The Art of Photoplay Making

The Art of Photoplay Making

Author: Victor Oscar Freeburg

Publisher:

Published: 1918

Total Pages: 332

ISBN-13:

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Met ind. - Ook aanwezig als facsimile-herdr.: New York : Arno [etc.], 1970. - 283, [18] p. : ill. ; 22 cm . - (Literature of cinema, The). ISBN 0-405-01612-3. - ISBN 0-404-1600-X (complete set).


Inventing Film Studies

Inventing Film Studies

Author: Lee Grieveson

Publisher: Duke University Press

Published: 2008-11-24

Total Pages: 481

ISBN-13: 0822388677

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Inventing Film Studies offers original and provocative insights into the institutional and intellectual foundations of cinema studies. Many scholars have linked the origins of the discipline to late-1960s developments in the academy such as structuralist theory and student protest. Yet this collection reveals the broader material and institutional forces—both inside and outside of the university—that have long shaped the field. Beginning with the first investigations of cinema in the early twentieth century, this volume provides detailed examinations of the varied social, political, and intellectual milieus in which knowledge of cinema has been generated. The contributors explain how multiple instantiations of film study have had a tremendous influence on the methodologies, curricula, modes of publication, and professional organizations that now constitute the university-based discipline. Extending the historical insights into the present, contributors also consider the directions film study might take in changing technological and cultural environments. Inventing Film Studies shows how the study of cinema has developed in relation to a constellation of institutions, technologies, practices, individuals, films, books, government agencies, pedagogies, and theories. Contributors illuminate the connections between early cinema and the social sciences, between film programs and nation-building efforts, and between universities and U.S. avant-garde filmmakers. They analyze the evolution of film studies in relation to the Museum of Modern Art, the American Film Council movement of the 1940s and 1950s, the British Film Institute, influential journals, cinephilia, and technological innovations past and present. Taken together, the essays in this collection reveal the rich history and contemporary vitality of film studies. Contributors: Charles R. Acland, Mark Lynn Anderson, Mark Betz, Zoë Druick, Lee Grieveson, Stephen Groening, Haden Guest, Amelie Hastie, Lynne Joyrich, Laura Mulvey, Dana Polan, D. N. Rodowick, Philip Rosen, Alison Trope, Haidee Wasson, Patricia White, Sharon Willis, Peter Wollen, Michael Zryd


American Cinema’s Transitional Era

American Cinema’s Transitional Era

Author: Charlie Keil

Publisher: Univ of California Press

Published: 2004-07-12

Total Pages: 392

ISBN-13: 9780520240278

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This 'transitional era' covered the years 1908-1917 & witnessed profound changes in the structure of the motion picture industry in the US, involving film genre, film form, filmmaking practices & the emergence of the studio system. The pattern which emerged dominated the industry for decades to come.


Hollywood

Hollywood

Author: Thomas Schatz

Publisher: Taylor & Francis

Published: 2004

Total Pages: 434

ISBN-13: 9780415281324

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'Hollywood' as a concept applies variously to a particular film style, a factory-based mode of film production, a cartel of powerful media institutions and a national (and increasingly global) 'way of seeing'. It is a complex social, cultural and industrial phenomenon and is arguably the single most important site of cultural production over the past century.This collection brings together journal articles, published essays, book chapters and excerpts which explore Hollywood as a social, economic, industrial, aesthetic and political force, and as a complex historical entity.