Poe and the Visual Arts
Poe and the Visual Arts

Author: Barbara Cantalupo

Publisher: Penn State Press

Published: 2015-06-10

Total Pages: 213

ISBN-13: 0271064366

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Although Edgar Allan Poe is most often identified with stories of horror and fear, there is an unrecognized and even forgotten side to the writer. He was a self-declared lover of beauty who “from childhood’s hour . . . [had] not seen / As others saw.” Poe and the Visual Arts is the first comprehensive study of how Poe’s work relates to the visual culture of his time. It reveals his “deep worship of all beauty,” which resounded in his earliest writing and never entirely faded, despite the demands of his commercial writing career. Barbara Cantalupo examines the ways in which Poe integrated visual art into sketches, tales, and literary criticism, paying close attention to the sculptures and paintings he saw in books, magazines, and museums while living in Philadelphia and New York from 1838 until his death in 1849. She argues that Poe’s sensitivity to visual media gave his writing a distinctive “graphicality” and shows how, despite his association with the macabre, his enduring love of beauty and knowledge of the visual arts richly informed his corpus.

Poe Illustrated
Poe Illustrated

Author: Jeff A. Menges

Publisher: Courier Corporation

Published: 2007-08-31

Total Pages: 100

ISBN-13: 048645746X

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Inspired by the compelling works of the influential author come more than 100 choice illustrations. Brilliant color and crisp black-and-white images include scenes from "The Raven," "The Pit and the Pendulum," "The Gold-Bug," and other stories and poems. Drawn from rare sources, they form an extraordinary gallery of imaginative interpretations.

The Great Illustrators of Edgar Allan Poe
The Great Illustrators of Edgar Allan Poe

Author: Tony Magistrale

Publisher: Anthem Press

Published: 2021-05-11

Total Pages: 319

ISBN-13: 1785277855

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Although there have been over 700 illustrators of Poe’s work over the past two centuries, this book chooses to examine only the best of them. Beginning with the French in the nineteenth century and tracing the great illustrators of Poe to the present, this book not only provides close analyses of individual visualizations but also seeks to supply an art history context to understanding their emergence. The majority of the artists featured remain unknown, even to Poe scholars, although their artwork represents iterations inspired by the most famous of Poe’s poems and stories. In some cases, the illustrations helped increase the visibility of particular Poe works and to make them part of the international Poe canon. A few of the illustrators featured in this book (e.g., Manet, Doré, Redon, Beardsley) are recognized among the most famous artists in the world. Others, such as Martini and Blumenschein, while remaining minor figures in art history, nevertheless produced immortal work based on Poe’s fiction and poetry. While still other visual artists represented here (Rackham, Dulac, Clarke) achieved artistic fame as book illustrators based on homages to other writers and fairy tales in combination with their Poe studies; their work on Poe, however, helped to solidify their larger reputations as professional illustrators. The last chapter extends traditional visualizations influenced by Poe to include his impact on twentieth- and twenty-first century filmmakers and cartoonists. They, too, found in Poe’s writing either a source for direct re-creation or an inspiration for their own atmospheric excursions into the bizarre, the exotic, and the psychologically complex.

Edith Wharton and the Visual Arts
Edith Wharton and the Visual Arts

Author: Emily J. Orlando

Publisher: University of Alabama Press

Published: 2007

Total Pages: 265

ISBN-13: 0817315373

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This work explores Edith Wharton's career-long concern with a 19th-century visual culture that limited female artistic agency and expression. Wharton repeatedly invoked the visual arts as a medium for revealing the ways that women's bodies have been represented (as passive, sexualized, infantalized, sickly, dead). Well-versed in the Italian masters, Wharton made special use of the art of the Pre-Raphaelite Brotherhood, particularly its penchant for producing not portraits of individual women but instead icons onto whose bodies male desire is superimposed.

Poe and the Visual Arts
Poe and the Visual Arts

Author: Barbara Cantalupo

Publisher: Penn State Press

Published: 2015-06-10

Total Pages: 213

ISBN-13: 0271064285

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Although Edgar Allan Poe is most often identified with stories of horror and fear, there is an unrecognized and even forgotten side to the writer. He was a self-declared lover of beauty who “from childhood’s hour . . . [had] not seen / As others saw.” Poe and the Visual Arts is the first comprehensive study of how Poe’s work relates to the visual culture of his time. It reveals his “deep worship of all beauty,” which resounded in his earliest writing and never entirely faded, despite the demands of his commercial writing career. Barbara Cantalupo examines the ways in which Poe integrated visual art into sketches, tales, and literary criticism, paying close attention to the sculptures and paintings he saw in books, magazines, and museums while living in Philadelphia and New York from 1838 until his death in 1849. She argues that Poe’s sensitivity to visual media gave his writing a distinctive “graphicality” and shows how, despite his association with the macabre, his enduring love of beauty and knowledge of the visual arts richly informed his corpus.

