Nine Essays by Arthur Platt

Nine Essays by Arthur Platt

Author: Arthur Platt

Publisher: Cambridge University Press

Published: 2016-02-25

Total Pages: 241

ISBN-13: 1316601692

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Originally published in 1927, this book presents a selection of previously unprinted essays by the classical scholar John Arthur Platt (1860-1925). A variety of figures and subjects are discussed, both classical and otherwise, including Aristophanes, Edward Fitzgerald, and the relationship between poetry and science. The text also contains a preface written by A. E. Housman. This book will be of value to anyone with an interest in Platt and his writings.


Reference, Truth and Reality

Reference, Truth and Reality

Author: Mark Platts

Publisher: Routledge

Published: 2016-08-12

Total Pages: 335

ISBN-13: 1315533871

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The papers in this collection discuss the central questions about the connections between language, reality and human understanding. The complex relations between accounts of meaning and facts about ordinary speakers’ understanding of their language are examined so as to illuminate the philosophical character of the connections between language and reality. The collection as a whole is a thematically unified treatment of some of the most central questions within contemporary philosophy of language.


"Lincoln's Humor" and Other Essays

Author: Benjamin P. Thomas

Publisher: University of Illinois Press

Published: 2024-04-22

Total Pages: 212

ISBN-13: 0252056388

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This volume gathers the best previously unpublished and uncollected writings on Abraham Lincoln and Lincoln scholarship by one of his great biographers, Benjamin P. Thomas. A skilled historian and a masterful storyteller himself, Thomas was widely regarded as the greatest Lincoln historian of his generation. With these essays, he combines historical depth with narrative grace in delineating Lincoln's qualities as a humorist, lawyer, and politician. From colorful tall tales to clever barbs aimed at political opponents, Lincoln clothed a shrewd wit in a homespun, backwoods vernacular. He used humor to defuse tension, illuminate a point, put others at ease--and sometimes for sheer fun. From an early reliance on broad humor and ridicule in speeches and on the stump, Lincoln's style shifted in 1854 to a more serious vein in which humor came primarily to elucidate an argument. "If I did not laugh occasionally I should die," he is said to have told his cabinet, "and you need this medicine as much as I do." Thomas brings his deep knowledge of Lincoln to essays on the great man's tumultuous career in Congress, his work as a lawyer, his experiences in the Courts, and his opinions of the South. A gracious survey of Lincoln's early biographers, particularly Ida Tarbell, stands alongside an appreciation of Harry Edward Pratt, a key figure in the early days of the Abraham Lincoln Association. Thomas also assesses Lincoln's use of language and the ongoing significance of the Gettysburg Address. This diverse collection is enhanced by an introduction by Michael Burlingame, himself a leading biographer of Lincoln. Burlingame provides a balanced portrait of Thomas and his circuitous path toward writing history.


Moral Realities

Moral Realities

Author: Mark Platts

Publisher: Routledge

Published: 2005-10-05

Total Pages: 240

ISBN-13: 1134930690

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First published in 1991. Routledge is an imprint of Taylor & Francis, an informa company.


Expressive Intersections in Brahms

Expressive Intersections in Brahms

Author: Heather Platt

Publisher: Indiana University Press

Published: 2012-07-18

Total Pages: 317

ISBN-13: 0253005256

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“This exceptionally fine collection brings together many of the best analysts of Brahms, and nineteenth-century music generally, in the English-speaking world today.” —Nineteenth-Century Music Review Contributors to this exciting volume examine the intersection of structure and meaning in Brahms’s music, utilizing a wide range of approaches, from the theories of Schenker to the most recent analytical techniques. They combine various viewpoints with the semiotic-based approaches of Robert Hatten, and address many of the most important genres in which Brahms composed. The essays reveal the expressive power of a work through the comparison of specific passages in one piece to similar works and through other artistic realms such as literature and painting. The result of this intertextual re-framing is a new awareness of the meaningfulness of even Brahms’s most “absolute” works. “Through its unique combination of historical narrative, expressive content, and technical analytical approaches, the essays in Expressive Intersections in Brahms will have a profound impact on the current scholarly discourse surrounding Brahms analysis.” —Notes