Poems about what the students in Mrs. Brown's class see and do during their school field trips to a variety of museums. Includes a list of some museums in different states.
The first complete catalog of Broodthaers' rebus-like poetical plaques Industrially fabricated as vacuum-formed plastic plaques, the Industrial Poemsof Marcel Broodthaers (1924-76) express the enduring fruitfulness of poetry as a paradigm in the poet-turned-artist's witty, language-oriented brand of conceptualism. These works draw on the popular visual language of commercial signage, incorporating symbols, images, letters, words and punctuation that often refer to earlier poems and artworks. As mass-manufactured signs produced in a popular material such as plastic, the Industrial Poemspartake of a visual and material clarity that belies the strongly enigmatic character of their associative semantic functioning. This 400-page volume compiles for the first time a comprehensive inventory of all the Industrial Poems. These are supplemented by a selection of Broodthaers' own writings and his "open letters," along with essays that situate the Industrial Poemsin relation to each other and the artist's oeuvre generally.
A collection of the author's greatest poetry--from the wistful to the unsettling, the wonders of nature to the foibles of human nature--is an ideal introduction for first-time readers. Original.
Jane Freilicher: Painter Among Poets is a follow-up to the superb 2011 publication Tibor de Nagy Gallery: Painters and Poets. It examines painter Jane Freilicher's important role at the center of the so-called New York School of poetry formed by John Ashbery, Frank O'Hara, Kenneth Koch and James Schuyler, and explores in depth for the first time Freilicher's contribution as muse, collaborator and confidante. It includes color reproductions of the artist's work, including landscapes, cityscapes and portraits of the poets (some of which are previously unreproduced); photographs of the group and letters from the Ashbery and Freilicher archives at Harvard; a selection of poems by Ashbery, Schuyler and O'Hara, including O'Hara's celebrated early poems inspired by Freilicher and unpublished works; an intimate appreciation by John Ashbery; and a revelatory essay by scholar Jenni Quilter.
Record of a landmark exhibition of books, manuscripts, letters, and photographs documenting the personal and artistic relationship of two great modern poets
A celebration of mermaids, wildernesses of waves, and the creatures of the deep through poems by Langston Hughes and cut-paper collage illustrations by multiple Coretta Scott King Award winner Ashley Bryan. The great African American poet Langston Hughes penned poem after poem about the majesty of the sea, and the great African American artist Ashley Bryan, who’s spent more than half his life on a small island, is as drawn to the sea as much as he draws the sea. Their talents combine in this windswept collection of illustrated poems—from “The Negro Speaks of Rivers” to “Seascape,” from “Sea Calm” to “Sea Charm”—that celebrates all things oceanic.
Jimmie Durham (born 1940) is a Cherokee poet, sculptor, essayist and a visual artist who has been making and exhibiting work since 1963. The cultural and political uses of material, objects and space have been central to his practice, and his career has deftly bridged the space between art and activism. His collected poems, Columbus Day, was published by West End Press in 1983. Beautifully produced, Poems That Do Not Go Together is the second part of his collected poems, containing 41 pieces written between 1966 and 2012. Full of puns, jokes, sad stories, political outrage and bitter reflections on the plight of Natives, it elucidates the animating energies behind Durham's half-century-long career with clarity and volume.