Eureka
Eureka

Author: Edgar Allan Poe

Publisher:

Published: 2017-04-18

Total Pages: 123

ISBN-13: 3961892970

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Eureka (1848) is a lengthy non-fiction work by American author Edgar Allan Poe (1809–1849) which he subtitled "A Prose Poem", though it has also been subtitled as "An Essay on the Material and Spiritual Universe". Adapted from a lecture he had presented, Eureka describes Poe's intuitive conception of the nature of the universe with no antecedent scientific work done to reach his conclusions. He also discusses man's relationship with God, whom he compares to an author. It is dedicated to the German naturalist and explorer Alexander von Humboldt (1769–1859). Though it is generally considered a literary work, some of Poe's ideas anticipate 20th century scientific discoveries and theories. Indeed a critical analysis of the scientific content of Eureka reveals a non-causal correspondence with modern cosmology due to the assumption of an evolving Universe, but excludes the anachronistic anticipation of relativistic concepts such as black holes. Eureka was received poorly in Poe's day and generally described as absurd, even by friends. Modern critics continue to debate the significance of Eureka and some doubt its seriousness, in part because of Poe's many incorrect assumptions and his comedic descriptions of well-known historical minds. It is presented as a poem, and many compare it with his fiction work, especially science fiction stories such as "The Facts in the Case of M. Valdemar". His attempts at discovering the truth also follow his own tradition of "ratiocination", a term used in his detective fiction tales. Poe's suggestion that the soul continues to thrive even after death also parallels with works in which characters reappear from beyond the grave such as "Ligeia". The essay is oddly transcendental, considering Poe's disdain for that movement. He considered it his greatest work and claimed it was more important than the discovery of gravity. Eureka is Poe's last major work and his longest non-fiction work at nearly 40,000 words in length.

Introduction to Art: Design, Context, and Meaning
Introduction to Art: Design, Context, and Meaning

Author: Pamela Sachant

Publisher: Good Press

Published: 2023-11-27

Total Pages: 614

ISBN-13:

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Introduction to Art: Design, Context, and Meaning offers a deep insight and comprehension of the world of Art. Contents: What is Art? The Structure of Art Significance of Materials Used in Art Describing Art - Formal Analysis, Types, and Styles of Art Meaning in Art - Socio-Cultural Contexts, Symbolism, and Iconography Connecting Art to Our Lives Form in Architecture Art and Identity Art and Power Art and Ritual Life - Symbolism of Space and Ritual Objects, Mortality, and Immortality Art and Ethics

Poe-Land: The Hallowed Haunts of Edgar Allan Poe
Poe-Land: The Hallowed Haunts of Edgar Allan Poe

Author: J. W. Ocker

Publisher: The Countryman Press

Published: 2014-10-06

Total Pages: 613

ISBN-13: 1581576765

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Winner of the 2015 Edgar Award for Best Critical/Biographical! Follow the footsteps of the father of American horror fiction. Edgar Allan Poe was an oddity: his life, literature, and legacy are all, well, odd. In Poe-Land, J. W. Ocker explores the physical aspects of Poe’s legacy across the East Coast and beyond, touring Poe’s homes, examining artifacts from his life—locks of his hair, pieces of his coffin, original manuscripts, his boyhood bed—and visiting the many memorials dedicated to him. Along the way, Ocker meets people from a range of backgrounds and professions—actors, museum managers, collectors, historians—who have dedicated some part of their lives to Poe and his legacy. Poe-Land is a unique travelogue of the afterlife of the poet who invented detective fiction, advanced the emerging genre of science fiction, and elevated the horror genre with a mastery over the macabre that is arguably still unrivaled today.

The Poe Shrine
The Poe Shrine

Author: Christopher P. Semtner

Publisher: America Through Time

Published: 2017

Total Pages: 0

ISBN-13: 9781634990363

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Recounts the mysterious history of Edgar Allan Poe's life, work, and the museum preserving his artifacts, founded by devoted but troubled collectors. Although he is one of the world's most popular authors who continues to thrill and chill readers of all ages, Edgar Allan Poe's life is as enigmatic as his sudden, unexplained death. In a quest for solutions to the mysteries surrounding the poet's life and work, a group of Poe devotees founded the Poe Shrine in 1922. This body included the world's most prolific Poe collector, a psychiatrist who believed Poe was clairvoyant, and the grandson of Poe's worst enemy. Within four years of the Shrine's opening, one of the founders had committed suicide, another was committed to a mental hospital, and a third had been banned from ever entering the Shrine again. Somehow, over the course of 95 years, their museum has managed to assemble to world's finest collection of Poe artifacts and memorabilia featuring the author's boyhood bed, clothing, walking stick, and hair clipped from his head after his death. Drawing on the museum's archives, The Poe Shrine tells the story of these coveted objects, the people who collected them, and the institution that serves as their repository.

Receptions of Antiquity, Constructions of Gender in European Art, 1300-1600
Receptions of Antiquity, Constructions of Gender in European Art, 1300-1600

Author: Marice Rose

Publisher: BRILL

Published: 2015-06-24

Total Pages: 483

ISBN-13: 9004289690

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Receptions of Antiquity, Constructions of Gender in European Art, 1300-1600 presents scholarship in classical reception at its nexus with art history and gender studies. It considers the ways that artists, patrons, collectors, and viewers in late medieval and early modern Europe used ancient Greek and Roman art, texts, myths, and history to interact with and shape notions of gender. The essays examine Giotto's Arena Chapel frescoes, Michelangelo's Medici Chapel personifications, Giulio Romano's decoration of the Palazzo del Te, and other famous and lesser-known sculptures, paintings, engravings, book illustrations, and domestic objects as well as displays of ancient art. Visual responses to antiquity in this era, the volume demonstrates, bore a complex and significant relationship to the construction of, and challenges to, contemporary gender norms.