"The book is full of strong, memorable poems that stick with readers like a friend during a long, hard night. " - The Christian Science Monitor Here, readers will find solace in works that are bracing and courageous, organized into such resonant headings as "Such As It Is More or Less" and "Let It Spill." From William Shakespeare and Walt Whitman to R. S. Gwynn and Mary Oliver, the voices gathered in this collection will be more than welcome to those who've been struck by bad news, who are burdened by stress, or who simply appreciate the power of good poetry.
In his bestselling Ten Poems series, Roger Housden has shown an uncanny ability to choose and discuss poems that strike at the core of readers’ concerns and needs. In this new volume, ten extraordinary poems, along with Housden’s incisive essays, bring heartfelt insight and broad perspective both to our personal challenges and to our cultural and collective malaise. Ten Poems for Difficult Times is the perfect gift for oneself or for anyone in need of solace and inspiration. Ten Poems for Difficult Times “Good Bones” by Maggie Smith “The Thing Is” by Ellen Bass “The Quarrel” by Conrad Aiken “Cutting Loose” by William Stafford “Rain Light” by W. S. Merwin “How the Light Comes” by Jan Richardson “Now You Know the Worst” by Wendell Berry “A Brief for the Defense” by Jack Gilbert “It’s This Way” by Nazim Hikmet “Annunciation” by Marie Howe
Alex Dimitrov’s third book, Love and Other Poems, is full of praise for the world we live in. Taking time as an overarching structure—specifically, the twelve months of the year—Dimitrov elevates the everyday, and speaks directly to the reader as if the poem were a phone call or a text message. From the personal to the cosmos, the moon to New York City, the speaker is convinced that love is “our best invention.” Dimitrov doesn’t resist joy, even in despair. These poems are curious about who we are as people and shamelessly interested in hope.
“Nye at her engaging, insightful best.” —Kirkus Reviews (starred review) Acclaimed poet and Young People’s Poet Laureate Naomi Shihab Nye shines a spotlight on the things we cast away, from plastic water bottles to those less fortunate, in this collection of more than eighty original and never-before-published poems. A deeply moving, sometimes funny, and always provocative poetry collection for all ages. “How much have you thrown away in your lifetime already? Do you ever think about it? Where does this plethora of leavings come from? How long does it take you, even one little you, to fill the can by your desk?” ?Naomi Shihab Nye National Book Award Finalist, Young People’s Poet Laureate, and devoted trash-picker-upper Naomi Shihab Nye explores these questions and more in this original collection of poetry that features more than eighty new poems. “I couldn’t save the world, but I could pick up trash,” she says in her introduction to this stunning volume. With poems about food wrappers, lost mittens, plastic straws, refugee children, trashy talk, the environment, connection, community, responsibility to the planet, politics, immigration, time, junk mail, trash collectors, garbage trucks, all that we carry and all that we discard, this is a rich, engaging, moving, and sometimes humorous collection for readers ages twelve to adult. Includes ideas for writing, recycling, and reclaiming, and an index.
Every day people tune in to The Writer's Almanac on public radio and hear Garrison Keillor read them a poem. And here, for the first time, is an anthology of poems from the show, chosen by the narrator for their wit, their frankness, their passion, their "utter clarity in the face of everything else a person has to deal with at 7 a.m." The title Good Poems comes from common literary parlance. For writers, it's enough to refer to somebody having written a good poem. Somebody else can worry about greatness. Mary Oliver's "Wild Geese" is a good poem, and so is James Wright's "A Blessing." Regular people love those poems. People read them aloud at weddings, people send them by e-mail. Good Poems includes poems about lovers, children, failure, everyday life, death, and transcendance. It features the work of classic poets, such as Emily Dickinson, Walt Whitman, and Robert Frost, as well as the work of contemporary greats such as Howard Nemerov, Charles Bukowski, Donald Hall, Billy Collins, Robert Bly, and Sharon Olds. It's a book of poems for anybody who loves poetry whether they know it or not.
