Wendell Flutz's room isn't a mess. It's a total pigsty. But Wendell's mother can't get him to clean it up. Wendell doesn't think the mess is so awful. In fact, he doesn't even mind it when one day he discovers a real pig sitting on his bed. Full color.
It's a pig's life being a princess! Young princess Isabella has it all - but has had enough of all of it. Isabella has had enough of being waited on hand and foot, of having to smile all the time, and of wearing beautiful dresses that she can't climb trees in. So when the king banishes her to the pigsty, his punishment backfires - Isabella's happier there than a pig in mud!
In 1943 Peter, a 21-year-old Dutch citizen, faces a choice: forced labour in Germany or go into hiding with the help of the resistance movement. After the war he faces another choice: remain in the Netherlands or emigrate from the war-torn country. Throughout his life Peter's decisions are influenced by his strong family ties and his deep personal faith. Above the Pigsty provides a glimpse into the daily life of one onderduiker (person in hiding) during the Nazi occupation of the Netherlands from 1940 to 1945 and for the first year after liberation by the Allied troops....
It is the first week of July, in the year 1956, and four teenaged siblings are spending time on a rural farm in Arkansas; bored and restless. They, along with their parents are just beginning their summer vacation paying the obligatory visit to the grandparents, and Uncle Romey, the adult son with Down's syndrome. Instead of spending their time searching for four-leafed clovers in the grass, the youngsters would rather be going to the beach every day and hanging out with their friends back home in Long Beach, California. The vacation seems as though it will be the same as the last oneand the one before that. But at least the arrival of an aunt and uncle and cousin makes things a little more fun for the youngsters, as they find ways to entertain themselves; which of course translates as getting into mischief. Also, with the arrival of the aunt and uncle, tensions begin to escalate between the adults when a long held secret, previously known only to the grandparents is brought to light. Then with the unexpected arrival of the argumentative, prodigal daughter, who has decided to join the family in the Fourth of July celebration, things really begin to heat up within the household and the dissention magnifies. What was expected to be a routine holiday celebration, turns into an exraordinary adventure. With the discovery of long buried human remains, the story unfolds into one of dark secrets, assault, deception, lies, dead bodies, ghosts, and murder; and the life of each remaining family member is affected forever.
On the farm there was a pigsty with a barbed wire fence surrounding it. Ernie climbed inside. When a sow charged him, he retreated and cut himself as he ducked under the barbed wire. With blood all over his eye, his mom took him to the nearest medical facility, which was a tuberculosis sanitarium. A doctor there saw the injury was to the eyelid, not the eye. He sewed up the eyelid leaving a small scar. So Ernie was one of the few people in the world who was an outpatient at a tuberculosis sanitarium. It was a busy year for Ernies guardian angel.
How big is a pig? To find out, follow in the footsteps of a cheerful piglet as he takes you on a trail around the farmyard. You will meet beasts, birds, and insects of all shapes and sizes, until at last you come to a big surprise in the pigsty. With a clever, repetitive text, How Big Is a Pig? offers a gentle and humorous way of introducing pre-school children to all kinds of opposites. Ages 1-4 Colour illustrations
Bestselling author Tom Lichtenheld brings a mad-cap mess ALIVE in this lightly animated interactive format -- perfect for young readers of all ages! Fans are sure to delight in What Mess? Story Synopsis: Why is this room such a mess all the time?What's with that smell, and what's with the grime? What Mess? is a hilarious conversation between a boy and his parents about a room that's such a disaster zone, he'd have to clean it just to call it a mess.
In Somebody's Mother, Somebody's Daughter, Carol Ann Lee tells, for the first time, the stories of those women who came into Sutcliffe's murderous orbit, restoring their individuality to them and giving a voice to their families, including the twenty-three children whom he left motherless.
In eighteenth-century New Orleans, the legal testimony of some 150 enslaved women and men--like the testimony of free colonists--was meticulously recorded and preserved. Questioned in criminal trials as defendants, victims, and witnesses about attacks, murders, robberies, and escapes, they answered with stories about themselves, stories that rebutted the premise on which slavery was founded. Focusing on four especially dramatic court cases, Voices of the Enslaved draws us into Louisiana's courtrooms, prisons, courtyards, plantations, bayous, and convents to understand how the enslaved viewed and experienced their worlds. As they testified, these individuals charted their movement between West African, indigenous, and colonial cultures; they pronounced their moral and religious values; and they registered their responses to labor, to violence, and, above all, to the intimate romantic and familial bonds they sought to create and protect. Their words--punctuated by the cadences of Creole and rich with metaphor--produced riveting autobiographical narratives as they veered from the questions posed by interrogators. Carefully assessing what we can discover, what we might guess, and what has been lost forever, Sophie White offers both a richly textured account of slavery in French Louisiana and a powerful meditation on the limits and possibilities of the archive.