Pictures in the Collection of J. Pierpont Morgan at Prince's Gate and Dover House, London

Pictures in the Collection of J. Pierpont Morgan at Prince's Gate and Dover House, London

Author: J. Pierpont Morgan

Publisher: Forgotten Books

Published: 2017-07-13

Total Pages: 372

ISBN-13: 9780259946168

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Excerpt from Pictures in the Collection of J. Pierpont Morgan at Prince's Gate and Dover House, London: English School The pictures here catalogued have in the main been acquired by Mr. Pierpont Morgan during the last fifteen years. At first his desire seems merely to. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.


British Paintings in the Metropolitan Museum of Art, 1575-1875

British Paintings in the Metropolitan Museum of Art, 1575-1875

Author: Metropolitan Museum of Art (New York, N.Y.)

Publisher: Metropolitan Museum of Art

Published: 2009

Total Pages: 322

ISBN-13: 1588393488

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Covering the period between the late 16th century through to the third quarter of the 19th century, this book features paintings by English, Scottish, Welsh and Irish artists which are part of the collection of the Metropolitan Museum of Art.


British Models of Art Collecting and the American Response

British Models of Art Collecting and the American Response

Author: Dr Inge Reist

Publisher: Ashgate Publishing, Ltd.

Published: 2014-10-28

Total Pages: 289

ISBN-13: 147243806X

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This collection of fourteen essays by distinguished art and cultural historians examine points of similarity and difference in British and American art collecting. Half the essays examine the trends that dominated the British art collecting scene of the nineteenth century. Others focus on American collectors, using biographical sketches and case studies to demonstrate how collectors in the United States embellished the British model to develop their own, often philanthropic approach to art collecting.


Old Masters Worldwide

Old Masters Worldwide

Author: Susanna Avery-Quash

Publisher: Bloomsbury Publishing USA

Published: 2020-10-15

Total Pages: 339

ISBN-13: 1501348159

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As a result of the Napoleonic wars, vast numbers of Old Master paintings were released on to the market from public and private collections across continental Europe. The knock-on effect was the growth of the market for Old Masters from the 1790s up to the early 1930s, when the Great Depression put an end to its expansion. This book explores the global movement of Old Master paintings and investigates some of the changes in the art market that took place as a result of this new interest. Arguably, the most important phenomenon was the diminishing of the traditional figure of the art agent and the rise of more visible, increasingly professional, dealerships; firms such as Colnaghi and Agnew's in Britain, Goupil in France and Knoedler in the USA, came into existence. Old Masters Worldwide explores the ways in which the pioneering practices of such businesses contributed to shape a changing market.


The Evolution of Taste in American Collecting

The Evolution of Taste in American Collecting

Author: René Brimo

Publisher: Penn State Press

Published: 2016-12-13

Total Pages: 512

ISBN-13: 0271077840

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The Evolution of Taste in American Collecting is a new critical translation of René Brimo’s classic study of eighteenth- and nineteenth-century patronage and art collecting in the United States. Originally published in French in 1938, Brimo’s foundational text is a detailed examination of collecting in America from colonial times to the end of World War I, when American collectors came to dominate the European art market. This work helped shape the then-fledgling field of American art history by explaining larger cultural transformations as manifested in the collecting habits of American elites. It remains the most substantive account of the history of collecting in the United States. In his introduction, Kenneth Haltman provides a biographical study of the author and his social and intellectual milieu in France and the United States. He also explores how Brimo’s work formed a turning point and initiated a new area of academic study: the history of art collecting. Making accessible a text that has until now only been available in French, Haltman’s elegant translation of The Evolution of Taste in American Collecting sheds new critical light on the essential work of this extraordinary but overlooked scholar.