The week after the attack on the World Trade Center, Joan Murray read her poem about it, "Survivors--Found," on National Public Radio. Thousands heard her poem and were so moved that they contacted her to ask for copies. In the wake of our nation's tragedy, poetry has taken on a new relevance in people's lives. As Dinitia Smith noted in The New York Times, "In the weeks since the terrorist attacks, people have been consoling themselves-and one another-with poetry in an almost unprecedented way." Poems to Live By features sixty of the finest poems by an international group of distinguished writers, including W. H. Auden, Czeslaw Milosz, Bertolt Brecht, Yehuda Amichai, Mary Oliver, Miguel de Unamuno, Gwendolyn Brooks, Billy Collins, Yusef Komunyakaa, and Sharon Olds. Agreeing with Kenneth Burke that literature is equipment for living, Murray has arranged the anthology in six sections that address our most urgent concerns: death and remembrance, fear and suffering, affirmations and rejoicings, warnings and instructions, war and rumors of war, meditations and conversations. Beginning with Faiz Ahmed Faiz's somber remembrance ('This is the way that autumn came to the trees: / it stripped them down to the skin') and concluding with D. H. Lawrence's simple and deep-felt "Pax," Poems to Live By addresses our need for wisdom in dark times, whether those times are personal or the ones we live through together.
Antonio Machado, a school teacher and philosopher and one of Spain's foremost poets of the twentieth century, writes of the mountains, the skies, the farms and the sentiments of his homeland clearly and without narcissism: "Just as before, I'm interested/in water held in;/ but now water in the living/rock of my chest." "Machado has vowed not to soar too much; he wants to 'go down to the hells' or stick to the ordinary," Robert Bly writes in his introduction. He brings to the ordinary—to time, to landscape and stony earth, to bean fields and cities, to events and dreams—magical sound that conveys order, penetrating sight and attention. "The poems written while we are awake&…are more original and more beautiful, and sometimes more wild than those made from dreams," Machado said. In the newspapers before and during the Spanish Civil War, he wrote of political and moral issues, and, in 1939, fled from Franco's army into the Pyrenees, dying in exile a month later. When in 1966 a bronze bust of Machado was to be unveiled in a town here he had taught school, thousands of people came in pilgrimage only to find the Civil Guard with clubs and submachine guns blocking their way. This selection of Machado's poetry, beautifully translated by Bly, begins with the Spanish master's first book, Times Alone, Passageways in the House, and Other Poems (1903), and follows his work to the poems published after his death: Poems from the Civil War (written during 1936 – 1939).
Every great poem invites us to step beyond what we know, what we think we can dream or dare. Great poetry is a catalyst for change: a change of mind, a change of heart, a change of life- and yes, over and over, again and again, with each new reading, and each new phase of our journey. That’s why poetry is dangerous. It gives voice to our unspoken dreams; it is a mirror to our own deepest joys, desires, and sorrows. It can tip us over into a new life, into a new way of seeing and being, that a moment ago we might even have had no words for. In this new volume of his Ten Poems series, Roger Housden takes ten great poems and in personal, intimate essays shows how they led him, and can also lead us, into a more deeply lived and examined life. Housden says, “Every one of the poems in this book has struck me a blow, a direct hit, each of them, into the heart of hearts. Every one of them, in its own way, has opened a door for me to go deeper into my own experience, my own longings, my own sorrows and joys, and into the silence that surrounds all of this, all of us, always.”
A book of loss, looking back, and what binds us to life, by a towering poetic talent, called "one of the poetry stars of his generation" (Los Angeles Times). "We sleep long, / if not sound," Kevin Young writes early on in this exquisite gathering of poems, "Till the end/ we sing / into the wind." In scenes and settings that circle family and the generations in the American South--one poem, "Kith," exploring that strange bedfellow of "kin"--the speaker and his young son wander among the stones of their ancestors. "Like heat he seeks them, / my son, thirsting / to learn those / he don't know / are his dead." Whether it's the fireflies of a Louisiana summer caught in a mason jar (doomed by their collection), or his grandmother, Mama Annie, who latches the screen door when someone steps out for just a moment, all that makes up our flickering precarious joy, all that we want to protect, is lifted into the light in this moving book. Stones becomes an ode to Young's home places and his dear departed, and to what of them—of us—poetry can save.
