Plantation Airs
Plantation Airs

Author: Brannon Costello

Publisher: LSU Press

Published: 2007-12

Total Pages: 216

ISBN-13: 0807135240

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In Plantation Airs, Brannon Costello argues persuasively for new attention to the often neglected issue of class in southern literary studies. Focusing on the relationship between racial paternalism and social class in American novels written after World War II, Costello asserts that well into the twentieth century, attitudes and behaviors associated with an idealized version of agrarian antebellum aristocracy -- especially, those of racial paternalism -- were believed to be essential for white southerners. The wealthy employed them to validate their identities as "aristocrats," while less-affluent whites used them to separate themselves from "white trash" in the social hierarchy. Even those who were not legitimate heirs of plantation-owning families found that "putting on airs" associated with the legacy of the plantation could align them with the forces of power and privilege and offer them a measure of authority in the public arena that they might otherwise lack. Fiction by Zora Neale Hurston, Eudora Welty, William Faulkner, Ernest Gaines, Walker Percy, and others reveals, however, that the racial paternalism central to class formation and mobility in the South was unraveling in the years after World War II, when the civil rights movement and the South's increasing industrialization dramatically altered southern life. Costello demonstrates that these writers were keenly aware of the ways in which the changes sweeping the South complicated the deeply embedded structures that governed the relationship between race and class. He further contends that the collapse of racial paternalism as a means of organizing class lies at the heart of their most important works -- including Hurston's Seraph on the Suwanee and her essay "The 'Pet Negro' System," Welty's Delta Wedding and The Ponder Heart, Faulkner's The Mansion and The Reivers, Gaines's Of Love and Dust and his story "Bloodline," and Percy's The Last Gentleman and Love in the Ruins. By examining ways in which these works depict and critique the fall of the plantation ideal and its aftermath, Plantation Airs indicates the richness and complexity of the literary responses to this intersection of race and class. Understanding how many of the modern South's best writers imagined and engaged the various facets of racial paternalism in their fiction, Costello confirms, helps readers construct a more comprehensive picture of the complications and contradictions of class in the South.

Urban Dreams, Rural Commonwealth
Urban Dreams, Rural Commonwealth

Author: Paul Musselwhite

Publisher: University of Chicago Press

Published: 2018-12-21

Total Pages: 354

ISBN-13: 022658528X

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The English settlers who staked their claims in the Chesapeake Bay were drawn to it for a variety of reasons. Some sought wealth from the land, while others saw it as a place of trade, a political experiment, or a potential spiritual sanctuary. But like other European colonizers in the Americas, they all aspired to found, organize, and maintain functioning towns—an aspiration that met with varying degrees of success, but mostly failure. Yet this failure became critical to the economy and society that did arise there. As Urban Dreams, Rural Commonwealth reveals, the agrarian plantation society that eventually sprang up around the Chesapeake Bay was not preordained—rather, it was the necessary product of failed attempts to build cities. Paul Musselwhite details the unsuccessful urban development that defined the region from the seventeenth century through the Civil War, showing how places like Jamestown and Annapolis—despite their small size—were the products of ambitious and cutting-edge experiments in urbanization comparable to those in the largest port cities of the Atlantic world. These experiments, though, stoked ongoing debate about commerce, taxation, and self-government. Chesapeake planters responded to this debate by reinforcing the political, economic, and cultural authority of their private plantation estates, with profound consequences for the region’s laborers and the political ideology of the southern United States. As Musselwhite makes clear, the antebellum economy around this well-known waterway was built not in the absence of cities, but upon their aspirational wreckage.

Eudora Welty, Whiteness, and Race
Eudora Welty, Whiteness, and Race

Author: Harriet Pollack

Publisher: University of Georgia Press

Published: 2013-01-01

Total Pages: 287

ISBN-13: 082034432X

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Faced with Eudora Welty's preference for the oblique in literary performances, some have assumed that Welty was not concerned with issues of race, or even that she was perhaps ambivalent toward racism. This collection counters those assumptions as it examines Welty's handling of race, the color line, and Jim Crow segregation and sheds new light on her views about the patterns, insensitivities, blindness, and atrocities of whiteness. Contributors to this volume show that Welty addressed whiteness and race in her earliest stories, her photography, and her first novel, Delta Wedding. In subsequent work, including The Golden Apples, The Optimist's Daughter, and her memoir, One Writer's Beginnings, she made the color line and white privilege visible, revealing the gaping distances between lives lived in shared space but separated by social hierarchy and segregation. Even when black characters hover in the margins of her fiction, they point readers toward complex lives, and the black body is itself full of meaning in her work. Several essays suggest that Welty represented race, like gender and power, as a performance scripted by whiteness. Her black characters in particular recognize whiteface and blackface as performances, especially comical when white characters are unaware of their role play. Eudora Welty, Whiteness, and Race also makes clear that Welty recognized white material advantage and black economic deprivation as part of a cycle of race and poverty in America and that she connected this history to lives on either side of the color line, to relationships across it, and to an uneasy hierarchy of white classes within the presumed monolith of whiteness. Contributors: Mae Miller Claxton, Susan V. Donaldson, Julia Eichelberger, Sarah Ford, Jean C. Griffith, Rebecca Mark, Suzanne Marrs, Donnie McMahand, David McWhirter, Harriet Pollack, Keri Watson, Patricia Yaeger.