Struggling to support her family in mid-19th-century New York, writer Frances Osgood makes an unexpected connection with literary master Edgar Allan Poe and finds her survival complicated by her intense attraction to the writer and the scheming manipulations of his wife.
Poe and Women presents essays by scholars who investigate the various ways in which women--Poe's female contemporaries, critics, writers, and artists, as well as women characters in Poe adaptations--have shaped Edgar Allan Poe's reputation and revised his depictions of gender.
Tamerlane and Other Poems is the first published work by American writer Edgar Allan Poe. The short collection of poems was first published in 1827. Today, it is believed only 12 of approximately 50 copies of the collection still exist. The poems were largely inspired by Lord Byron, including the long title poem "Tamerlane", which depicts a historical conqueror who laments the loss of his first romance. Like much of Poe's future work, the poems in Tamerlane and Other Poems include themes of love, death, and pride.
Poe is frequently portrayed as an isolated idiosyncratic genius who was unwilling or unable to adapt himself to the cultural conditions of his time. Eliza Richards revises this portrayal through an exploration of his collaborations and rivalries with his female contemporaries. Richards demonstrates that he staged his performance of tortured isolation in the salons and ephemeral publications of New York City in conjunction with prominent women poets whose work sought to surpass. She introduces and interprets the work of three important and largely forgotten women poets: Frances Sargent Osgood, Sarah Helen Whitman, and Elizabeth Oakes Smith. Richards re-evaluates the work of these writers, and of nineteenth-century lyric practices more generally, by examining poems in the context of their circulation and reception within nineteenth-century print culture. This book will be of interest to scholars of American print culture as well as specialists of nineteenth-century literature and poetry.
A monument to the literary genius of women throughout the ages, A Book of Women Poets from Antiquity to Now is an invaluable collection. Here in one volume are the works of three hundred poets from six different continents and four millennia. This revised edition includes a newly expanded section of American poets from the colonial era to the present. "[A] splendid collection of verse by women" (TIME) throughout the ages and around the world; now revised and expanded, with 38 American poets.
»King Pest« is a short story by Edgar Allan Poe, originally published in 1835. EDGAR ALLAN POE was born in Boston in 1809. After brief stints in academia and the military, he began working as a literary critic and author. He made his debut with the novel The Narrative of Arthur Gordon Pym of Nantucket in 1838, but it was in his short stories that Poe's peculiar style truly flourished. He died in Baltimore in 1849.
Un anonimo narratore ci racconta del suo amore perduto Ligeia, una donna alta, dai capelli neri, estremamente intelligente, che credeva che la morte potesse essere sconfitta con la forza di volontà. Inoltre era innamorata in maniera ossessiva del marito, lo idolatrava, ricambiata. Quando lei muore lui è affranto. Qualche tempo dopo decide di andare avanti con la sua vita e si risposa. Strane cose cominciano ad accadere mentre il narratore continua a pensare sempre di più al suo primo amore, Ligeia…
A murderer driven to the edge by the sound of his victim's still-beating heart… A mental institution run by someone other than its staff… A mysterious box aboard a ship with a ghastly secret… And the hypnotist's stare that could, perhaps, paralyze even death… Strap into your straitjacket, fasten it tight, and brace yourself! For within these pages are stories of lost love, lost ways… and lost minds. Gris Grimly's mysterious, morbid, macabre illustrations capture four Poe classics, including perennial favourite, The Tell Tale Heart, with an unmatchable ghoulish charm. Read them if you dare ~ and celebrate, in true Poe style, the two hundredth anniversary of the birth ofthe great Master of the Macabre.
According to Sara Crosby, the new popular ‘power of horror’—in writings by Poe and many others—gave American authors a new way of moving beyond beauty through the ‘poisonous muse.’ This new power corresponds to the vitalizing changes in Jacksonian America and brings with it a major change in US literary history. Her study of these changes in the US cultural scene is an incredibly engaging, vibrant narrative.
Did Edgar Allan Poe know more about murder than he revealed in his bizarre stories of murder and mayhem? Was he in fact guilty of killing a girlfriend in a fit of rage many years before he became famous? Bruce Wetterau's taut thriller weaves a murder mystery worthy of Poe himself as it follows Poe through actual events in the last months of his life. The year 1849 saw the real-life Poe dealing with his alcoholism, failing health, poverty, and painful memories of his recently deceased child-bride wife. His life had become a psychological pressure cooker, with severe anxiety attacks and bouts of strange hallucinations. The Girl Behind the Wall opens in early 1849. Poe is being tormented by frightening visions about murdering Annabel Lee while he was a student at the University of Virginia. Afraid of the hangman's noose, Poe knows he can never tell anyone about the repressed memories haunting him. But a newspaper reporter named Sam Reynolds has overheard him talking erratically about Annabel while in a drunken stupor. That a man as famous as Poe could be a murderer would be the scoop of a lifetime and Reynolds will do anything to get it. Flash forward nearly two hundred years to the present. The book's hero, Clay Cantrell, accidentally uncovers damning evidence--Annabel's skeleton and a locket from Poe--behind an old brick wall at the university. While the mystery of Annabel's murder and Poe's strange visions unfolds in flashbacks, Cantrell and friends launch a search of their own for the truth about Annabel's death. But another murder mystery much closer to home overtakes them when a cold-blooded serial killer named the Raven claims his first victim, a UVA coed. Obsessed with Poe, the Raven stages his murders with clever ties to Poe's works. Clay tries to stop the murders and soon winds up in the Raven's cross hairs. Though this isn't the first vicious killer Clay--an ex-Army Ranger--has fought, he doesn't know the Raven has a diabolical plan to execute him. Will Poe finally reveal the truth about Annabel, or will he take the secret to his grave? Can Clay escape the Raven's plot, find what drives the Raven's murderous obsession with Poe, and at last answer the question, who killed Annabel Lee?