Much as Bowles chose Tangier, Lax chose the Greek islands. After working in the 40s and 50s as an editor for the New Yorker, a film critic for Time and a Hollywood screenwriter, Robert Lax left the United States for permanent residence abroad, where for 35 years he has written the minimalist poetry that has won him acclaim among an ever-widening circle of artists and writers around the world.
Glck's poetry resists collection. With each successive book her drive to leave behind what came before has grown more fierce. She invented a form to accommodate this need, the book-length sequence of poems.
"In 1988, at the age of fifty, Diana Wakoski selected the poems in Emerald Ice from her first sixteen books of poetry. Here, returned to print at last, are all the famous (and infamous) lyrics, series, and narratives that established Wakoski as a mythologizer of sex and self, a fierce free-verse imagist, and one of the most important and controversial poets to come out of California in the 1960s." From Amazon.
Winner of the Nobel Prize in Literature Winner of the Pulitzer Prize From Pulitzer Prize-winning poet Louise Glück, a stunningly beautiful collection of poems that encompasses the natural, human, and spiritual realms Bound together by the universal themes of time and mortality and with clarity and sureness of craft, Louise Glück's poetry questions, explores, and finally celebrates the ordeal of being alive.
A dozen poems on love by a New Jersey obstetrician (1883-1963) who often wrote them on office prescription pads. In the title poem, first published when he was 72, he wrote: "What power has love but forgiveness? / In other words / by its intervention / what has been done / can be undone."
Poetry. Winner of the 2011 Norma Farber First Book Award from the Poetry Society of America. John Beer's first collection, THE WASTE LAND AND OTHER POEMS, employs the wit of a philosopher and the ear of a poet to stage ways of reading that are political, personal, and theoretical. The speaker of these poems also brings humor to the dissecting table, to prod the legacies of great works of the imagination while balancing irony and affection.
For this volume, originally published in cloth in 1961, William Carlos Williams collected, and revised, four full-length plays and the libretto of an opera on George Washington. As might be expected of the man who did most in our time to create a new and truly "American" idiom for poetry, Dr. Williams' writing for the stage challenges producers and actors to extend the range of modern drama.