From smoothies to folklore, a global history of the many incarnations of the mango. This beautifully illustrated book takes us on a tour through the rich world of mangoes, which inspire fervent devotion across the world. In South Asia, mangoes boast a history steeped in Hindu and Buddhist mythology, even earning a mention in the Kama Sutra. Beyond myth, the authors show us that mangoes hold literary significance as a potent metaphor. While mango-flavored smoothies grace Western grocery shelves, the true essence of sweet, juicy mangoes or tangy, unripe varieties is a rarity: supermarket offerings often prioritize shelf-life over taste. This book offers an accessible introduction to the world of true mango aficionados and the thousand varieties they cherish.
Cuban-American cooking show star Miriam Quiñones-Smith becomes a seasoned sleuth in Raquel V. Reyes's Caribbean Kitchen Mystery debut, a savory treat for fans of Joanne Fluke and Jenn McKinlay. Food anthropologist Miriam Quiñones-Smith's move from New York to Coral Shores, Miami, puts her academic career on hold to stay at home with her young son. Adding to her funk is an opinionated mother-in-law and a husband rekindling a friendship with his ex. Gracias to her best friend, Alma, she gets a short-term job as a Caribbean cooking expert on a Spanish-language morning TV show. But when the newly minted star attends a Women's Club luncheon, a socialite sitting at her table suddenly falls face-first into the chicken salad, never to nibble again. When a second woman dies soon after, suspicions coalesce around a controversial Cuban herbalist, Dr. Fuentes--especially after the morning show's host collapses while interviewing him. Detective Pullman is not happy to find Miriam at every turn. After he catches her breaking into the doctor's apothecary, he enlists her help as eyes and ears to the places he can't access, namely the Spanish-speaking community and the tawny Coral Shores social scene. As the ingredients to the deadly scheme begin blending together, Miriam is on the verge of learning how and why the women died. But her snooping may turn out to be a recipe for her own murder.
Stylish, quick big-knit pieces from fashion brand Loopy Mango from cofounder and head designer Oejong Kim. Fashionable knitwear is wildly popular, as the New York Fashion Week runways and pages of Vogue will tell you. Loopy Mango Knitting offers one-of-a-kind statement pieces that you’ve seen in stores and can now make at home. With bold colors and chic styles, Loopy Mango is always ahead of the trends, creating lasting designs that complement any wardrobe. And their big yarn makes the pieces easy to complete in a day! Featuring beautiful photography, accessible instructions, and plenty of tips and techniques, new and experienced knitters alike will find a lot to love in Loopy Mango’s first book.
The account of a life spanning almost sixty years of work in the film industry in England, Hollywood, India, and throughout the world. Peter Hopkinson joined Denham Studios as a clapper loader at 16 and quickly became a camera assistant, working with directors like King Vidor and Michael Powell, and stars such as Marlene Dietrich and Robert Donat. In 1940 he joined the army and, working for the British Army Film and Photographic Unit, helped to film the Battle of Alamein, allied landings in Italy, partisan actions in Yugoslavia and Greece and the Japanese surrender in Siam (Thailand), among many other assignments. After the war he became a director-cameraman, mainly for the March of Time newsreels, continuing to film from war zones and trouble spots, but also creating documentaries (many of them award-winning) that analysed life in peacetime: politics, scientific advance, social upheaval in the developing world and changing lifestyles at home. In later life he was hired by UNESCO to pass on his mastery of documentary film-making to a new generation of international youth at the Film Institute of India. In this book Peter Hopkinson presents not just an account of his own amazing life and work but a lucid and comprehensive history of the moving image itself, the supreme popular art form of our time. Includes more than 100 photographs. 'A history of the moving image told from the perspective of somebody who has experienced many of the major developments in the industry at first hand.' Melvyn Bragg (Controller Arts, London Weekend Television) "A real contribution to the literature of film in the 20th century." Raymond Fielding (Dean and Professor School of Motion Picture Television and Recording Arts Florida State University)
The Alor-Pantar family constitutes the westernmost outlier group of Papuan (Non-Austronesian) languages. Its twenty or so languages are spoken on the islands of Alor and Pantar, located just north of Timor, in eastern Indonesia. Together with the Papuan languages of Timor, they make up the Timor-Alor-Pantar family. The languages average 5,000 speakers and are under pressure from the local Malay variety as well as the national language, Indonesian. This volume studies the internal and external linguistic history of this interesting group, and showcases some of its unique typological features, such as the preference to index the transitive patient-like argument on the verb but not the agent-like one; the extreme variety in morphological alignment patterns; the use of plural number words; the existence of quinary numeral systems; the elaborate spatial deictic systems involving an elevation component; and the great variation exhibited in their kinship systems. Unlike many other Papuan languages, Alor-Pantar languages do not exhibit clause-chaining, do not have switch reference systems, never suffix subject indexes to verbs, do not mark gender, but do encode clusivity in their pronominal systems. Indeed, apart from a broadly similar head-final syntactic profile, there is little else that the Alor-Pantar languages share with Papuan languages spoken in other regions. While all of them show some traces of contact with Austronesian languages, in general, borrowing from Austronesian has not been intense, and contact with Malay and Indonesian is a relatively recent phenomenon in most of the Alor-Pantar region.
One Blood offers a wealth of ethnographic material, skillfully using traditional Jamaican images and expressions to present a coherent and systematic depiction of the Jamaican body, of how it works and of how health is maintained. Sobo explains some of the more complex issues of medical anthropology in a clear and accessible fashion and shows how gender and kinship tensions are expressed through culturally constructed syndromes. The book explores the ways in which the body serves as a medium for the expression of ideas about the social and moral order. Childhood socializations and ideas about gender relations, kinship, social obligations, sorcery, and deceit are investigated in association with beliefs about nutrition, procreation, sexuality, cleanliness, bodily flow, and sickness.
A Bridge Between is the first account of the Benedictine women who worked at New Norcia and the first book-length exploration of twentieth-century life in the Western Australian mission town. From the founding of a grand school intended for ‘nativas’, through links to Mexico and Paraguay then Ireland, India and Belgium, as well as to their house in the Kimberley, and a network of villages near Burgos in the north of Spain, this is a complex international history. A Bridge Between gathers a powerful, fragmented story from the margins of the archive, recalling the Aboriginal women who joined the community in the 1950s and the compelling reunion of missionaries and former students in 2001. By tracing the all-but-forgotten story of the community of Benedictine women who were central to the experience of the mission for many Aboriginal families in the twentieth century, this book lays a foundation for further work. This sensitive account of Spanish Benedictine women at an Aboriginal mission in Western Australia is poignant and disturbing. Notable for its ecumenical spirit, depth of research and deep engagement with the subject, A Bridge Between is a model of how religious history, in its broader bearings, can be written. — Graeme Davison, Monash University With great insight and care, A Bridge Between presents a sympathetic but not uncritical history of the lives of individuals who have often been invisible. The story of the nuns at New Norcia is a timely contribution to Australia’s religious history. Given the findings of the Royal Commission, it will be widely read both within and beyond the academy. History is, here, a spiritual discipline, and an exercise in hope and reconciliation. — Laura Rademaker, The Australian National University
