Playboys and Killjoys

Playboys and Killjoys

Author: Harry Levin

Publisher: Oxford University Press

Published: 1988-09-08

Total Pages: 225

ISBN-13: 0195364309

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Harry Levin--one of America's major literary critics--offers a brilliant and original study of the whole world of comedy, concentrating on playwrights through the centuries, from Aristophanes and Plautus in classical times to Bernard Shaw and Bertolt Brecht and their recent successors. Viewing the comic repertory as a richly varied yet broadly unified whole, Levin provides a synthesis of theories and practice. Isolating two fundamental aspects of comedy--the ludicrous and irreverent "playboy," whom we laugh with, and the ridiculous and forbidding "killjoy," whom we laugh at--he traces the dialectical interplay of these components throughout history and across various cultures and media. While mainly focusing on the plays and the stage, with discussions of such major dramatists as Shakespeare, Ben Jonson, Molière, and William Congreve, Levin also includes essays on such related topics as humor, satire, and games.


How to Tell God from the Devil

How to Tell God from the Devil

Author: A. Roy Eckardt

Publisher: Routledge

Published: 2018-01-16

Total Pages: 304

ISBN-13: 1351293869

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How to Tell God From the Devil is the first book to depict the relationship among comedy, the Devil, and God. Drawing from Jewish and Christian theories, Eckardt describes comedy as a means to distinguish the divine from the diabolic. He presents a thorough critique of efforts throughout history to justify God in the presence of radical evil and suffering. How to Tell God From the Devil is a sequel to Eckardt's fascinating earlier study Sitting in the Earth and Laughing. Eckardt offers a theological vision of the comic, and shows its practical use in differentiating God from the Devil. The viewpoint presupposed is a special application of the incongruity theory of humor, which sees humor as an attempt to deal with inexplicable occurrences. Eckardt shows how humor can make faulty explanations tolerable for examining evil and suffering, particularly the notion that God can somehow be "excused" for the terrible evils extant in the world. Eckardt critiques dualistic views that make the Devil and God independent sovereign beings, and monistic views that try to reduce evil to non-being. Eckardt holds God to be ultimately responsible for evil, in such ways that the only final resolution of evil-if there is such-is a form of divine comedy. Eckardt employs a variety of historical, psychological, sociological, philosophical, and theological sources. He discusses and assesses such diverse figures as Martin Luther, Reinhold Niebuhr, Zen Buddhists, Conrad Hyers, Nancy A. Walker, Jon D. Levenson, and Harvey Cox. How to Tell God From The Devil is an exceptional work, and will be significant and enjoyable for sociologists, theologians, philosophers, and specialists concerned with the study of humor.


Linguistic Theories of Humor

Linguistic Theories of Humor

Author: Salvatore Attardo

Publisher: Walter de Gruyter

Published: 2010-01-13

Total Pages: 449

ISBN-13: 3110219026

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So this English professor comes into class and starts talking about the textual organization of jokes, the taxonomy of puns, the relations between the linguistic form and the content of humorous texts, and other past and current topics in language- based research into humor. At the end he stuffs all the various approaches to verbal humor into linguistic theory as a whole. Nobody gets it, see, so he tells them to buy the book.


The Counter-Memorial Impulse in Twentieth-Century English Fiction

The Counter-Memorial Impulse in Twentieth-Century English Fiction

Author: S. Henstra

Publisher: Springer

Published: 2009-11-12

Total Pages: 192

ISBN-13: 0230297358

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A wide-ranging study that examines the tendency in 20th-century English fiction to treat grief as an occasion for social critique, unconventional readings of works by Ford, Lessing, and Winterson demonstrate how narrative experimentation in this period responds to socio-historic conditions like post-imperial melancholy, nuclear fear and homophobia.


Comedy

Comedy

Author: Andrew Stott

Publisher: Routledge

Published: 2004-11-26

Total Pages: 176

ISBN-13: 1134424108

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Rather than attempting to produce a totalising definition of 'the comic', this volume focuses on the significance of comic 'events' through study of various theoretical methodologies, including deconstruction, psychoanalysis and gender theory.


