak to us today.
This volume offers a fresh interpretation of Geoffrey Chaucer both as a poet and as a man. Taking as its starting point the idea of Chaucer as the 'Father of English Poetry', the book explores how the poet's thoughts on paternity and creativity lie at the heart of The Canterbury Tales.
LONGLISTED FOR THE GORDON BURN PRIZEAS HEARD ON R4s FRONT ROW'The football novel is back.' The TimesWonderful.' IRENOSEN OKOJIE 'A novel rich in both poetry and detail.' DAVID PEACE'Memorable and moving . . . Your Show is a remarkable book' Observer____________The Uriah Rennie Show? Damn right it is.From Jamaica to Sheffield to the recently formed Premier League, Uri rises through the ranks as a referee, making it to the highest level of our national game.But along the way he is confronted with tensions and prejudices, old and new, which emerge as his every move is watched, analysed and commented on.Your Show is the thrilling story of one man's pioneering efforts to make it, against the odds, to the very top of his profession and beyond.'A gripping, thought-provoking and important read.' Daily Mail 'Incredibly moving . . . Whether a fan of football or not, readers will love this novel, and its ultimate message -- one of hope.' NICK BRADLEY'Fantastic.' CANDICE CARTY-WILLIAMS
'A fascinating book about four women - it tells us so much about their world, and about our own... What jumps off the page is the liveliness of the women, their passion, their courage and their own way of being...' PHILIPPA GREGORY, author of The Other Boleyn Girl and Normal Women 'Brilliantly revealing' Observer 'A celebration of female ambition and endeavour... enormous fun' The Sunday Times A spectacular, vivid, groundbreaking work of history which takes us into the minds and lives of medieval women. What was life really like for women in the medieval period? How did they think about sex, death and God? Could they live independent lives? And how can we hear their stories? Few women had the luxury of writing down their thoughts and feelings during medieval times. But remarkably, there are at least four extraordinary women who did. Marie de France, a poet; Julian of Norwich, a mystic and anchoress; Christine de Pizan, a widow and court writer; and Margery Kempe, a "no-good wife". In their own ways these four very different writers pushed back against the misogyny of the period. Each broke new ground in women's writing and left us incredible insights into the world of medieval life and politics. Hetta Howes has spent her working life uncovering these women's stories to give us a valuable and unique historical biography of their lives that challenges what we think we know about medieval women in Europe. Women did earn money, they could live independent lives, and they thought, loved, fought and suffered just as we do today. This mesmerizing book is an unforgettably lively and immersive journey into the everyday lives of medieval women through the stories of these four iconic women writers, some of which are retold here for general readers for the first time. 'Full of surprises and packed with thrilling details, this is an important, eye-opening book.' ALICE LOXTON, author of Eighteen and Uproar! 'This meticulously researched book makes visible so much that popular models of medieval life have found inconvenient or uninteresting to accommodate' NOREEN MASUD, author of A Flat Place - shortlisted for Women's Prize 'Hetta Howes unflinchingly explores the trials medieval women faced and, importantly, how they fought back.' TABITHA STANMORE, author of Cunning Folk: Life in the Era of Practical Magic 'Vivid, deeply researched, and addictively readable' IRINA DUMITRESCU, Professor of English Medieval Studies at the University of Bonn and co-host of Medieval LOLs 'Spirited, sparky' ANTHONY BALE, author of A Travel Guide to the Middle Ages
A groundbreaking biography of a psychologically traumatized novelist who forever changed the way we look at women in fiction. Jean Rhys (1890–1979) is best known for her 1966 novel Wide Sargasso Sea. A prequel to Jane Eyre, Rhys’s revolutionary work reimagined the story of Bertha Rochester—the misunderstood “madwoman in the attic” who was driven to insanity by cruelties beyond her control. The Blue Hour performs a similar exhumation of Rhys’s life, which was haunted by demons from within and without. Its examination of Rhys’s pain and loss charts her desperate journey from the jungles of Dominica to a British boarding school, and then into an adult life scarred by three failed marriages, the deaths of her two children, and her long battle with alcoholism.A mesmerizing evocation of a fragile and brilliant mind, The Blue Hour explores the crucial element that ultimately spared Rhys from the fate of her most famous protagonist: a genius that rescued her, again and again, from the abyss.
Winner of the 2021 Books Are My Bag Readers Award for Non-fiction Shortlisted for the 2021 Wainwright Prize "I knew in every bone of my body, in every fibre of my being, that I had to report what had happened, not only for myself but to help stop anyone else having to go through what I did. I knew I could not remain silent, or still, I could not stop walking through the world." A journey of reclamation through the natural landscapes of the North, brilliantly exploring identity, nature, place and belonging. Beautifully written and truly inspiring, I Belong Here heralds a powerful and refreshing new voice in nature writing. Anita Sethi was on a journey through Northern England when she became the victim of a race-hate crime. The crime was a vicious attack on her right to exist in a place on account of her race. After the event Anita experienced panic attacks and anxiety. A crushing sense of claustrophobia made her long for wide open spaces, to breathe deeply in the great outdoors. She was intent on not letting her experience stop her travelling freely and without fear. The Pennines - known as 'the backbone of Britain' runs through the north and also strongly connects north with south, east with west - it's a place of borderlands and limestone, of rivers and 'scars', of fells and forces. The Pennines called to Anita with a magnetic force; although a racist had told her to leave, she felt drawn to further explore the area she regards as her home, to immerse herself deeply in place. Anita's journey through the natural landscapes of the North is one of reclamation, a way of saying that this is her land too and she belongs in the UK as a brown woman, as much as a white man does. Her journey transforms what began as an ugly experience of hate into one offering hope and finding beauty after brutality. Anita transforms her personal experience into one of universal resonance, offering a call to action, to keep walking onwards. Every footstep taken is an act of persistence. Every word written against the rising tide of hate speech, such as this book, is an act of resistance.
Shortlisted for the London Festival Fringe Prize for the Best First Collection of Poetry 2010. This debut collection from Seren, Inroads, showcases a startling new talent. Carolyn Jess-Cooke has a sophisticated poetic intelligence as well as a great sense of fun. The opening piece, 'Accent' where 'stowaway inflections and locally-produced slang/have passports of their own' is a praise poem for the versatility and joy of language, "The way sound chases itself in tunnels and halls, the way senses fold memory...". This verbal fluency and dexterity are employed to offer us poems that are multi-faceted and often paradoxical. 'Aeneas Finds Dido on YouTube' is part satire, part tender re-enactment of the myth, featuring the most up-to-date media platforms. After this playful start, a difficult childhood is evoked through metaphor in poems like 'Music Lesson','One Thousand Painful Pieces' and 'Bitten', all the more heartbreaking for being indirect. Other high points are 'Newborn' with the apt description of a babe in arms being a 'zoo of verbs/mewling, snuffling, pecking...'. This sweet realism again gives way to metaphor, in the strangely evocative 'Dorothy's Homecoming' in a brilliant take on the classic film 'Wizard of Oz', the power of maternal love has turned into a 'twister'. Readers will enjoy discovering this striking and versatile new voice.