Reading the Renaissance

Reading the Renaissance

Author: Jonathan Locke Hart

Publisher: Taylor & Francis

Published: 1996

Total Pages: 304

ISBN-13: 9780815323556

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First Published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.


The Comic Mode in English Literature

The Comic Mode in English Literature

Author: Murray Roston

Publisher: Bloomsbury Publishing

Published: 2011-10-27

Total Pages: 288

ISBN-13: 1441109900

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From Chaucer's The Canterbury Tales to Helen Fielding's Bridget Jones's Diary, this is a comprehensive guide to comedy in the English literary canon. Beginning with a critical exploration of historical and philosophical theories of humour, the book then supplies close-readings of a wide range of major texts, authors and genres from the Medieval period to the present. The Comic Mode in English Literature examines such texts as: "Shakespeare's A Midsummer Night's Dream" Pope's The Rape of the Lock Austen's Emma "Dickens" The Pickwick Papers Wilde's The Importance of Being Earnest Amis's Lucky Jim Covering poetry, prose and drama, this comprehensive guide will be essential reading for students of comic writing, literary history and genre.


The Art of Comedy Writing

The Art of Comedy Writing

Author: Arthur Asa Berger

Publisher: Routledge

Published: 2017-09-29

Total Pages: 84

ISBN-13: 1351305700

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Just as a distinctive literary voice or style is marked by the ease with which it can be parodied, so too can specific aspects of humor be unique. Playwrights, television writers, novelists, cartoonists, and film scriptwriters use many special technical devices to create humor. Just as dramatic writers and novelists use specific devices to craft their work, creators of humorous materials?from the ancient Greeks to today's stand-up comics?have continued to use certain techniques in order to generate humor. In The Art of Comedy Writing, Arthur Asa Berger argues that there are a relatively limited number of techniques?forty-five in all?that humorists employ. Elaborating upon his prior, in-depth study of humor, An Anatomy of Humor, in which Berger provides a content analysis of humor in all forms?joke books, plays, comic books, novels, short stories, comic verse, and essays?The Art of Comedy Writing goes further. Berger groups each technique into four basic categories: humor involving identity such as burlesque, caricature, mimicry, and stereotype; humor involving logic such as analogy, comparison, and reversal; humor involving language such as puns, wordplay, sarcasm, and satire; and finally, chase, slapstick, and speed, or humor involving action. Berger claims that if you want to know how writers or comedians create humor study and analysis of their humorous works can be immensely insightful. This book is a unique analytical offering for those interested in humor. It provides writers and critics with a sizable repertoire of techniques for use in their own future comic creations. As such, this book will be of interest to people inspired by humor and the creative process?professionals in the comedy field and students of creative writing, comedy, literary humor, communications, broadcast/media, and the humanities.


Madcaps, Screwballs, and Con Women

Madcaps, Screwballs, and Con Women

Author: Lori Landay

Publisher: University of Pennsylvania Press

Published: 1998-02

Total Pages: 274

ISBN-13: 9780812216516

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Women have been tricking men for thousands of years, and female tricksters have been appearing in classic and popular texts at least since the Thousand and One Nights. While there are many studies of tricksters, few have focused on the chicanery of women, and none have dealt with the ways in which the female trickster is constructed in America. Madcaps, Screwballs, and Con Women is the first book to explore the cultural work performed by female tricksters in the "new country" of American mass consumer culture. Beginning with such nineteenth-century novels as Capitola the Madcap and moving through twentieth-century novels, films, radio, and television shows, Lori Landay looks at how popular heroines use craft and deceit to circumvent the limitations of femininity. She considers texts of the 1920s such as Elinor Glyn's It and Anita Loos's Gentlemen Prefer Blondes; films of Mae West, as well as other Depression-era and wartime film comedy; the postwar television series I Love Lucy; and such contemporary texts as "Roseanne," "Ellen," and "Batman." In addition, Landay explores the connections between these texts and advertisements selling products that encourage female deception and trickery.


Classical Hollywood Comedy

Classical Hollywood Comedy

Author: Kristine Brunovska Karnick

Publisher: Routledge

Published: 2013-02-01

Total Pages: 440

ISBN-13: 1135213232

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Applies the recent `return to history' in film studies to the genre of classical Hollywood comedy as well as broadening the definition of those works considered central in this field.